Tag: A Christmas Carol

  • Christmas Movie Music From Classic Books

    Christmas Movie Music From Classic Books

    Remember when movies used to be inspired by books, as opposed to Marvel comics?

    This week on “Picture Perfect,” enjoy an hour of music from movies adapted from novels and short stories on Christmas themes, or with memorable Christmas moments.

    We’ll begin with Alfred Newman’s score for “O. Henry’s Full House,” a 1952 anthology based on five separate O. Henry stories, each presented by a different screenwriter and director. The film is doubly literary in that each of its segments is introduced by none other than John Steinbeck. We’ll hear music from the final portion, based on the classic Christmas tale “The Gift of the Magi.”

    Louisa May Alcott’s “Little Women” sports a memorable Christmas chapter, in which the March family helps out a neighbor-in-need by donating their Christmas breakfast – only to be rewarded later in the day with a feast of their own. “Little Women” has been adapted to film at least six times. We’ll look back to its 1994 incarnation, starring Winona Ryder and Susan Sarandon, and featuring an Academy Award-nominated score by Thomas Newman (son of Alfred).

    Miklós Rózsa won his third Academy Award for his music for the 1959 version of “Ben-Hur” (now filmed three times). We’ll hear the prologue and Nativity scene. General Lew Wallace’s novel, published in 1880, became the bestselling work of American fiction for the next 50 years. Its streak was broken in 1936 following the publication of Margaret Mitchell’s “Gone with the Wind.”

    Finally, we’ll turn to a suite from a 1951 adaptation of Charles Dickens’ “A Christmas Carol” (released in the UK as “Scrooge”). I can’t even count how many times that one’s been filmed. This particular version stars the great Alastair Sim. The music was composed by Richard Addinsell – he of the “Warsaw Concerto” fame – and the performance is conducted by Alfred Newman’s OTHER musical son, David.

    Take a break from the holiday hurly-burly, and cozy in for a library of Christmas classics, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EST)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EST)

    Stream them here!

    https://kwax.uoregon.edu/

  • Scrooge 1970 A Christmas Carol Holiday Review

    Scrooge 1970 A Christmas Carol Holiday Review

    Is there a more jubilant conclusion to any version of Charles Dickens’ “A Christmas Carol?” Oh my! Thank you very much, indeed!

    Albert Finney’s make-up as “Scrooge” (1970) is a bit of a distraction (he was only 33 at the time, in this, his first big-screen “character role”) and Leslie Bricusse’s hit-and-miss score makes “Chitty Chitty Bang Bang” seem like Noel Coward, but the choreography and energetic commitment to the enterprise make it a satisfying entry in the unlikely craze for Dickens musicals, unleashed by Lionel Bart’s “Oliver!”

    This characterization of the Humbug-spouting miser isn’t as straightforward as some. Finney and director Ronald Neame (“The Horse’s Mouth,” “The Prime of Miss Jean Brodie,” “The Poseidon Adventure”) offer us premature glimpses of Scrooge’s nascent goodness and almost childlike humor, stirred by metaphoric spiritual visitations and the “milk of human kindness,” but willfully tamped down by obstinate backslidings. Until, of course, his redemption inspires the usual eruption of joy.

    I have to confess, I was a little cranky when I sat down to watch it late last night, but the film succeeded in instilling a little holiday spirit and made me miss what movies used to be able to accomplish.

    The discussion will be generous when Roy and I dive headlong into this Christmas pudding, on a special holiday edition of Roy’s Tie-Dye Sci-Fi Corner. All the punch will be in the comments section, when we livestream on Facebook, YouTube, etc., at a special time, THIS THURSDAY EVENING AT 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • Dickens Hated Andersen A Writer’s Nightmare

    Dickens Hated Andersen A Writer’s Nightmare

    If you’ve ever had a house guest that just wouldn’t leave, I’m sure you can sympathize with poor Charles Dickens. Although perhaps you wouldn’t be as snide about it to your friends.

    So what happened when Hans Christian Andersen, author of the most depressing Christmas story ever, “The Fir Tree,” met the author of “A Christmas Carol?”

    For all he understood about the human heart, Andersen, bless his sensitive soul, seemed totally oblivious to social cues. At the very least, as a Dickens superfan, he had no concept of personal space. Perhaps in Denmark, in those days, they were unfamiliar with the maxim: always leave them wanting more.

    You can learn more about it – but be ready to wince – here:

    Charles Dickens really, really hated his fanboy Hans Christian Andersen.

    In the right hands, this could make for a pretty good movie.

  • Dickens Movie Music Picture Perfect

    Dickens Movie Music Picture Perfect

    ‘Tis the season for… “Humbug!”

    This week on “Picture Perfect,” we’ll have a Dickens of a time with a garland of music from movies inspired by his writings. Tune in for selections from “Nicholas Nickleby” (1947) by Lord Berners, “Oliver Twist” (1948) by Sir Arnold Bax, “David Copperfield” (1969) by Sir Malcolm Arnold, and “A Christmas Carol” (1951) by Richard Addinsell.

    Blame it on an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There will be more of gravy than of grave about it. Take your pick of Dickens on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • The Littlest Angel 1969 Movie Review

    The Littlest Angel 1969 Movie Review

    Here’s our little conversation about “The Littlest Angel” (1969). Little Johnny Whitaker finds himself in heaven, under the care of Fred Gwynne, Cab Calloway, Connie Stevens, Tony Randall, John McGiver, and E.G. Marshall (as God). Not the littlest discussion, since it still ran to an hour and a half, but there were plenty of nostalgic digressions, leavened by a little aseasonal misanthropy, since I started out with a headache. But the Advil soon took effect, and things were merry and bright in the Tie-Dye universe. You can eavesdrop on our ruminations here.

    Next week, “Scrooge” (1970) is undoubtedly more my speed (it’s not just a story; it’s a lifestyle), with Leslie Bricusse riding the coattails of Lionel Bart’s smash musical “Oliver!” Albert Finney and Alec Guinness (as Marley’s ghost) do their game best to put a fresh spin on Dickens’ oft-adapted “A Christmas Carol.”

    We’ll be boiled in our own pudding with a stake of holly through our hearts, on this heartwarming Christmas edition of Roy’s Tie-Dye Sci-Fi Corner. Join Fezziwig for a round of “Roger de Coverley” in the comments section, when we livestream on Facebook, YouTube, etc., NEXT WEEK AT A SPECIAL TIME: THURSDAY EVENING, DECEMBER 22, AT 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

    Thank you very much… Thank you very much…

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