It was on this date 90 years ago that the Sergei Rachmaninoff gave the debut of his Piano Concerto No. 4, from the keyboard, with Leopold Stokowski and the Philadelphia Orchestra. It had been 18 years since his previous concerto (which he had unveiled in New York). In the meantime, he had weathered the Russian Revolution and the personal, perpetual obligation of earning a living as a concert pianist.
The original version of the Fourth Concerto was much longer than the one heard at the 1927 premiere. Even so, the work failed to engage either critics or audience. The composer, ever sensitive to criticism (the failure of his Symphony No. 1 plunged him into a depression so profound that it could only be alleviated through hypnotherapy, from which he emerged to write his Piano Concerto No. 2, ecstatically received), prepared a final, authoritative version of the Concerto No. 4 for performance with the Philadelphia Orchestra, this time under Eugene Ormandy, in 1941. The work has never caught the imagination of concert-goers to anywhere near the same extent as the Concertos Nos. 2 & 3.
The original version was released by the Rachmaninoff Estate only in the year 2000. It has since been recorded in this form several times. It’s a very interesting piece. One wonders if the work would have fared better had Rachmaninoff simply stuck to his guns?
The original version of Rachmaninoff’s Piano Concerto No. 4:
PLEASE NOTE: Eric Lu will perform Rachmaninoff’s Piano Concerto No. 3, with the Bravura Philharmonic Orchestra conducted by Chiu-Tze Lin, at Rutgers University’s Nicholas Music Center in New Brunswick, tonight at 7:30 p.m.
PHOTO: Rachmaninoff and Ormandy in 1938
