Tag: Khachaturian

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Join me on “The Lost Chord” for Leopold Stokowski’s rarely-heard recording of Aram Khachaturian’s Symphony No. 2.

Khachaturian composed the work in 1943, the height of World War II, while holed up at a Composers Union retreat with Shostakovich, Prokofiev, Miaskovsky, and Glière. He described the piece as “a requiem of protest against war and violence.” Its nickname, “The Bell,” alludes to a kind of alarm that opens and closes the work. Overall, the tone is one of unshakable resolve in the face of tragedy.

Stokowski’s recording, long unavailable, was originally issued on United Artists Records in the late 1950s. It reappeared briefly on compact disc, on the EMI label, in 1994, and again in 2009, as part of a 10-disc box set of entrancing Stokowski performances.

Alas, the master tapes have not weathered the years well, so there are moments of distortion, but the power of the work under Stokowski’s direction transcends any technical limitations.

To round out the hour, we’ll hear Russian-born pianist Nadia Reisenberg in a selection from her 1947 Carnegie Hall recital, Khachaturian’s most famous piano piece, the “Toccata.” Reisenberg studied at Philadelphia’s Curtis Institute of Music under Josef Hoffman.

I hope you’ll join me for music by Khachaturian other than the “Sabre Dance.” That’s “Khach as Catch Can,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon.

Clip and save the start times for all three of my recorded shows:

PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

Stream them, wherever you are, at the link!

https://kwax.uoregon.edu/

“Sabre Dance” at the Bolshoi, with Khachaturian conducting:

PHOTO: Troika! (Right to left) Khachaturian with Shostakovich and Prokofiev

I don’t know what got into me – maybe I feel beleaguered? – but this Sunday night on “The Lost Chord,” I’ll be presenting Leopold Stokowski’s rarely-heard recording of Aram Khachaturian’s Symphony No. 2, sometimes called “The Bell.”

Khachaturian wrote the work in 1943, the height of World War II, while he was holed up at a Composers Union retreat with Shostakovich, Prokofiev, Miaskovsky and Gliere. He said of the piece, “The Second Symphony is a requiem of wrath, a requiem of protest against war and violence.”

The symphony’s nickname alludes to a kind of alarm that opens and closes the work. Overall, the tone is one of resolution in the face of tragedy.

Stokowski’s recording, long unavailable, was originally issued on United Artists Records in the late 1950s. It reappeared briefly on compact disc, on the EMI label, in 1994, and again in 2009, as part of a 10-disc box set of entrancing Stokowski performances.

The master tapes have not weathered the years well, alas, so there are moments of distortion, but the power of the piece transcends any technical limitations. There is certainly nothing wanting in the performance.

To round out the hour, we’ll hear the Russian-born pianist, Nadia Reisenberg, in a selection from her 1947 Carnegie Hall recital, Khachaturian’s most famous piano work, the “Toccata.” Reisenberg studied at Philadelphia’s Curtis Institute of Music under Josef Hoffman.

Join me for these rare Khachaturian performances, “Khach As Khach Can,” tomorrow night at 10 ET, with a repeat Friday morning at 3. Or listen to the webcast later, at your convenience, at http://www.wwfm.org.

In the meantime, here’s an even rarer Khachaturian document of the composer singing about the glories of Armenian wine!

https://www.youtube.com/watch?v=vtKHrg7w3_o

PHOTO: Troika! (Right to left) Khachaturian with Shostakovich and Prokofiev