Tag: Ralph Vaughan Williams Society

  • Vaughan Williams Birthday Salute on KWAX

    Vaughan Williams Birthday Salute on KWAX

    I’ve just tied the bow on another lovingly-wrapped gift for one of my favorite composers, Ralph Vaughan Williams. Vaughan Williams was born on October 12, 1872. I hope you’ll join me for my annual salute, on “Sweetness and Light.”

    This year, I’ll be featuring one of his rarely-heard piano works, the Suite in G major, which he later arranged for strings as the “Charterhouse Suite,” some recordings issued on Albion Records – the record label of the Ralph Vaughan Williams Society – including an extensive orchestral rhapsody on tunes from the opera “The Poisoned Kiss,” and a delightful acoustical document of the composer himself conducting his overture to “The Wasps.”

    I’ll provide the cake, but Vaughan Williams will provide the candles, on “Sweetness and Light.” Remember, the program is now repeated. So you’ll have two chances to enjoy it – this Saturday morning, at 11:00 EDT/8:00 PDT, and Sunday evening, at 9:00 EDT/6:00 PDT, exclusively on KWAX Classical Oregon.

    Stream it, wherever you are, at kwax.com!

  • Bard Music Festival Report Update

    Bard Music Festival Report Update

    Nothing terribly creative to post today, as I am hard at work pulling together the threads and putting the finishing touches on my report on the Bard Music Festival for October’s Ralph Vaughan Williams Society Journal!

    https://rvwsociety.com/society-journal/

  • Byron Adams on Vaughan Williams & Bard

    Byron Adams on Vaughan Williams & Bard

    I just concluded a lively 40-minute conversation with composer and musicologist Byron Adams, emeritus professor at the University of California, Riverside, and artist-in-residence at this year’s recently-concluded Bard Music Festival.

    Byron, an authority on the life and music of Ralph Vaughan Williams, co-edited (with Daniel M. Grimley) the festival’s tie-in book of scholarly essays, “Vaughan Williams and His World,” issued by University of Chicago Press.

    I thank him for his time and generosity in sharing a few of his thoughts, in so doing, allowing me a stronger foundation on which to construct an article about the festival for an upcoming edition of the Ralph Vaughan Williams Society Journal.

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