Tag: Animation

  • Super Chicken and the Jay Ward Cartoon Legacy

    Super Chicken and the Jay Ward Cartoon Legacy

    I’ve got a buddy in Philadelphia with whom I’ve been chums since the seventh grade, and he can be counted on to send me freakish snapshots of back-alley Philly, links to badly-dubbed kung fu movies, wisecracks about his latest serial killer obsessions, and clips of politically incorrect comedians. Sometimes I have to be careful not to open his mail too close to breakfast.

    Last night, just before bed, he sent this, and it propelled me back across the decades.

    Even not having seen the cartoon since childhood, it’s etched into my brain. Who could possibly forget Super Chicken and his sidekick, Fred the Lion? (“You knew the job was dangerous when you took it, Fred.”)

    Henry Cabot Henhouse III is the Boston equivalent of the kind of fop long familiar from Zorro and “The Scarlet Pimpernel;” but in times of crisis, he downs his Super Sauce from a martini glass to become Super Chicken. His Super Suit resembles a D’Artagnan cast-off, supplemented with a domino mask. Fred, his manservant, wears his sweater inside-out. Note the backwards “F.”

    Super Chicken was part of the Fred Ward stable of freewheeling cartoons produced by Jay Ward of Rocky and Bullwinkle fame. Ward was the inexhaustible genius who also gave us Dudley Do-Right, Mr. Peabody and Sherman, Crusader Rabbit, Hoppity Hooper, Tom Slick, and George of the Jungle

    I learned something this morning, through a quick Google search, as there was a rival company, Total TeleVision, which produced Underdog, Tennessee Tuxedo, Klondike Kat, Commander McBragg, Tooter Turtle, and Go Go Gophers. For my entire life, I thought these were Ward productions. The confusion is understandable, since they were all animated in Mexico by Gamma Productions and shared a similar vibe.

    Somehow, the primitive animation worked with the concepts in ways they did not in your average, corner-cutting Hanna Barbera cartoons. The humor was offbeat, but knowing and referential, and it didn’t talk down. These were cartoons you could watch with your parents, and they would laugh too.

    The theme song was written by Sheldon Allman (lyrics) and Stan Worth (music). In one afternoon, they knocked out the insinuating introductions for “Super Chicken,” “Tom Slick,” and “George of the Jungle.”

    “Stan came over to my house,” Allman recalled. “We started at 1 o’clock, and by 4 o’clock we had the three songs.”

    Allman, quite a multi-talented fellow, died in 2002. I found this obituary in the Los Angeles Times.

    https://www.latimes.com/archives/la-xpm-2002-feb-08-me-allman8-story.html

    Bonus points for the “Super Chicken” opener featuring headshots of John Barrymore, Douglas Fairbanks, Valentino, and Boris Karloff! Watch it again. You know you want to.

    If Gilbert & Sullivan had lived in the 20th century, they might very well have contemplated the very model of a modern clucking super chicken!

    Super Chicken transformation compilation:

  • Animated Adventures Great Film Scores

    Animated Adventures Great Film Scores

    “Music is a moral law,” wrote Plato. “It gives soul to the universe, wings to the mind, flight to the imagination… and life to everything.”

    That includes computer-generated imagery.

    While my distaste for the overkill of CGI in alleged “live action” movies is quite well known, I have to concede that, when shelling out the clams for a big-budget movie, one stands a better chance these days of getting a quality ride if one banks on the solely computer-animated feature. Put an action hero in a computer-animated landscape, and everything looks incredibly fake. But integrate the characters, by creating them in the computer as well, and the result is often much more absorbing, imaginative, and even wittier than your run-of-the-mill Hollywood blockbuster.

    Furthermore, in a day when so many movies sport scores made up of droning electronics punctuated by colorless action cues, the computer-generated feature seems to attract composers who still understand how to write music.

    This week on “Picture Perfect,” we’ll listen to enlivening scores from four computer-generated films.

    We’ll hear selections from the first installment in the “Ice Age” franchise, by David Newman (son of Golden Age heavy-hitter Alfred Newman, brother of Thomas Newman, and cousin of Randy Newman).

    We’ll also have some of John Williams’ music from “The Adventures of Tintin,” after the comic book adventurer created by Belgian artist and writer Hergé. Tintin’s popularity in Europe failed to translate into big domestic box office, comparatively speaking, but the score is Williams’ best of its kind – an exciting adventure piece full of leitmotifs and great action cues – since the first of the Harry Potter films.

    We’ll round out the hour with two projects scored by Michael Giacchino for Pixar Animation Studios. Giacchino’s break-out success was the sly superhero satire, “The Incredibles,” for which he composed in the swinging ‘60s espionage style popularized by John Barry when writing for the James Bond films.

    We’ll also hear selections from Giacchino’s Academy Award-winning score to “Up.” “Up” was nominated for Best Picture at the 82nd Academy Awards, only the second animated feature ever to be included in the category.

    We can all use a little animation right now. I hope you’ll join me for an hour of music from computer-animated adventures, on “Picture Perfect,” this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Bernstein’s 100th Birthday Google Doodle

    Bernstein’s 100th Birthday Google Doodle

    Fabulous Bernstein Google doodle! Google celebrates a round birthday for a change. Do a Google search today, or enjoy the animation here.

    https://www.vox.com/2018/8/25/17779096/leonard-bernsteins-100th-birthday-greatest-works

  • I Love to Singa: Al Jolson’s Cartoon Classic

    I Love to Singa: Al Jolson’s Cartoon Classic

    “I love to singa, about the moona and the Juna and the springa…”

    Owl Jolson:

    http://www.dailymotion.com/video/x2ijkn_i-love-to-singa_shortfilms

    Al Jolson and the irrepressible Cab Calloway:

    https://www.youtube.com/watch?v=_jchyev9bNk

  • Disney’s Fantasia: A Glorious Folly at 75

    Disney’s Fantasia: A Glorious Folly at 75

    Try to forget for the moment that – between the acquisition of Marvel, The Muppets, Pixar, Star Wars and ABC (to say nothing of the cruises, resorts and theme parks) – Disney now owns the world. “A Night on Bald Mountain” was NOT intended as autobiography. This morning, we cast our thoughts back to simpler times when a visionary animator threw caution to the winds to forge “a new style of motion picture presentation.”

    A guaranteed money-loser from the start, “Fantasia” was spared no expense as it pushed the state of animation, audio reproduction and family entertainment. There was no way, with the possibility of overseas distribution curtailed by World War II, this was going to be anything other than a quixotic venture. When was the last time Disney took a gamble on a scale of “Fantasia?” Now it’s considered bold if they adapt a comic book that’s not “Iron Man.”

    I hope you’ll join me his morning as we celebrate the 75th anniversary of Disney’s most glorious “folly,” released on November 13, 1940. We’ll have abundant recordings of Leopold Stokowski, some made for the film (in experimental stereophonic sound), some earlier (in glorious mono) and some later, from his “Phase Four” period and beyond.

    It’s all Stokie from 6 to 11 ET, on WPRB 103.3 FM or online at wprb.com. Chernobog requests your presence, on Classic Ross Amico.

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Aaron Copland (92) Beethoven (95) Composer (114) Film Music (120) Film Score (143) Film Scores (255) Halloween (94) John Williams (185) KWAX (229) Leonard Bernstein (100) Marlboro Music Festival (125) Movie Music (135) Opera (198) Philadelphia Orchestra (88) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

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