Tag: Looney Tunes

  • Animated Shostakovich on “Picture Perfect”

    Animated Shostakovich on “Picture Perfect”

    Dmitri Shostakovich is justifiably celebrated for his monumental symphonies and probing string quartets. This week on “Picture Perfect,” however, for the composer’s birthday, we’ll enjoy two examples of his cartoon music.

    While still in his teens, Shostakovich helped support his family as a pianist in movie houses, enlivening silent images with his mercurial improvisations. This was great practice for his later collaborations with a number of notable Soviet filmmakers.


    Shostakovich was about 27 years-old in 1933, when he was hired by experimental animator Mikhail Tsekhanovsky to supply the manic underscore for “The Priest and His Hired Worker Balda.” Visionary though he was, Tsekhanovsky probably didn’t count on just how manic Shostakovich could be. The composer’s inspiration flowed like water down the Neva, and Tsekhanovsky struggled to keep up, all the while pushing himself to create images worthy of his collaborator.

    Then, in 1936, following the debut of the opera “Lady Macbeth of Mtsensk,” Shostakovich was condemned by the Soviet authorities in an infamous “Muddle Instead of Music” denunciation in Pravda, and the composer decided he had better cool his jets. The potentially inflammatory Symphony No. 4 went into a drawer, and he halted work on the film, which he had already been involved with, on and off, for nearly three years. When the denunciation came, he was in the process of wholly reorchestrating the existing music, at the studio’s request, for smaller forces.

    While the feature would remain unfinished, Tsekhanovsky compiled what he had – some 40 minutes in all – and the work was put into storage at the Lenfilm archives. Unfortunately, nearly all of it would be destroyed by fire during the Nazi siege of Leningrad in 1941.

    Only the bizarre bazaar scene survives. I’m willing to bet this clip will haunt the rest of your day.


    We’ll hear selections from Shostakovich’s score, shorn of the nightmare carnival imagery. We’ll also hear music he composed for the 1940 short “The Tale of the Silly Little Mouse.”


    The program will also include examples of the artistry of American cartoon luminaries Carl Stalling (Merrie Melodies, Looney Tunes, Silly Symphonies) and Scott Bradley (Tom and Jerry, Droopy Dog, Barney Bear) and conclude with excerpts from Disney’s groundbreaking “Snow White and the Seven Dwarfs,” featuring songs by Frank Churchill & Larry Morley and underscore by Paul J. Smith and Leigh Harline.

    Aaa-OOOGAH!! It’s an hour of music from the golden age of animation with Dmitri Shostakovich and friends, on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!

    ———-

    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link.

    https://kwax.uoregon.edu/

    ———-

    BONUS! Shostakovich demonstrates his keyboard prowess, playing a selection from “Lady Macbeth of Mtsensk”

    https://www.youtube.com/watch?v=azFHiEh1jhk

  • Raymond Scott Looney Tunes And The Electronium

    Here’s an interesting piece on Raymond Scott. If you think you don’t know him, and you’re old enough to remember watching Looney Tunes on television, then you probably actually do, as one of his greatest hits, “Powerhouse,” was frequently appropriated for sequences of inexorable, especially mechanized, cartoon chaos.

    I said it before and I’ll say it again: John Williams’ dad, Johnny Williams, was the drummer in the Raymond Scott Quintette – actually a six-piece group, but Scott quipped he thought “calling it a sextet might get your mind off music.”

    Apparently, Devo’s Mark Mothersbaugh (pictured) is now the proud owner of Scott’s Electronium.


    “Powerhouse”

    “Dinner Music for a Pack of Hungry Cannibals”

  • Leopold Stokowski The Forgotten Celebrity

    Leopold Stokowski The Forgotten Celebrity

    In his lifetime, he was as recognized as – well, as Mickey Mouse.

    With his wild hair, dove-like hands, and faux middle-European accent, Leopold Stokowski was familiar to anyone who went to the movies.

    In the latter decades of the 20th century, kids were still emulating Looney Tunes’ cries of “LEOPOLD!,” thanks to television reruns of Bugs Bunny.

    Once upon a time, before classical music became marginalized…

    I’ll pass on asking the rhetorical question of what the hell happened to my country, and instead channel my energy into projecting happy birthday wishes to the beyond for Leopold Stokowski!


    Conducting Tchaikovsky in the film “Carnegie Hall” (1947)

    Shaking hands with Mickey Mouse in “Fantasia” (1940)

    Parodied in “Long-Haired Hair” (1949)

    Introduced by Burns & Allen in “The Big Broadcast of 1937”

    Introduced in a snood around the 3:30 mark in “Hollywood Steps Out” (1941)

    http://www.youtube.com/watch?v=xOFG_qmoH8I&t=0m16s

    Charging his fingers at around 1:35 in Walter Lantz’s “Hollywood Bowl” (1938)

    https://vimeo.com/126713908?fbclid=IwAR07EsgTjeN70QIfVpM1HoWyJ66k-oc5T4hs2WRPl7XGDp530eLMuWyF8Xk

    With Deanna Durbin in “One Hundred Men and a Girl” (1937)

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