Tag: Paul Freeman

  • Black Composers Series Rediscovered

    Black Composers Series Rediscovered

    To reiterate, the compact disc reissue of CBS Records’ landmark Black Composers Series – available complete for the first time in over 40 years – though lamentably underpublicized, is an event of enormous significance.

    These visionary recordings, made under the direction of conductor Paul Freeman (pictured) and employing world class orchestras and soloists, were originally released on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Tune in tonight for the third in a four-part survey of highlights from this exciting boxed set, which was released by Sony Classical just in time for #BlackHistoryMonth.

    José Silvestre de los Dolores White y Lafitte (or José or Joseph White, for short) was one of the great romantic violinists. Born in Cuba in 1835, he made his public debut at the age of 18 with the most celebrated North American pianist of the day, Louis Moreau Gottschalk. It was Gottschalk who encouraged White to study at the Paris Conservatory and who raised the money to send him there. This launched the young man on a globetrotting trajectory that sent him all over Europe, the Caribbean, South America, Mexico, and the Northeastern United States.

    White died in Paris in 1918. We’ll hear his Violin Concerto in F-sharp minor, played by the prolific and committed Aaron Rosand. Why this is not a repertory piece is anybody’s guess.

    David Baker, born in 1931, was professor of jazz studies at the Indiana University Jacobs School of Music, a program he founded. From 1991 to 2012, he was also director and conductor of the Smithsonian Jazz Masterworks Orchestra. On top of everything else, he was extraordinarily productive as a writer and recording artist, leaving over 65 recordings, 70 books, and 400 articles.

    Baker died in 2016. He was trained as a trombonist – he was active as a jazz performer throughout the 1940s and early ‘50s – but a facial injury suffered in an automobile accident caused him to switch to the cello. We’ll hear Baker’s Cello Sonata, composed in 1973 for the great Janos Starker, who will perform it with Alain Planès at the keyboard.

    Finally, Roque Cordero was born in Panama City in 1917. He studied composition with Ernst Krenek and conducting with Dmitri Mitropolous. He became director of Panama’s Institute of Music and artistic director and conductor of its National Symphony. Later, he was assistant director of the Latin American Music Center, professor of composition at Indiana University, and, from 1972, distinguished professor emeritus at Illinois State University. Cordero died in Dayton, Ohio, in 2008, at the age of 91.

    Fascinatingly, Cordero’s music tends to balance Panamanian folklore with more advanced techniques. The boxed set contains not only his Violin Concerto, with Sanford Allen the soloist, but also “Eight Miniatures for Small Orchestra” of 1948. We’ll hear Paul Freeman conduct the latter with the Detroit Symphony Orchestra.

    I hope you’ll join me for “Black to the Future, Part III,” yet another program of highlights from the Sony Classical reissue of CBS Records’ forward-looking Black Composers Series, this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Returns After Decades

    Black Composers Series Returns After Decades

    I’ve been waiting for this set to be reissued for decades. DECADES.

    Over 40 years after its original appearance, CBS Records’ landmark Black Composers Series has finally come to compact disc. Made under the direction of conductor Paul Freeman and employing world class orchestras and soloists, these recordings originally appeared on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Some of the composers have since benefited from the advocacy of others; a few of the pieces were rerecorded by Freeman in the digital era; but most of the music is still seldom, if ever, heard.

    Sony Classical has reissued these invaluable documents as a boxed set, reproducing the series’ original cover art on the individual cardboard sleeves. There’s also a moderately informative booklet, and a bonus disc of spiritual arrangements by Hale Smith and others, also conducted by Freeman. That’s a lot to celebrate!

    To coincide with #BlackHistoryMonth, we’ll hear highlights from this most exciting release, over a four-week period.

    Tune in tonight for the first installment, featuring works by violinist, conductor, and master swordsman Joseph Bologne, Chevalier de Saint-Georges (1745-1799), who led the first performances of Haydn’s “Paris” Symphonies; Olly Wilson (1937-1918), who established the first ever electronic music program at a conservatory, Oberlin; and Fela Sowande (1905-1987), who wrote concert music after traditions of his native Nigeria.

    That’s “Black to the Future,” the return of CBS Records’ forward-looking Black Composer Series, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Paul Freeman A Musical Celebration

    Paul Freeman A Musical Celebration

    Paul Freeman has always been a conductor after my own heart. A champion of unusual and neglected repertoire, Freeman recorded prolifically – some 200 albums. I won’t get into whether or not the color of his skin had a negative impact on his career. Freeman was a positive force who always found a way.

    He held posts with the Dallas Symphony Orchestra, the Detroit Symphony, and the Helsinki Philharmonic. He was music director of the Chicago Sinfonietta, the Czech National Symphony Orchestra, and the Victoria Symphony in British Columbia.

    Freeman retired from conducting in 2011. He died on July 21, at the age of 79. We celebrate his artistry and love of music this week on “The Lost Chord,” by way of his extensive and varied discography.

    From his series, “Paul Freeman Introduces,” on the Albany label, we’ll hear music by Richard Yardumian, former composer-in-residence with the Philadelphia Orchestra . “Veni, Sancte Spiritus” was one of a number of Yardumian works to be documented by Ormandy and the Philadelphians during the LP era. Atonishingly, none of them ever made it to compact disc. Leave it to Freeman to fill in the gap.

    Adophus Hailstork, one of the artists Freeman favored as part of his landmark “Black Composers Series,” set down for Columbia Records back in the 1970s, will also be represented. His “Sonata da Chiesa” for string orchestra grew out of Hailstork’s love for cathedrals.

    Freeman was always an enthusiastic champion of new music and works by African-American composers. He was also a sensitive and sympathetic accompanist, as borne out by his many concerto recordings. Of those, we’ll hear what is probably the strangest of them all – Morton Gould’s “Tap Dance Concerto.”

    Finally, we’ll have selections from the “African Suite,” by Nigerian composer Fela Sowande, a work Freeman recorded twice, for Columbia in the 1970s, and decades later for Cedille Records, as part of the three-volume “African Heritage Symphonic Series.”

    It’s a nice assortment, though of course it only scratches the surface. It is with mixed emotions that I bid “Farewell to Freeman,” tonight at 10 ET, with a repeat Wednesday evening at 6. You can also listen to it later as a webcast, at wwfm.org.

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