Tag: Renée Fleming

  • Wagner Strauss Fleming Weekend

    Wagner Strauss Fleming Weekend

    This weekend I’ll be gazing into the abyss, even as I’m lifted to Parnassus!

    It’s not like I planned it this way. Sometimes things just turn out like that.

    A couple of months ago, I reserved a seat for Wagner’s “Tristan und Isolde” with The Philadelphia Orchestra on Sunday afternoon. The opera is being performed complete in a concert setting – 4 and ½ to 5 hours, with two intermissions – with Nina Stemme, one of the world’s foremost Isoldes, still reportedly in fantastic voice, bidding farewell to the role, and heldentenor Stuart Skelton as Tristan. This is the first time the work is being presented complete in Philadelphia since the orchestra gave it its U.S. debut in 1934. An event, for sure, and scheduled for only two performances. Reviews for last Sunday’s concert have been ecstatic, with a critic in The Washington Post calling it “one of the greatest things I have ever heard.” It’s a 2 p.m. curtain, and I’ll likely have lunch plans beforehand, which means I’ll have to be ready to go and out the door on Sunday morning. On its own, certainly doable…

    However, I have also been offered a ticket to hear a concert performance of Richard Strauss’ “Guntram” – also reportedly Wagnerian, in language if not length – at Carnegie Hall on Friday night. The work, Strauss’ first opera, seldom done, is quoted in the composer’s “Ein Heldenleben,” but beyond that, I have never heard it. So of course I’m in! Angela Meade will sing Freihild and Leon Botstein will conduct the American Symphony Orchestra. It’s an 8:00 curtain, which means by the time it lets out and I catch the train, it will be well after midnight by the time I get home. Then I’ll be wound up from the trip, so I’m not anticipating turning out the bedside lamp much before 2:00. For ordinary human beings, this might not pose a problem, since the next day is Saturday, but perhaps attributable to the early radio schedule I kept for a couple of decades, I have been conditioned to being a morning person. And I mean it. If I drank a bottle of scotch, my eyes would still shoot open with the first rays of the sun. So I’m anticipating not getting very much shut-eye after the Carnegie concert.

    In the meantime, I’ve had a seat reserved to hear Renée Fleming at The Princeton Festival on Saturday evening. So while Saturday will undoubtedly be a day of bountiful coffee, so that I can be alert for the performance (which is at least close to home, thankfully), I will have to be mindful of the timing of my caffeine intake as I mustn’t overshoot the mark and destroy my chance at getting a full night’s sleep before “Tristan.” There will be wags among you, I’m sure, who will observe that I can just catch up on my sleep during the opera!

    Fleming’s program will be a light one, accompanied by Rossen Milanov and the Princeton Symphony Orchestra, with arias, art songs, and musical theater selections punctuated by applause, so no danger of nodding for that. But droop during “Tristan,” and I’ll be swallowed beneath the brine of the Irish Sea.

    If I do stay awake, and alert, may my ears remain supple!


    “Coffee…” (“The Death of Tristan” by Harry Robert Mileham, 1902)

  • Princeton Festival: Opera to ABBA

    Princeton Festival: Opera to ABBA

    Opera. Cabaret. Motown. Baroque. Ballet. Bluegrass… no, STRADGRASS. And ABBA?

    Beginning this weekend, it will be another tuneful June for the Princeton Symphony Orchestra and friends, as The Princeton Festival gets underway at Morven Museum & Garden, June 6 to 21. For the most part, concerts will take place within a state-of-the-art performance pavilion on the Morven grounds, at 55 Stockton St. (Rte. 206), with a few to be held, as noted, across the way at Trinity Church.

    The festival will open on Friday with “ICON: The Voices that Changed Music.” Capathia Jenkins and Ryan Shaw return to the festival stage to celebrate the artistry of Michael Jackson, Prince, Whitney Houston, Gladys Knight, Elvis Presley, Diana Ross, Stevie Wonder, and others, covering songs that helped shape popular culture and define a nation. (Friday, June 6, at 7 p.m.)

    Operatic superstar Renée Fleming will appear on Saturday, to perform works by Handel, Puccini, Reynaldo Hahn, and others, including selections from American musical theater. Seating is already at capacity, but feel free to add your name to the waiting list. (Saturday, June 7, at 8 p.m.)

    If musical theater is your bag, you’ll also likely be interested in “Sondheim in the City,” presented cabaret-style by Melissa Errico. Errico’s Broadway credits are too many to list. She was nominated for a Tony Award for Outstanding Lead Actress for Michel Legrand’s “Amour” and for a Drama Desk Award for her performance in Sondheim’s “Passion.” She and Sondheim have been very good to one another. Her 2018 album “Sondheim Sublime” was acclaimed by Terry Teachout of The Wall Street Journal as “the best all-Sondheim album ever recorded.” (Sunday, June 8, at 4 p.m.)

    Kentucky-born, classically-trained Tessa Lark has basically forged her own genre: Stradgrass. A veteran of her father’s gospel bluegrass band, Lark went on to study at New England Conservatory and Juilliard. Her program will meld violin music by Telemann, Bach, and Ysaÿe with Appalachian and bluegrass licks. (Thursday, June 12, 7 p.m.) The concert will be held at TRINITY CHURCH, a stone’s throw from Morven at 33 Mercer Street.

    Of course, opera has always been the centerpiece of the festival. This year’s offering will be Puccini’s “Tosca.” Sardou’s original play (a vehicle for Sarah Bernhardt) is the very definition of over-the-top, but the composer really sells it with some of his most ardent, romantic music. Take the plunge from Castel Sant’Angelo. (Friday, June 13, at 7 p.m., Sunday, June 15 at 4 p.m., or Tuesday, June 17, at 7 p.m.)

    To get you in the mood, members of Opera Delaware will join Rochelle Ellis and “Tosca” soprano Tonie Marie Palmertree for a free “opera bootcamp” at Morven’s Stockton Education Center. (Tuesday June 10, 3-8 p.m.) Registration is required.

    A few days later, prior to the second performance, a talk, “Exploring Tosca,” will be given by Margaret Cusack and Eve Summer, also at the Stockton Education Center. (June 15 at 2:15 p.m.)

    Dance will also be represented as American Repertory Ballet presents “An Evening of Pas de deux” with members of the PSO, conducted by music director Rossen Milanov. Included will be selections from Tchaikovsky’s “Swan Lake” and Minkus’ “Don Quixote,” alongside Ethan Stiefel’s “Delibes Duet.” (Saturday, June 14, at 7 p.m.)

    Festival favorites, the ensemble The Sebastians, will return, to perform an alliterative program, “Baroque Brilliance,” which will include works by Handel, Telemann, and an assortment of Italian composers whose names end in “i.” (Wednesday, June 18, at 3 p.m. & 7 p.m.) AT TRINITY CHURCH

    Back to the Morven pavilion, Masters of Soul will appear in a Motown revue, featuring favorites by Gladys Knight & The Pips, Marvin Gaye & Tammi Terrell, Smokey Robinson & The Miracles, The Temptations, The Four Tops, Diana Ross & The Supremes, Martha Reeves and The Vandellas, Barry White, Sam & Dave, James Brown, and others. (Thursday, June 19, at 7 p.m.)

    The concert will cap a Juneteenth celebration that will also include a flag-raising event (1 p.m. at the Municipality of Princeton) and a talk by Rochelle Ellis about Motown’s influence on the Civil Rights Movement (4 p.m. at Morven’s Stockton Education Center).

    The Italian Baroque will loom large when violinist Daniel Rowland and cellist Maja Bogdanović join members of the Princeton Symphony Orchestra for “Viva Vivaldi.” But to spice it up a little, the program will also include Osvaldo Golijov’s “Tenebrae” for string orchestra and Max Richter’s “Vivaldi’s Four Seasons Recomposed.” (Friday, June 20, 7 p.m.)

    The festival will conclude with a harmonic smorgasbord. Mamma mia! It’s “ARRIVAL from Sweden: The Music of ABBA!” What else do you really need to know? (Saturday, June 21, at 7 p.m.)

    Perhaps of added interest, for the first time, same-day $20 “Young at Art” rush tickets will be offered for 18-to-30 year-olds for many (but not all) of the performances. The EXCEPTIONS are June 7 (Renée Fleming), June 14 (Evening of Pas de deux), and June 21 (ARRIVAL from Sweden: The Music of ABBA). Proof of age with a government-issued ID is required.

    For those purchasing tickets in advance, boxed picnic lunches from Jammin’ Crepes may be reserved with 48-hours’ notice. These will be available for pick-up from the Jammin’ Crepes booth on Morven’s back lawn one-hour before showtime.

    In addition, the festival will be offering a Community Day, free and open to the public. (Sunday, June 8, from 9 am.-3:30 p.m.) Yoga in the Garden will return (movement accompanied by live music), from 9-10 a.m. (registration required). That will be followed by a Festival Farmers’ Market (offering local produce and artisanal products to the strains of an historic band organ), from 10 a.m.-1 p.m. The afternoon will be alive with kid-friendly fun and magic (including musical activities, a student art exhibit, a balloon-a-thon, and yes, a magician), from 12-3:30 p.m.

    For more information about concerts, concessions, and more, visit the Princeton Festival website at https://princetonsymphony.org/festival.

    If you’re really rarin’ to go, an artists’ roundtable with members of the cast and crew of “Tosca,” including conductor Rossen Milanov and stage director Eve Summer, will be held at Princeton Public Library tonight at 7:00. The event is free and open to the public.


    OPENING WEEKEND (clockwise from left): Capathia Jenkins and Ryan Shaw; Renée Fleming; the performance pavilion at Morven; and Melissa Errico

  • Met Opera Free Streams This Week

    Met Opera Free Streams This Week

    Among this week’s Metropolitan Opera “Live in HD” encores is a real Lulu. No, I mean it. Alban Berg’s “Lulu” will be available, starting on Tuesday night.

    The Met continues to make good on its pledge to stream free opera for the duration of the shutdown. Each opera is accessible for approximately 23 hours, starting every day around 7:30 p.m. EDT. Stream now at metopera.org.

    Here’s a complete schedule of this week’s offerings. You’ll find teasers and bonus materials when following the link:

    https://www.metopera.org/user-information/nightly-met-opera-streams/week-12/

    Monday, June 1
    Bellini’s I Puritani
    Starring Anna Netrebko, Eric Cutler, Franco Vassallo, and John Relyea, conducted by Patrick Summers. From January 6, 2007.

    Tuesday, June 2
    Berg’s Lulu
    Starring Marlis Petersen, Susan Graham, Daniel Brenna, Paul Groves, Johan Reuter, and Franz Grundheber, conducted by Lothar Koenigs. From November 21, 2015.

    Wednesday, June 3
    Gluck’s Orfeo ed Euridice
    Starring Danielle de Niese, Heidi Grant Murphy, and Stephanie Blythe, conducted by James Levine. From January 24, 2009.

    Thursday, June 4
    Puccini’s Tosca
    Starring Shirley Verrett, Luciano Pavarotti, and Cornell MacNeil, conducted by James Conlon. From December 19, 1978.

    Friday, June 5
    Thomas Adès’s The Exterminating Angel
    Starring Audrey Luna, Amanda Echalaz, Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Iestyn Davies, Joseph Kaiser, Frédéric Antoun, David Portillo, David Adam Moore, Rod Gilfry, Kevin Burdette, Christian Van Horn, and John Tomlinson, conducted by Thomas Adès. From November 18, 2017.

    Saturday, June 6
    Verdi’s Otello
    Starring Sonya Yoncheva, Aleksandrs Antonenko, and Željko Lučić, conducted by Yannick Nézet-Séguin. From October 17, 2015.

    Sunday, June 7
    Massenet’s Thaïs
    Starring Renée Fleming, Michael Schade, and Thomas Hampson, conducted by Jesús López-Cobos. From December 20, 2008.

  • Met Opera Streams This Week Free!

    Met Opera Streams This Week Free!

    Thanks a lot, Met, for last night’s subversion of “Prince Igor.” Pee-yew.

    However, it would be churlish of me to suggest that the overall quality of the Met streams – and the hours of pleasure they have afforded – have been anything less than appreciated, as the superlative gifts that they are.

    This week’s opera offerings are especially appealing, beginning with “The Marriage of Figaro,” performed by an all-star cast (tonight); followed by “Hamlet” by Ambroise Thomas (tomorrow); “Capriccio,” Richard Strauss’ final opera, with Renée Fleming (Thursday); a classic performance of “La bohème,” with Renata Scotto and Luciano Pavarotti (Friday), and a double-bill of “Cav” & “Pag” (Sunday).

    On Saturday, a change of pace, as the stream will be devoted to the 2017 feature-length documentary “The Opera House,” about the creation and 1966 opening of the new Met at its current home in Lincoln Center.

    Surely the pick of the week, however, is Wednesday’s opera: Kaija Saariaho’s “L’Amour de Loin,” the first opera by a woman to be performed at the Met in over 100 years! (The last was Ethel Smyth’s “Der Wald,” back in 1903.) Way to go, Met.

    All operas stream free, for 23 hours, beginning each day at 7:30 p.m. (“Prince Igor” is available until 6:30 this evening.) You’ll find teasers and bonus materials when following the link.

    https://www.metopera.org/user-information/nightly-met-opera-streams/week-8/

    Monday, May 4
    Mozart’s Le Nozze di Figaro
    Starring Renée Fleming, Cecilia Bartoli, Susanne Mentzer, Dwayne Croft, and Sir Bryn Terfel, conducted by James Levine. From November 11, 1998.

    Tuesday, May 5
    Thomas’s Hamlet
    Starring Marlis Petersen, Jennifer Larmore, Simon Keenlyside, and James Morris, conducted by Louis Langrée. From March 27, 2010.

    Wednesday, May 6
    Saariaho’s L’Amour de Loin
    Starring Susanna Phillips, Tamara Mumford, and Eric Owens, conducted by Susanna Mälkki. From December 10, 2016.

    Thursday, May 7
    Strauss’s Capriccio
    Starring Renée Fleming, Sarah Connolly, Joseph Kaiser, Russell Braun, Morten Frank Larsen, and Peter Rose, conducted by Sir Andrew Davis. From April 23, 2011.

    Friday, May 8
    Viewers’ Choice: Puccini’s La Bohème
    Starring Renata Scotto and Luciano Pavarotti, conducted by James Levine. From March 15, 1977.

    Saturday, May 9
    The Opera House
    A 2017 feature-length documentary by Susan Froemke about the creation and 1966 opening of the new Met at Lincoln Center

    Sunday, May 10
    Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci
    Cavalleria Rusticana: Starring Eva-Maria Westbroek, Marcelo Álvarez, and George Gagnidze.
    Pagliacci: Starring Patricia Racette, Marcelo Álvarez, and George Gagnidze.
    Conducted by Fabio Luisi. From April 25, 2015.

  • Met Opera Free Streams Week 5 Schedule

    Met Opera Free Streams Week 5 Schedule

    The Metropolitan Opera continues its series of “Live in HD” encores – hard to believe, now entering its fifth week. The operas stream free, for 23 hours, beginning each day at 7:30 p.m. (“Cosi fan tutte” is available until 6:30 this evening.) You’ll find teasers and bonus materials when following the link.

    https://www.metopera.org/user-information/nightly-met-opera-streams/week-5/

    Monday, April 13
    Dvořák’s Rusalka
    Starring Renée Fleming and Piotr Beczała, conducted by Yannick Nézet-Séguin. From February 8, 2014.

    Tuesday, April 14
    Mussorgsky’s Boris Godunov
    Starring René Pape, conducted by Valery Gergiev. From October 23, 2010.

    Wednesday, April 15
    Puccini’s La Rondine
    Starring Angela Gheorghiu and Roberto Alagna, conducted by Marco Armiliato. From January 10, 2009.

    Thursday, April 16
    Rossini’s Le Comte Ory
    Starring Diana Damrau, Joyce DiDonato, and Juan Diego Flórez, conducted by Maurizio Benini. From April 9, 2011.

    Friday, April 17
    Viewers’ Choice: Puccini’s Madama Butterfly
    Starring Patricia Racette, Marcello Giordani, and Dwayne Croft, conducted by Patrick Summers. From March 7, 2009.

    Saturday, April 18
    Cilea’s Adriana Lecouvreur
    Starring Anna Netrebko, Anita Rachvelishvili, Piotr Beczała, and Ambrogio Maestri, conducted by Gianandrea Noseda. From January 12, 2019.

    Sunday, April 19
    Strauss’s Der Rosenkavalier
    Starring Renée Fleming, Elīna Garanča, Erin Morley, and Günther Groissböck, conducted by Sebastian Weigle. From May 13, 2017.

Tag Cloud

Aaron Copland (92) Beethoven (95) Composer (114) Film Music (119) Film Score (143) Film Scores (255) Halloween (94) John Williams (185) KWAX (229) Leonard Bernstein (99) Marlboro Music Festival (125) Movie Music (134) Opera (198) Philadelphia Orchestra (86) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (102) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS