Tag: Livestream

  • Bard Music Festival Livestream Berlioz

    Bard Music Festival Livestream Berlioz

    I still have a few posts about the Bard Music Festival left in my quiver, which I promise to share in the coming days. One aspect of the festival I do want to mention – which so far I have failed to do – is that evening concerts at the Fisher Center for the Performing Arts are available for livestreaming. Keep that in mind when taking a gander at this weekend’s schedule. These include Programs Seven (a more intimate lead-in to Weekend Two, the most prominent offering being Liszt’s transcription of Berlioz’s “Harold in Italy” for viola and piano), Nine (featuring Louise Farrenc’s Symphony No. 3 and Joachim Raff’s Symphony No. 10 “Autumn”), and Eleven (a complete performance of Berlioz’s “The Damnation of Faust”). No need to bargain your soul in following the link:

    https://fishercenter.bard.edu/whats-on/programs/bard-music-festival/

    “Berlioz and His World” will continue at Bard College in Annandale-on-Hudson, NY, through Sunday.

    Fisher Center at Bard

  • Wild Wild West Livestream Finally Happens!

    Wild Wild West Livestream Finally Happens!

    That’s right, folks. We’re going to try it one more time. This evening, barring the end of the world, Roy and I will finally discuss the classic television series “The Wild Wild West” (1965-69).

    Between power outages, equipment failure, and other commitments (we’re a couple of in-demand guys), this has been the most-rescheduled program in the four-year history of the show! But Roy’s got a few tricks up his sleeve (and a Derringer) in the event things once again go south.

    I wrote about it before on June 13

    https://www.facebook.com/photo/?fbid=1323473315238395&set=a.883855802533484

    And again on June 20

    https://www.facebook.com/photo/?fbid=1327570171495376&set=a.883855802533484

    And again on June 21

    https://www.facebook.com/photo/?fbid=1328409834744743&set=a.883855802533484

    And again on June 28

    https://www.facebook.com/photo?fbid=1332921080960285&set=a.883855802533484

    What’s left to say?

    Hopefully something, as we’re on for tonight, and with all the extra time, I’ve watched a hell of a lot of episodes. I hope you’ll be on hand, as we face down the Curse of “The Wild Wild West.” It will be “The Night of the Return of Roy’s Tie-Dye Sci-Fi Corner,” this week at a special time. Bring your gadgets to the comments section, and join us on a wing and a prayer, when we livestream on Facebook, YouTube, etc., THIS SUNDAY EVENING AT 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Sci-Fi Heroes Livestream Tonight

    Sci-Fi Heroes Livestream Tonight

    Yeah, I know it’s an off-night. But any night we do this is bound to be an “off” night.

    Roy and I have rescheduled Friday’s “Heroes of Sci-Fi” episode of Roy’s Tie-Dye Sci-Fi Corner for tonight, Monday, at 7:00 EST.

    Again, the focus will be on our favorite sci-fi and fantasy heroes. Neither Roy nor I will share our top ten choices prior to the livestream – not even with one another – hopefully resulting in a spirited, spontaneous discussion, both on-camera and in the comments section, as we explain and defend our selections against all comers.

    Friendships will be forged and broken, when we choose the hills we die on. It will be a hero sandwich full of sci-fi cheese and baloney, on the next “Roy’s Sci-Fi Tie-Dye Corner.” The proof will be in the provolone when we livestream on Facebook, YouTube, etc., THIS MONDAY EVENING AT 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

    Summon the heroes!

  • Roy’s Sci-Fi Hero Showdown Livestream Friday

    Roy’s Sci-Fi Hero Showdown Livestream Friday

    No specific movie to view this week for Roy’s Tie-Dye Sci-Fi Corner. Rather, the preparation will be all ours, as the focus will be on our favorite sci-fi and fantasy heroes. Neither Roy nor I will share our top ten choices prior to the livestream – not even with one another – hopefully resulting in a spirited, spontaneous discussion, both on-camera and in the comments section, as we explain and defend our selections against all comers.

    Friendships will be forged and broken, when we choose the hills we die on. It will be a hero sandwich full of sci-fi cheese and baloney, on the next “Roy’s Sci-Fi Tie-Dye Corner.” The proof will be in the provolone when we livestream on Facebook, YouTube, etc., this Friday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • Vaughan Williams Livestream from Bard College

    Vaughan Williams Livestream from Bard College

    Adore the music of Ralph Vaughan Williams but can’t make it to this year’s Bard Music Festival? Some of the concerts will be made available via livestream. The lark ascends at Bard College in Annandale-on-Hudson, NY, August 4 -13. If you’re trapped in the Antarctic, watch online for a modest fee.

    Please note the concerts can be viewed in real-time only, and not on demand. So reserve your tickets, and don’t be late!

    https://fishercenter.bard.edu/whats-on/programs/upstreaming/


    FRIDAY, AUGUST 4, at 7 PM
    PROGRAM ONE – VAUGHAN WILLIAMS: BECOMING AN ENGLISH COMPOSER

    Down Ampney (Come Down, O Love Divine) from “The English Hymnal” (1906)

    Quintet for piano and strings in C minor (1903)

    Fantasia on a Theme of Thomas Tallis (1910)

    Concerto in D minor for violin and strings (1925)

    Serenade to Music (1938)

    O taste and see (1953)

    Songs

    Selections from “Five English Folk Songs” (1913)

    Old Hundredth Psalm Tune (1953)

    Horszowski Trio and guests; William Ferguson, tenor; Theo Hoffman, baritone; Renée Anne Louprette, organ; Grace Park, violin; Sun-Ly Pierce, mezzo-soprano; Brandie Sutton, soprano; Bard Festival Chorale, James Bagwell, music director; The Orchestra Now (TŌN) conducted by Leon Botstein, music director


    SATURDAY, AUGUST 5, at 8 PM
    PROGRAM THREE: THE SYMPHONY AND COMPOSING FOR THE STAGE

    Job, A Masque for Dancing (1930)

    Concerto in C, for two pianos and orchestra (1931, rev. 1947)

    Symphony No. 4 in F Minor (1934)

    Danny Driver & Piers Lane, pianos; The Orchestra Now (TŌN) conducted by Leon Botstein


    SUNDAY, AUGUST 6 at 5 PM
    PROGRAM SIX: LONDON CALLING! FUN IN COCKAIGNE!

    A celebration of Music Hall and pop traditions from Gilbert and Sullivan to the Beatles, including works by Arthur Sullivan (1842–1900), Roger Quilter (1877–1953), Percy Grainger (1882–1961), Gerald Tyrwhitt-Wilson, Lord Berners (1883–1950), Eric Coates (1886–1957), Ivor Novello (1893–1951), Noël Coward (1899–1973), Arthur Benjamin (1893–1960), and others, with selections from Vaughan Williams’ “The Poisoned Kiss” (1927–29; rev.)

    Martin Luther Clark, tenor; Theo Hoffman, baritone; Sun-Ly Pierce, mezzo-soprano; Ann Toomey, soprano; Bard Festival Ensemble; and others


    FRIDAY, AUGUST 11, at 8 PM
    PROGRAM SEVEN – THE LARK ASCENDING: BRITISH MUSIC FOR SMALL ORCHESTRA

    Ralph Vaughan Williams (1872–1958)
    Five Variants of “Dives and Lazarus” (1939)

    Edward Elgar (1858–1934)
    Serenade for Strings, Op. 20 (1896)

    Ralph Vaughan Williams (1872–1958)
    Flos Campi (1925)

    Grace Williams (1906–77)
    Elegy for String Orchestra (1936, rev. 1940)

    Ralph Vaughan Williams (1872–1958)
    The Lark Ascending (1914, orch. 1921)

    Peter Warlock (1894–1930)
    Capriol Suite (1926)

    Frederick Delius (1862–1934)
    Two Aquarelles (1932)

    Gustav Holst (1874–1934)
    St. Paul’s Suite, Op. 29, No.2 (1913)

    Luosha Fang, viola; Bella Hristova, violin; members of the Bard Festival Chorale, James Bagwell, choral director; The Orchestra Now (TŌN) conducted by James Bagwell and Zachary Schwartzman


    SATURDAY, AUGUST 12, AT 8 PM
    PROGRAM NINE: A NEW ELIZABETHAN AGE

    Elizabeth Maconchy (1907–94)
    Proud Thames, coronation overture (1953)

    William Walton (1902–83)
    Partita for Orchestra (1957–58)

    Ralph Vaughan Williams (1872–1958)
    Symphony No. 8 in D Minor (1955)

    Jean Sibelius (1865–1957)
    Andante Festivo (1922/1938)

    Ralph Vaughan Williams (1872–1958)
    “Sinfonia Antartica” (Symphony No. 7) (1952)

    Brandie Sutton, soprano; members of the Bard Festival Chorale, James Bagwell, choral director; American Symphony Orchestra conducted by Leon Botstein, music director


    SUNDAY, AUGUST 13, at 3 PM
    PROGRAM ELEVEN – VAUGHAN WILLIAMS AND SHAKESPEARE

    “Sir John in Love” (1928), after Shakespeare’s “The Merry Wives of Windsor”

    Bard Festival Chorale, James Bagwell, choral director; American Symphony Orchestra conducted by Leon Botstein

    In order of vocal appearance:

    William Ferguson, tenor, as Robert Shallow
    Theo Hoffman, baritone, as Sir Hugh Evans
    Martin Luther Clark, tenor, as Master Slender
    Maximillian Jansen VAP ’21, tenor, as Peter Simple
    Troy Cook, baritone, as Page
    Craig Colclough, bass-baritone, as Sir John Falstaff
    Julius Ahn, tenor, as Bardolph
    Tyler Duncan, baritone, as Corporal Nym
    Kevin Thompson, bass, as Pistol
    Brandie Sutton, soprano, as Anne Page
    Ann Toomey, soprano, as Mrs. Page
    Sarah Saturnino, mezzo-soprano, as Mrs. Ford
    Joshua Blue, tenor, as Fenton
    John Brancy, baritone, as Dr. Caius
    Justin Hopkins, bass-baritone, as Rugby
    Lucy Schaufer, mezzo-soprano, as Mrs. Quickly
    Lucia Lucas, baritone, as Host of the Garter Inn
    William Socolof, bass-baritone, as Ford


    Pre-concert talks will be offered before some of the events. It’s unclear whether or not these will be included as part of the livestreams. It might be worthwhile to check-in a little early.

    Fisher Center at Bard

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