Tag: Bastille Day

  • Bastille Day Music on WPRB: Eiffel Tower & Revolutions

    Bastille Day Music on WPRB: Eiffel Tower & Revolutions

    Nobody knew how to revolt like the French. French history reads like a wine list of revolution, from 1789 forward. With that in mind, we’re celebrating Bastille Day today on WPRB.

    Few symbols of French pride are more widely recognized than the Eiffel Tower. Yet to come this morning, we’ll hear the collaborative ballet, “Les mariés de la tour Eiffel” (“The Wedding Party on the Eiffel Tower”), by members of Les Six – Georges Auric, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre (only Louis Durey opted out) – a surreal romp conceived by Jean Cocteau. The action takes place on a deck of the tower on Bastille Day, July 14.

    We’ll also hear selections from the album “Tower Music,” a recent release on the Innova Recordings label, on which mad visionary Joseph Bertolozzi plays the actual Tour Eiffel like a giant percussion instrument. Bertolozzi will present a multi-media concert, Joseph Bertolozzi’s Bridge & Tower Music (he’s also played the Mid-Hudson Bridge), tonight at 7:00 at Live at The Falcon in Marlboro, NY.

    Right now, we’re listening to Franz Liszt’s “Héroïde funèbre,” his memorial to the fallen heroes of the July Revolution of 1830. We’ll also have an opportunity to hear Hector Berlioz’s “Symphonie funèbre et triomphale,” which was written to accompany the dead as their remains were transferred to a newly erected monument in the Place de la Bastille.

    I’ll be asking you to pardon my French until 11 EDT on WPRB 103.3 FM and at wprb.com. What’s creepier than a crêpe? Why, Classic Ross Amico, of course.

  • Bastille Day on WPRB Radio!

    Bastille Day on WPRB Radio!

    Vive la France! Tomorrow morning on WPRB, we celebrate Bastille Day.

    Among other musical confections, we’ll enjoy the collaborative ballet, “Les mariés de la tour Eiffel” (“The Wedding Party on the Eiffel Tower”), by members of Les Six, a surreal romp set on the Parisian landmark on July 14.

    We’ll also hear selections from the album “Tower Music,” a recent release on the Innova Recordings label, in which mad visionary Joseph Bertolozzi plays the actual Tour Eiffel like a giant percussion instrument.

    There will also be music by French Revolution Era composer Étienne Nicolas Méhul, Napoleon’s cellist, Jean-Louis Duport, and Hector Berlioz’s setting of “La Marseillaise.”

    I’ll be chain-smoking baguettes, tomorrow morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. “Liberté, égalité, fraternité” is our motto, on Classic Ross Amico.

  • Bastille Day Méhul French Revolution Composer

    Bastille Day Méhul French Revolution Composer

    July 14. Bastille Day.

    Étienne-Nicolas Méhul was perhaps the most important opera composer of the French Revolutionary Era. When one of his works was banned for political reasons, Méhul quickly figured out on which side his baguette was buttered and began writing propaganda pieces and patriotic songs. Vive la France!

    He was rewarded by being the first composer named to the newly-established Institute de France in 1795. He was also installed as an inspector at the Paris Conservatory. Allegedly, he was one of the favorite composers of Napoleon, with whom he was on friendly terms.

    According to musicologist and Berlioz biographer David Cairns, Méhul was also the first composer to be classified as “Romantic.” Judge for yourself, when I play his Symphony No. 4, around 1:30 p.m. ET, on WRTI 90.1 FM (in the Philadelphia area) or online at wrti.org.

  • Bastille Day Eiffel Tower Ballet Surreal Les Six

    Bastille Day Eiffel Tower Ballet Surreal Les Six

    Vive la France! It’s Bastille Day.

    In 1921, Jean Cocteau brought together five of his composer protégés, all members of Les Six, to provide music for a ballet set atop the Eiffel Tower on July 14 – Bastille Day. (The sixth, Louis Durey, pleaded illness.)

    The scenario involves a wedding breakfast on one of the platforms of the famed Parisian landmark. A series of surreal and vaguely satiric incidents involve a pompous speech made by one of the guests, a hunchbacked photographer asking the assembled guests to “watch the birdie,” the sudden appearance of a telegraph office, a lion devouring one of the guests, and the arrival of “a child of the future” who commits mass murder. The ballet concludes with the end of the wedding.

    Cocteau encapsulated the ballet’s themes as “Sunday vacuity; human beastliness, ready-made expressions, disassociation of ideas from flesh and bone, ferocity of childhood, the miraculous poetry of everyday life.” Quel illumination!

    Francis Poulenc, who provided the music for some of the numbers, alongside that of Georges Auric, Arthur Honegger, Darius Milhaud and Germaine Tailleferre, referred to the piece as “toujours de la merde.”

    Here is “Les mariés de la tour Eiffel” (“The Wedding Party on the Eiffel Tower”):

    Happy Bastille Day!

    PHOTO: The Eiffel Tower in a contemporaneous photo

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