Tag: Destination Moon

  • Destination Moon & Sci-Fi Nostalgia

    Destination Moon & Sci-Fi Nostalgia

    We made it there and back again last night in our discussion of “Destination Moon” (1950). But unlike the astronauts in George Pal’s scrupulously scientific sci-fi classic, we were blithely unconcerned about stripping down our vessel for the return journey. For one thing, with a cup of coffee in me, there was no chance of running out of fuel. Hence, another two-hour conversation about a 90-minute movie.

    Highlight of the night: when Roy’s dad joined us by telephone to share his recollections of seeing the film in the theater on its original release as a ten year-old boy – the same age Roy and I were when we first saw “Star Wars.”

    Check out the movie, if you’ve never seen it, and marvel at everything they got right, even as you acknowledge everything they didn’t, years before anyone had ever been to space. And note the difference in tone from that of the grim world we live in today. A more hopeful time? Or an optimistic pose to suit the story?

    Then enjoy our exchange, with contributions from Mr. Bjellquist and viewer commenters, at the link.

    Next week, we’re very excited to welcome Patrick Read Johnson, whose own youthful obsession with science fiction propelled him to a career in Hollywood. His pet project, “5-25-77” (2022), reflects his coming-of-age as an aspiring filmmaker in a small Midwestern town around the time of the release of “Star Wars” (on May 25, 1977). A couple of weeks ago, we used the film as a springboard to discuss our own boyhood fascinations with “2001,” “Planet of the Apes,” “Star Wars,” and “Close Encounters of the Third Kind,” and how they informed our parallel experiments making Super-8 films.

    Now we’ll have a chance to hear all about Johnson’s career (including his work on the “Dragonheart” franchise) and hopefully plenty of behind-the-scenes morsels, like the details of his real-life meetings with Douglas Trumbull, John Dykstra, and Steven Spielberg – and what it was like to be one of the first people to be shown a rough cut of “Star Wars” before it ever reached a theater.

    Bring your nostalgic awe to the next Roy’s Tie-Dye Sci-Fi Corner, and bring your questions to the comments section, when we livestream on Facebook, YouTube, etc., next Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

  • Destination Moon Patriotic Space Travel

    Damn the bureaucracy of government oversight – space travel is the patriotic duty of America’s entrepreneurs!

    Sure, George Pal’s “Destination Moon” (1950) is astonishing for revealing just how much was actually known or conjectured about space at that time. Really, it’s a remarkable film, in terms of scientific accuracy and educated guesswork as to what it would be like to actually travel to the moon. What a long way from Georges Méliès’ vision of being launched out of a cannon in 1902!

    But now the film is even more prescient than most of us ever realized, with the conquest of space having fallen to the tycoons and robber barons. Somehow, I think the creators of “Destination Moon” (including Robert A. Heinlein, upon whose story it is based) imagined more altruistic motives. They certainly held a more optimistic vision of humanity. Hence the pronouncement at the end of the film: “This is the end of the beginning!” How wonderful it must have been to live with such hope.

    This week on Roy’s Tie-Dye Sci-Fi Corner, we travel back to the future to talk about this genre classic, actually suggested to us by Roy’s dad, who will pop in to share some of his recollections of seeing the film as an impressionable boy. Hang around in the comments section (zero-G, of course) for a discussion of “Destination Moon,” when we livestream on Facebook, YouTube, etc., this Friday evening at 7:30 EST!

    https://www.facebook.com/roystiedyescificorner

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