Tag: Indiana Jones

  • ’84 Summer Nostalgia Indy Ghostbusters and Growing Up

    ’84 Summer Nostalgia Indy Ghostbusters and Growing Up

    Despite the sporadically hot weather, somehow the summer has really crept up on my me. But then, time moves very quickly anymore. I spoke with my college-age nephew on Tuesday and he had just completed the last of his final exams. I’d forgotten how long college summers were! And then yesterday, while scrolling on Facebook, I saw that somebody noted that it was 40 years to the day since the release of “Indiana Jones and the Temple of Doom.” I don’t know why this hit me with such force. I am a nostalgic person by nature, so I am very much aware of the passage of time. But I guess since 1984 was really my last summer of uncomplicated freedom, it carries a little more significance than usual.

    Looking back, movie-wise, that summer turned out to be the last and least of our high school summers, but that doesn’t mean I didn’t go to the movies all the time and that I wasn’t entertained.

    Funny, looking at a list of the releases now, I realize what a weak summer it was, next to those of the earlier ’80s. Indy will always be closest to my heart, of course, although this one was the shakiest of the ’80s trio. It’s still like “Citizen Kane” next to “Indiana Jones and the Dial of Destiny,” proving that even the disappointing movies back then were better than anything being made now! And John Williams’ music, as it so often was, was the soundtrack to my summer.

    It was also the summer of “Ghostbusters,” of course, and “Splash” was fun, if slight. I was really looking forward to “Greystoke,” which was entertaining (it was beautifully mounted and Ian Holm was great), but it seems like someone must have edited the hell out of it. I’m not a fan of “directors’ cuts,” but this one could have really used one. Again, “Gremlins” was entertaining, but even then I knew it was slick, sick trash. By then, the Spielberg formula was well-worn, and this one skimmed very close to the surface. (It should be noted that this was the summer that led to the PG-13 rating, due to the mounting intensity of movies marketed to the young.)

    “Star Trek III,” though a step down from “Khan,” on which it heavily relied, got the job done. Poignantly (and all-too-appropriately, with the frontiers of youth dwindling), the Enterprise goes down in flames. “Buckaroo Banzai” was self-consciously hip, and again entertaining, but not all that it could have been. “Romancing the Stone” (actually released in March) was okay. Again, entertaining, but pretty disposable. I’m glad it gave Zemeckis a boost, but it was no Indiana Jones. At least it took a different approach (and to be honest, it was more consistent than “Temple of Doom”).

    But of course it was the off-screen adventure and romance that really resounded. It would be our last hurrah before the old gang was disbanded, our American Graffiti summer. People continued to return from school for holidays and for a good portion of the summer of ’85, of course, but soon other opportunities, interests, and friendships began to present themselves, and we saw one another less and less, and then everyone started to get jobs and get into relationships and gradually disappear from our Neverland. Believe me, I extended my childhood as long as any person possibly could. But there was much weight on my heart back then, nostalgia and longing and melancholy, and much torment in my soul, if I ever tried to rewatch the movies I’d watched during my school years or revisit the stories I’d written.

    Of course, my mother was still alive and the house continued to function pretty much as it always had. Hard to believe that we moved in only in the summer of ’83, before my senior year of high school. But I returned to it whenever I could, on weekends and holidays, through the time I opened my own business and started working at the radio in 1995.

    After that, my attic bedroom gradually became a storage space, a dumping ground for old clothing, curtains, bins of wrapping paper, boxes of photos. To revisit now is like taking a submersible through the wreckage of the Titanic, everything perfectly preserved under layers of sand and coral. I need to finish cleaning that place out. I’ve already retrieved some of my most valued items, but I’ve even got shoes and clothing up there from back-in-the-day, which really should go. Do I have the heart to get rid of it? Every piece of bric-a-brac is loaded with memory.

    I know I said much the same thing a couple of years ago, when recollecting the summer of ‘82, but when I die, if there’s a heaven, and they let me in, I hope it’s an awful lot like the early ‘80s.

  • John Williams’ Grammy Noms & Disney’s Soundtrack Fail

    John Williams’ Grammy Noms & Disney’s Soundtrack Fail

    I’m probably the last person on the internet to congratulate John Williams for his latest Grammy nominations. It was announced on Friday that Williams received three nominations for the excellence of his work over the past year – in the categories of Best Score Soundtrack for “The Fabelmans” and Best Score Soundtrack and Best Instrumental Composition (“Helena’s Theme”) for “Indiana Jones and the Dial of Destiny.” Too bad the idiots at Disney only pressed something like three copies of the “Indiana Jones” CD (and that the movie was terrible).

    This brings Williams’ career total to 76 nominations. He’s won 25 times. Williams’ first Grammy nomination was for “Checkmate,” 61 years ago. He is the fifth most-nominated Grammy artist. But who would be interested in owning a new John Williams’ “Indiana Jones” soundtrack, right? Nice going, Disney.

    The Grammys ceremony will be held on February 4. Congratulations, John Williams!


    “Helena’s Theme”

    “The Fabelmans”

    “Checkmate”


    PHOTO: Williams at the 60th Grammy Awards, at which he was honored for “Escapades” for alto saxophone and orchestra (a concertino of sorts arranged from his score to “Catch Me If You Can) and a Trustees Award, for “individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording”

  • Indiana Jones Nostalgia Roy’s Sci-Fi Corner

    Indiana Jones Nostalgia Roy’s Sci-Fi Corner

    No snakes were harmed in the making of last night’s episode of Roy’s Tie-Dye Sci-Fi Corner, which was essentially two children of the ‘80s reminiscing and sharing their observations about the Indiana Jones series. The emphasis of the discussion was on the first three films, and there were no spoilers about the latest installment, “Indiana Jones and the Dial of Destiny,” now in theaters. So if your concern is choosing wisely, you can guzzle from this grail with confidence! If nothing else, follow the link to see how dapper I look in a fedora and thrill to my amazing approximation of Raymond Scott’s “Powerhouse” (on which John Williams’ dad played the drums).

    Speaking of dads, I’d like to direct your attention to a special belated Father’s Day edition of the show, as tomorrow night, Roy will be joined by his dad, Ron, and his son, Ryan, for an intergenerational discussion of “It’s a Mad, Mad, Mad, Mad World” (1963). Okay, not a lot of science fiction in this one, but it’s a milestone in a genre of behemoth comedy that 16 years later spawned Steven Spielberg’s “1941.” It’s also the grandaddy of all scavenger hunt films, and the characters destroy as much stuff as the Blues Brothers.

    It’s fun to see all these mid-century comedians do their thing, even if a lot of the gags have whiskers, alongside dozens of blink-and-you’ll-miss-them celebrity cameos. It’s what I call a good Sunday afternoon movie. So watch the film, and then tune in for commentary by three generations of mad, mad, mad, mad Bjellquists, on the next “Roy’s Tie Dye Sci Fi Corner,” this Sunday evening at 7:00 EDT!

  • Indiana Jones Spoiler-Free Discussion

    Indiana Jones Spoiler-Free Discussion

    Our connection may have been bad last week, on Roy’s Tie-Dye Sci-Fi Corner, but we’ll make a second attempt tonight as raiders of the lost art. Roy and I will be cracking our whips and clanking our crystal skulls in a free-form discussion about the Indiana Jones series. THIS WILL BE A SPOILER-FREE CONVERSATION, SO PLEASE, NO STARTLING REVELATIONS ABOUT THE NEW FILM.

    The razors won’t be the only things that are dull, as we ratchet up our dial of density. Leave your daddy issues in the comments section, when we livestream on Facebook, YouTube, etc., this Friday evening at 7:30 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Indiana Jones Delay Star Trek Rescue Show

    Indiana Jones Delay Star Trek Rescue Show

    The Dial of Destiny dictates that tonight’s show is postponed due to technical difficulties. So we will try it again next week – OPPOSITE THE OPENING OF THE ACTUAL MOVIE. But who’s interested in seeing a new Indiana Jones movie executive produced by George Lucas and Steven Spielberg on opening night anyway? Right? RIGHT?

    I don’t know; we’re making it up as we go.

    In any case, despair not. The weekend is not a total wash, as Roy will be joined by special guests Michael and Denise Okuda, so closely associated with “Star Trek” film and television productions, on Sunday night at 7:30 EDT. JOIN HIM THEN.

    https://www.facebook.com/roystiedyescificorner

    You may be disappointed with us now, but you’ll be Jonesin’ for us by next Friday evening at 7:30 EDT, on Roy’s Tie-Dye Sci-Fi Corner!

Tag Cloud

Aaron Copland (92) Beethoven (95) Composer (114) Film Music (120) Film Score (143) Film Scores (255) Halloween (94) John Williams (185) KWAX (229) Leonard Bernstein (100) Marlboro Music Festival (125) Movie Music (135) Opera (198) Philadelphia Orchestra (88) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS