Tag: Academy of Music

  • Philadelphia Orchestra Memories

    Philadelphia Orchestra Memories

    It’s gotten to the point that I remember things I experienced 30-35 years ago more vividly than stuff I did 30-35 weeks ago. Even so, I will sometimes try to search for old concert reviews to confirm my memory of certain dates or performers or companion pieces on a given program.

    In the course of one of such search, I happened across this: Philadelphia Orchestra concert listings from the 1980s and ‘90s, the era that formed the peak of my Philadelphia concert attendance – first as one of those who stood in line for an hour and a half, in all weather, outside the old Academy of Music at Broad and Spruce Streets, for a shot at a $1.50 amphitheater ticket (later raised to $2.00); then as a young subscriber.

    How strange it is to revisit these programs from my current perspective, all these years later. On the one hand I can remember vividly being there in the hall, and the actual performances, as if next to no time has passed; on the other, not only does it seem so very distant, but like from another dimension entirely. Surely it is for elusive sensations like this that the word as “uncanny” was coined.

    Looking back, I realize afresh how lucky I was to be able to see and hear so many of the greats in action. I can’t say that I took everything for granted, but with the passage of time, one starts to realize how seldom certain pieces are played in concert and how indispensable individual talents are.

    Pay attention not only to the conductors, but also the soloists – some of them drawn from the orchestra’s personnel. So many no longer with us, or getting toward the end of their careers.

    https://concertannals.blogspot.com/2018/12/philadelphia-orchestra-subscription_13.html

    Those of you with even longer memories may appreciate this. Scroll down for Ormandy in the ‘50s:

    https://concertannals.blogspot.com/search/label/Philadelphia%20Orchestra


    PHOTO: Philadelphia’s Academy of Music, where I saw Mieczylslaw Horszowski, Rudolf Firkušný, Leon Fleisher, Alicia de Larrocha, Max Rudolf, Klaus Tennstedt, Rafael Frühbeck de Burgos, Erich Leinsdorf, Oscar Shumsky, Isaac Stern, Paul Tortelier, Mstislav Rostropovich, Heinrich Schiff, Lynn Harrell, Jessye Norman, Luciano Pavarotti, John Shirley-Quirk, William Warfield, Gian Carlo Menotti, Einojuhani Rautuvaara, and so many others. Entrance to the amphitheater is toward the far right of the photo. If you were in line back to the poster on the front right of the building (seen center), you knew you were in. You just had to be sure to bring a coffee and a book. No cell phones then!

  • Philly Orchestra Celebrates 120 Years

    Philly Orchestra Celebrates 120 Years

    Happy birthday, The Philadelphia Orchestra! Looking pretty good for 120.

    The Fabulous Philadelphians gave their first public concert under Fritz Scheel on this date in 1900. The event took place at the orchestra’s former home of the Academy of Music, located on the southwest corner of Broad and Locust Streets. On the program were works by Carl Goldmark (“In Spring” Overture), Beethoven (Symphony No. 5), Tchaikovsky (Piano Concerto No. 1), Weber-Berlioz (“Invitation to the Dance”), and Wagner (“Entry of the Gods into Valhalla”).

    The soloist on that occasion was Ossip Gabrilowitsch. Gabrilowitsch’s teachers at the Saint Petersburg Conservatory included Anton Rubinstein and Nikolai Medtner. He then studied for two years in Vienna under the legendary pedagogue Theodor Leschitizky. Not only was Gabrilowitsch a prominent pianist, he was also offered the music directorship of the Boston Symphony Orchestra, which he politely declined. Later, he became founding director of the Detroit Symphony in 1918. He was also Mark Twain’s son-in-law. In my possession is a biography I picked up at a library sale a few years ago, “My Husband, Gabrilowitsch,” that I noticed had been inscribed by Twain’s daughter, Clara Clemens!

    Fritz Scheel was succeeded as music director of the Philadelphia Orchestra by Carl Pohlig in 1908. Leopold Stokowski (pictured) followed in 1912; Stoky would lead the group for the next 24 years. Then came Eugene Ormandy, who held the podium until 1980 – 44 years. Ormandy passed the baton to Riccardo Muti, who directed from 1980 to 1992. Muti was followed Wolfgang Sawallisch, who remained with the orchestra for the next decade. Sawallisch was succeeded by Christoph Eschenbach in 2003. Eschenbach was followed by Charles Dutoit, appointed “Chief Conductor” in 2008. And, bringing us up to the present, Yannick Nézet-Séguin arrived, with vitality to burn, in 2012. What a history!

    Looking forward to next week’s Digital Stage concert (available November 25-29), which will include the Philadelphia premiere of Florence Price’s Symphony No. 1. Price’s symphony was the first by an African American woman to be performed by a major orchestra (the Chicago Symphony, in 1933). Also on the program will be Samuel Barber’s “Adagio for Strings.” For more information on this and other Philadelphia Orchestra events, visit philorch.org.

    Thank you, Philadelphia, for taking a chance on substantial works by composers such as Price and Louise Farrenc. I was there, in the hall, for Farrenc’s Symphony No. 2. So sorry not to be able to attend the Price performance in person. Perhaps next year.

    Happy 120th!


    PHOTO: The Philadelphia Orchestra at the Academy of Music in 1916, ready to go for the American premiere of Gustav Mahler’s “Symphony of a Thousand”

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