Tag: Franz Joseph Haydn

  • Papa Haydn: Beyond the Familiar Composer

    Papa Haydn: Beyond the Familiar Composer

    Come to Papa – Papa Haydn, that is.

    Franz Joseph Haydn, affectionately known as “Papa,” was the father of the modern symphony and the modern string quartet, but how much do we really know about the master? As is the case with so many composers, we tend to hear the same pieces over and over again.

    Today, on the eve of Haydn’s 285th birthday, we look past the ordinary to get a peripheral view of Papa, with music inspired by Haydn, music by Haydn’s colleagues, and rarely-heard works by Haydn himself.

    Other composers we may encounter along the way will include Johannes Brahms, Norman Dello Joio, Marcel Grandjany, Johann Michael Haydn (the composer’s brother), Roman Hoffstetter, Anton Kraft, Andre Previn, Maurice Ravel, Johann Peter Salomon, Alfred Schnittke, Ananda Sukarlan, and Joseph Weigl (Haydn’s godson). We’ll even have a piano concerto by Haydn Wood, who was named for Haydn by his music-mad parents, though they pronounced it “Hayden.”

    At 10:00, I’ll be joined by representatives of Boheme Opera NJ, who will talk a little bit about the company’s upcoming production of “Lucia di Lammermoor,” which will be performed at The College of New Jersey’s TCNJ-Kendall Hall on April 7 at 8 p.m. and April 9 at 3 p.m., so we might just hear a selection or two by Donizetti, as well.

    It’s a little early for Father’s Day, this morning from 6 to 11 EDT, on WPRB 103.3 FM and wprb.com. All the same, we celebrate Papa Haydn, on Classic Ross Amico.


    IMAGE: Franz Joseph Haydn demonstrates that Papa knows best

  • Haydn: Papa of the Symphony

    Haydn: Papa of the Symphony

    Even in his own lifetime, Franz Joseph Haydn was known as “Papa.” His benevolent handling of his musicians at the court of Esterháza and beyond earned him their undying affection.

    His Symphony No. 45, the “Farewell” Symphony, is a famous example of Haydn looking out for his men. When the musicians were kept on longer than expected at the Prince’s summer palace, a full day’s ride from their homes and families, Haydn composed this “protest symphony” as a suggestion to his employer that perhaps it was time to return to Eisenstadt.

    In the final movement, the musicians stop playing one by one, snuff out the candles on their music stands, and leave the orchestra, until just two muted violins remain. (One of these was played by Haydn himself in the first performance.) The Prince got the message, and gave the command for the journey back to be undertaken the next day. Hence, Haydn was able to press his point, characteristically, with good humor and without conflict.

    The nickname of “Papa” clung to him even after his death, as musicians, audiences and musicologists acknowledged their debt to the man who had trail-blazed the enduring forms of both the symphony and the string quartet.

    I hope you’ll join me this morning, as we pay tribute to this seminal figure on his birthday. Despite his charm, craftsmanship and fairly consistent level of inspiration, Haydn remains, in many respects, in the shadows of Mozart and Beethoven.

    The playlist may not be all-Haydn – there could be a few tributes by later composers and perhaps a nod or two to the 18th century by some 20th century neoclassicists – but we’ll try to keep the flavor distinctly Haydnesque.

    Be prepared to have your socks charmed off (with benevolence, of course), from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. Come to Papa, on Classic Ross Amico.


    PHOTO: The composer, enjoying some of that Haydnesque flavor

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