Tag: Film Score

  • Thief of Bagdad Rozsa’s Enchanting Score Recorded

    Thief of Bagdad Rozsa’s Enchanting Score Recorded

    If your three wishes would include a complete recording, in up-to-date sound, of one of the most enchanting film scores of Miklós Rózsa, you needn’t yearn for the chance discovery of a magic lamp.

    This week on “Picture Perfect,” join me for selections from a 2017 release, a two-CD collaborative effort between Prometheus Records and Tadlow Music, of Rózsa’s score for the classic 1940 fantasy-adventure “The Thief of Bagdad.” The City of Prague Philharmonic and Nic Raine recorded the music, note-complete, with ample bonus material.

    It’s a magic carpet ride through the fantastical world of the Arabian Nights. Surrender to the enchantment, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Planet of the Apes Prophecy Music Review

    Planet of the Apes Prophecy Music Review

    I don’t know about you, but I found life much less disturbing when all these escapist fantasies I viewed or read as a kid became so embedded in our popular culture that they attained almost “camp” status. I’ve been noticing of late, and I must say, it’s making me rather uneasy, that an awful lot of them are starting to seem downright prophetic.

    But really? “Planet of the Apes?”

    Of course, the “Apes” movies were always thinly-veiled allegories about all the ways humans are idiots – violent, acquisitive, xenophobic, racist, fundamentalist, and irredeemably destructive. Unquestionably it is so, but even the original “Planet of the Apes” had moments of self-aware levity! Once the lights came up and we got on with our lives, who believed these fairy stories were more than cautionary tales? Who anticipated that the destiny of human civilization would seem to be playing out just as the “Apes” movies forecast?

    But that’s what gives them their elemental power. The issues addressed, sadly, will always be the same. Ignorance, fear, and brutality will always rage against enlightenment, equity, and compassion, and the people who can make a difference will never change before it’s too late.

    But… it’s Friday, and I know you’re all looking forward to the weekend. Our demise may be inevitable, but for now, kick back and enjoy selections from this lovingly restored, limited edition boxed set of “Apes” music from La-La Land Records.

    Today on “Picture Perfect,” in the wake of my spoken intro about Jerry Goldsmith’s seminal score, delivered earlier this week, prior to a screening of the first film at Princeton Garden Theatre, I am primed for primates. I hope you’ll join me as we sample music from “Planet of the Apes” (1968),” “Beneath the Planet of the Apes” (1970), “Escape from the Planet of the Apes” (1971), “Conquest of the Planet of the Apes” (1972), and “Battle for the Planet of the Apes” (1973). Composers will include Goldsmith (who also scored “Escape”), Leonard Rosenman (“Beneath” and “Battle”), and Tom Scott (“Conquest”).

    Has there ever been a more nihilistic series pitched to a family audience? From the era of Flower Power, the Vietnam War, and the Nixon administration, “Planet of the Apes” was the ultimate bad trip. As I say, it’s easy to view these films as silly, escapist fare, but more than half a century later, the themes, subtexts and overarching message of “Planet of the Apes” remain disconcertingly relevant.

    Keep your filthy paws off me, you damn dirty apes! Yes we have no bananas, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Korngold Birthday Rediscovering a Master

    Korngold Birthday Rediscovering a Master

    Today is the birthday of one of my favorite composers, Erich Wolfgang Korngold (1897-1957), in my heart since childhood, thanks to viewings of “The Adventures of Robin Hood. But guess what? I love his concert music and his operas too! Here’s a joyous discovery for a spring afternoon: Korngold at the piano, playing his own themes from opera and the movies, at the home of Ray Heindorf, who worked very closely with the composer as an orchestrator on a number of his classic film scores. By 1951, Korngold had already left Warner Brothers. He would work on only one more film, the Richard Wagner biopic “Magic Fire,” released by Republic Pictures in 1955. Hear Korngold sing (if you can distinguish him from Heindorf) and actually speak, especially during the final minutes, accompanied by some fascinating home movies.

  • Planet of the Apes Score Celebrated at Princeton

    Planet of the Apes Score Celebrated at Princeton

    Despite the rain, I’m happy to report there was a very nice turn-out last night for the Princeton Garden Theatre’s screening of “Planet of the Apes.” I spoke beforehand about Jerry Goldsmith’s bold and imaginative music. Also, there was the enticement of trivia and prizes! (The Garden has the most knowledgeable and passionate audiences.)

    The film was shown as part of the theatre’s “Keeping the Score” series, lovingly curated to illuminate the powerful contributions of music, in all its varieties, to the collaborative art form that is cinema. Next up: Franz Waxman’s score for Alfred Hitchcock’s “Rebecca” on June 4. The schedule for the next few months is posted on the Garden’s website. Thank you, Princeton Garden Theatre. It was heartening to find that people clearly still love their “Apes!”

    https://www.princetongardentheatre.org

    Since I am primed for primates, the focus of my movie music show, “Picture Perfect,” this week will be a survey of all five of the “Apes” scores from this era, including music by Goldsmith, Leonard Rosenman, and Tom Scott. The show will air on KWAX, this Friday at 8:00 p.m. EDT/5:00 p.m. PDT. Stream it wherever you are at the link!

    https://kwax.uoregon.edu/

  • Ape Sounds Goldsmith’s Score at Princeton Garden

    Ape Sounds Goldsmith’s Score at Princeton Garden

    I’ll be talking about Jerry Goldsmith’s music for the 1968 classic “Planet of the Apes” as a brief intro to a screening of the ultimate sci-fi switcheroo at Princeton Garden Theatre tomorrow night at 7:00.

    My appearance ties in with the Garden’s ongoing series, “Keeping the Score,” lovingly curated to highlight the artistry of the great film composers and their indispensable contributions to enduring audience favorites.

    You’ll find the current schedule here:

    https://www.princetongardentheatre.org/score

    Lots more repertory films to enjoy during Hollywood Summer Nights:

    https://www.princetongardentheatre.org/hsn

    The Garden homepage:

    https://www.princetongardentheatre.org/


    PHOTOS: Goldsmith (top) and going ape

Tag Cloud

Aaron Copland (92) Beethoven (94) Composer (114) Conductor (84) Film Music (106) Film Score (143) Film Scores (255) Halloween (94) John Williams (179) KWAX (227) Leonard Bernstein (98) Marlboro Music Festival (125) Movie Music (121) Mozart (84) Opera (194) Picture Perfect (174) Princeton Symphony Orchestra (102) Radio (86) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (97) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS