Tag: George Gerswhin

Why, it’s Gershwin’s birthday, by George! We’ll have two chances to celebrate today, on both my Saturday radio shows.

George Gershwin, of course, was one of our most versatile composers. He occupied a unique place in American music, rising from Tin Pan Alley scrapper to Broadway royalty. From there, he conquered the concert hall and even the opera house, with his blend of popular song, jazz, blues, spirituals, and European classical forms.

Like Franz Schubert a hundred years before, Gershwin managed to churn out an astonishing amount of music over a comparatively brief span. His songs, in particular, have been of enduring interest. His gift of lyricism and invention defied early critics as he bestrode the worlds of popular and classical music like an American colossus.

Sadly, at the peak of his success, he died of a brain tumor at the age of 38. But 89 years later, George, we’re still crazy for you.

This morning on “Sweetness and Light,” Gershwin will be one of four composers whose music we’ll enjoy in a salute to classic American musical theater. We’ll hear selections from Eubie Blake & Noble Sissle’s “Shuffle Along” (the 1921 all-Black musical that spawned the breakout hit “I’m Just Wild about Harry”), Leonard Bernstein’s “On the Town” (the ballet music, before it was distilled into the familiar “Three Dance Episodes,” with a 24-year-old Bernstein conducting), Gershwin’s “Porgy and Bess” (conceived by the composer as an opera, but produced on Broadway several times over the decades before finally being elevated to the pantheon), and Richard Rodgers & Lorenz Hart’s “On Your Toes” (the climactic “Slaughter on Tenth Avenue” sequence).

It’s guaranteed to get your toes tapping, for the most part, but I’ll also include a grand piano fantasy on themes from “Porgy” by Earl Wild. It’s showtime, this Saturday morning at 11:00 EDT/8:00 PDT!

Then later on today, on “The Lost Chord,” we’ll sample Gershwin’s artistry in recordings of his era, including several songs performed by Al Jolson, Fred Astaire, and Ella Logan. (So many excellent ones to choose from!)

We’ll also hear the world premiere recording of “An American in Paris” – performed by the Victor Symphony Orchestra (really members of the Philadelphia Orchestra), with the composer himself on the celesta – and the Concerto in F, performed as part of a Gershwin memorial concert at the Hollywood Bowl, with the composer’s friend, Oscar Levant, as soloist.

Three of these recordings date from 1937, the year of the composer’s death. All are from his era. I hope you’ll join me for “Vintage Gershwin,” this Saturday at 7:00 EDT/4:00 PDT.

It’s nice work if you can get it. Not that you need someone to watch over you, George. Our love is here to stay.

Strike up the band and let ‘em eat cake! Of thee I sing, on “Sweetness and Light” AND “The Lost Chord,” on KWAX Classical Oregon!

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Clip and save the start times for all three of my recorded shows:

PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

Stream them, wherever you are, at the link.

https://kwax.uoregon.edu/