Tag: Frank Bridge

  • Welcome Spring Northern Hemisphere Vernal Equinox

    Welcome Spring Northern Hemisphere Vernal Equinox

    Enjoy these last few hours of winter. Spring arrives in the Northern Hemisphere at 11:06 PM EDT. With any luck, I’ll be asleep by then, or reading the last 30 pages of “The Tenant of Wildfell Hall.”

    March 19 seem a little early for spring? It’s not just because the Groundhog proclaims it so.

    https://www.almanac.com/content/first-day-spring-vernal-equinox

    For me, Frank Bridge’s “Enter Spring” (1926) most successfully encapsulates the many moods of mercurial March.

  • Spring Music Bridge Britten

    With the vernal equinox upon us, enjoy Frank Bridge’s “Enter Spring” (1926-27). The conductor: Bridge’s star pupil, Benjamin Britten.

  • Richard Wetz: Rediscovering a Lost Romantic

    Richard Wetz: Rediscovering a Lost Romantic

    When it comes to the music of Richard Wetz, all bets are off.

    This unsung German composer has been dismissed as a second-rate Bruckner who made some questionable political choices toward the end of his life, under the mistaken impression that it would help to advance his career. (He smoked like a Camry and died in 1935, a month shy of his 60th birthday.) Admittedly, he was also a little too enthusiastic about the whole nationalism thing. He considered Germany’s defeat in World War I a humiliation, so I guess at least we know where he was coming from, even if it seems, as would be the case with so many artists of the time and place, that he sold his soul to the Devil.

    His music is grander than grand and plenty solemn, a last gasp of Old School German Romanticism. The Nazis loved Bruckner (who died in 1896 and likely would have been appalled to know it), but for some reason, they had very little use for Wetz. The composer was enlisted to write some occasional works, but his symphonies went nowhere. Ironically, for someone who was so outspoken in his love of country, he was perceived as something of a loner. He was certainly reclusive and felt he could only create within the comfortable surroundings of his home. By extension, he had no interest in contemporary musical developments. He kept right on composing as if it were 1880.

    We’ll sample some of Wetz’s music this afternoon, alongside works by fellow birthday celebrants Frank Bridge and Anton Reicha, and performances by pianist Lazar Berman, soprano Emma Kirkby, and conductor Witold Rowicki. Here’s hoping today’s playlist “Wetz” your appetite, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.


    Clockwise from left: Richard Wetz, Frank Bridge, and Anton Reicha

  • Teacher Composers on WWFM Today

    Teacher Composers on WWFM Today

    There will be no Noontime Concert today. Instead, our featured highlights will include music by Frank Bridge, Robert Fuchs, John Knowles Paine, Sir Charles Villiers Stanford, and Leo Weiner, all composers better known as teachers. I hope you’ll join me. Classes will be held from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Spring Music to the Rescue on WPRB

    Spring Music to the Rescue on WPRB

    Spring needs our help! A good part of the season so far has been cloaked, in the Philadelphia-Princeton area, in temperatures in the 50s and 60s. I’d have no complaints, except for the fact that a month from now, you know it is going to be 90 degrees!

    This Thursday morning on WPRB, we’ll stop short of human sacrifice, but we will try to breathe life into the season with music of a vernal inclination. Among possible candidates for the playlist are “Enter Spring” by Frank Bridge, the cantata “The Romance of Spring” by Zdeněk Fibich, “The Myth of Spring” by Lodewijk Mortelmans, “A Spell for Green Corn” by the late Sir Peter Maxwell Davies, Joachim Raff’s “Ode to Spring,” and the most thrilling performance of Robert Schumann’s “Spring Symphony” you have never heard.

    Failing that, we’ll start locking people in the Wicker Man, tomorrow morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. One way or another we’ll be lolling in the daffodils, on Classic Ross Amico.

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