Tag: Kile Smith

  • Sibelius Symphony No 6 A Century of Enigmatic Beauty

    Sibelius Symphony No 6 A Century of Enigmatic Beauty

    Jean Sibelius’ Symphony No. 6 was performed for the first time, in Helsinki under the composer’s baton, on this date 100 years ago. Kile Smith shares his thoughts on this gorgeous, enigmatic work (as might describe much of Sibelius’ greatest music), on this month’s “Fleisher Discoveries.”

    Sibelius noted that the symphony always reminded him of the first scent of snow. He also penned the descriptive phrase “When shadows lengthen.” It’s funny, I don’t find the work at all gloomy, but then I’ve always disliked the sun.

    The Symphony No. 6 is rarely encountered in U.S. concert halls. I think in my 40 years of attending orchestral concerts, I have heard it only once, on the same program with the equally underperformed Symphony No. 3 (with Osmo Vänskä, unsurprisingly, guest conducting in Philadelphia).

    Sibelius remarked, “Whereas most other modern composers are engaged in manufacturing cocktails of every hue and description, I offer the public cold spring water.” This from a man who knew a thing or two about libations! Listen to Sibelius’ Symphony No. 6, with Kile’s commentary, at the link.

    Fleisher Discoveries: Sibelius the Revolutionary


    PHOTO: Sibelius monument “Passio Musicae” (1967), located in Helsinki, by Elia Hiltunen

  • Apollo 8 Earthrise Inspires NJ Concert

    Apollo 8 Earthrise Inspires NJ Concert

    With the inauguration of the James Webb Space Telescope and the launch of Artemis I, NASA is back on top of the news cycle. Images of the Earth from space recall the wonder experienced by the astronauts of Apollo 8, 54 years ago. The Christmas Eve mission was the first to send humans to orbit the moon and return safely to Earth. “Earthrise,” a photograph taken from the capsule by William Anders during lunar orbit, is one of the most iconic ever taken.

    Kile Smith’s 35-minute choral work, “The Consolation of Apollo,” sets the actual words of the Apollo 8 astronauts, framed by selections from “The Consolation of Philosophy,” writings by the 6th century philosopher Boethius. The juxtaposition of Apollo, mythical charioteer of the sun, with Apollo 8, the manmade spacecraft bearing his name, each traversing the skies of their respective eras, can’t help but inspire a kind of awed reflection on what humanity is capable of achieving.

    Smith’s piece will receive a unique performance on a concert by The LOTUS Project, which will be presented at the Planetarium at the New Jersey State Museum in Trenton this Saturday at 7 p.m.

    You can read more about it in my article in the Princeton weekly U.S. 1, in vending machines and online today.

    https://www.communitynews.org/princetoninfo/coverstories/cool-christmas-concert-gets-planetarium-lift-off/article_ab5f507a-6fe9-11ed-8b0b-7f0faa84849a.html

  • Hear Kile Smith’s “Ave Maris Stella” Live

    Hear Kile Smith’s “Ave Maris Stella” Live

    As always, I’m a day late and a dollar short.

    Yesterday, I forgot to mention the world premiere of a new piece by my friend, Kile Smith – “Ave Maris Stella” – to be performed three times this weekend by Piffaro, The Renaissance Band and the vocal ensemble Variant 6. The Center City Philadelphia performance took place last night, but there are still two more chances to hear it live: tonight at 7:30 pm, at the Presbyterian Church of Chestnut Hill (Philadelphia’s “garden district”), and tomorrow at 3 pm, at Sts. Andre and Matthew, 719 N. Shipley St., in Wilmington, DE.

    If these times don’t work for you, a concert video will be made available on-demand from 10/16 to 10/26. Access to the video for ticker holders is free.

    You’ll find more information about the program at the Piffaro website.

    21/22 Concert 1

    PLEASE NOTE: There will be no tickets sold at the door – ADVANCE TICKET SALES ONLY!! So if you intend to go, make your purchases now!

    Kile talks about “Ave Maris Stella”:

    Kile’s earlier Piffaro commission, “Vespers,” is a knock-out. You can sample his setting of Psalm 113 here:

    Want to hear the whole thing? That’s posted too:

    Congratulations, Kile, and best wishes from an absent-minded admirer!

  • William Henry Fry’s Fry Day Surprise

    William Henry Fry’s Fry Day Surprise

    Raising the false hopes of workers everywhere, Monday is “Fry Day” this week – as today happens to coincide with the birthday of William Henry Fry. Maybe.*

    Fry was born in Philadelphia in 1813. A pioneering figure in American music, he was the first native-born composer to write on a large scale. He composed orchestral works and the first opera by an American to be performed publicly in his lifetime (“Leonora,” in 1845). He was an outspoken advocate of American music – that is, music composed by Americans – at a time when German imports ruled the roost. It would be decades before American music would gain a toehold in the concert halls, which makes Fry an even more remarkable figure.

    Fry studied music with a former bandleader in Napoleon Bonaparte’s army, who went on to become the head of Philadelphia’s Musical Fund Society. Fry himself would become the society’s secretary.

    He was also a journalist, a writer on music, and the first music critic to write for a major American newspaper. He was a foreign correspondent for the Philadelphia Public Ledger and acted as music critic for the New York Herald Tribune.

    He composed seven symphonies, all of them of a descriptive nature. His “Santa Claus Symphony,” after Clement Moore, is more of a Straussian tone poem. My personal favorite, though, is the “Niagara Symphony.” Written for P.T. Barnum, the work is conceived for enormous forces augmented by a mind-blowing eleven timpani.

    Hear this sublime work this afternoon on The Classical Network in a recording on the Naxos label. The album features liner notes by my friend and colleague Kile Smith. For 18 years, Kile was curator of the Fleisher Collection of Orchestral Music at the Free Library of Philadelphia, the world’s largest lending library of orchestral performance materials, where Fry’s scores are housed.

    Kile, of course, is also an entertaining writer, a personable radio presence, and a terrific composer. His latest album, “The Arc in the Sky,” was released last month on Navona Records, a subsidiary of Parma Recordings. The hour-long work was commissioned by the Grammy Award winning choir, The Crossing. It is one of five CDs of Kile’s music to be issued over the past year.

    I’ll further exploit the Fry connection to share some of Kile’s music this afternoon, following on the heels of the “Niagara Symphony.” Out of the Fry and into the Kile, so to speak.

    It will be more fun than going over the falls in a barrel, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.


    • There is some discrepancy regarding the date of Fry’s birth, with some sources giving August 10, and others August 19. So maybe it is just Monday, after all.

    More about Kile Smith here: kilesmith.com

  • Philly Composers Gin & Dim Restaurant Lights

    Philly Composers Gin & Dim Restaurant Lights

    Restaurant lighting flatters no one, but here I am at the wrong end of a gin-fueled evening with two estimable Philadelphia composers, Robert Moran and Kile Smith. Only one broken glass, and we may have over-tipped, but I think I can say with confidence that a good time was had by all.

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