Tag: Leningrad Symphony

  • Bernstein Salutes Shostakovich in Moscow

    Bernstein Salutes Shostakovich in Moscow

    On Dmitri Shostakovich’s birthday, here’s a wonderful document of Leonard Bernstein saluting the composer in Moscow in 1959, prior to a performance of the “Leningrad Symphony.” A modest man accustomed to stepping very carefully in a totalitarian state (also, he didn’t speak English), Shostakovich isn’t quite sure how to react, but ultimately approaches the stage to shake Bernstein’s hand. Stick around for the end of the video as Bernstein speaks the truth, and lament afresh those who devote their lives to undermining our potential as a species.

    Shostakovich composed the symphony, his seventh, as an emblem of hope and defiance during the Nazi siege of Leningrad in 1941. The work was given its premiere in Moscow, by the Bolshoi Theatre Orchestra. It was next performed in the West, in London (by Henry Wood) and New York City (by Toscanini), after the score was smuggled out of the Soviet Union on microfilm, by way of Tehran!

    The symphony was performed in Leningrad itself on August 9, 1942, with the concert blasted on loudspeakers into the enemy lines after three thousand high-caliber shells had been lobbed into the Germans. Furthermore, Shostakovich employed a grotesque quotation from Hitler’s favorite operetta, “The Merry Widow,” to mock the Nazi “invasion.”

    The “Leningrad Symphony” enjoyed tremendous popularity during the war years, but in the decades since, its musical merits have tended to be overshadowed by its propagandistic origins.

    One of Bernstein’s most shattering recordings of his later years was of this very work, taken from a live performance with the Chicago Symphony Orchestra in 1988 and issued on the Deutsche Grammophon label. The recording was recognized with a Grammy Award in 1990 – the year of Bernstein’s death at 72 – for Best Orchestral Performance. Shostakovich died in 1975 at the age of 68.

    In 1966, Bernstein paid tribute to Shostakovich for the composer’s 60th birthday, with another characteristically insightful introduction, for one of his televised “Young People’s Concerts,” which again featured a selection from the “Leningrad Symphony” and the complete Symphony No. 9.

    Happy birthday, Bernstein-style, Dmitri Shostakovich!


    PHOTO: Same tour, different concert: Shostakovich and Bernstein share an ovation after a performance of Shostakovich’s Symphony No. 5 at the Great Hall of the Moscow Conservatory on August 22, 1959

  • Brazilian Music & Shostakovich Leningrad Symphony

    Brazilian Music & Shostakovich Leningrad Symphony

    Boa tarde!

    As we have for the past several weekdays, we’ll be interspersing into our playlist a few works by Brazilian composers and on Brazilian themes, the better to satisfy your musical curiosity, since television coverage of the Olympic Games in Rio cleaves pretty closely to the arenas.

    We’ll also observe the birthday anniversary of Reynaldo Hahn, a figure whose origins were in Venezuela, though he spent much of his creative life in Paris, where he became an exquisite composer of art songs (and the longtime companion of Marcel Proust). Sure, his songs turn up in recitals from time to time, and once in a while you’ll hear his delightful work for winds, harp and piano, “The Ball of Beatrice d’Este,” but we’ll actually get to enjoy his Piano Concerto.

    It’s also the anniversary of the first performance in Leningrad, in 1942, of Shostakovich’s Symphony No. 7, the so-called “Leningrad Symphony,” a work that so embodied the plight of a city under foreign siege that its citizens were both moved to tears and inspired to battle on. The Soviets blared the performance over loud speakers pointed away from the city and toward the German lines, knocking out the Nazi artillery beforehand to ensure the enemy could absorb the defiant work in all its bombastic glory.

    I hope you’ll join me this afternoon on WWFM – The Classical Network and at wwfm.org. I’ll be here in all my bombastic glory until 4:00 EDT.

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