Tag: Richard Strauss

  • Richard Strauss 150th Birthday & “Funiculì”

    Richard Strauss 150th Birthday & “Funiculì”

    Today is the 150th birthday of Richard Strauss.

    I read an amusing anecdote the other day, purely by coincidence, when I looked up the Neapolitan song “Funiculì, Funiculà.” The song is about a funicular cable car that used to service passengers to Mount Vesuvius before it was predictably destroyed in an eruption in 1944. The music was composed in 1880 by Luigi Denza to lyrics by the journalist Peppino Turco. The song became a huge international success and sold over a million copies.

    Richard Strauss, like many, believed the piece to be an authentic Italian folk song, so he cheerfully appropriated it in 1886 for use in his large-scale symphonic fantasy “Aus Italien” (“From Italy”). Denza’s lawyers were not so cheerful. Strauss found himself at the receiving end of a lawsuit, which resulted in the composer having to pay a royalty fee every time the work was performed.

    This would be irksome to any composer, but Strauss has always been the butt of sardonic remarks about his love of money. Stravinsky used to spell his name using dollar signs in place of the esses. And this only a few weeks after I posted about his never getting paid for “Josephslegende!”

    However, I also came across this long and absorbing reminiscence of Strauss by one of his publishers, who claimed the composer had no business sense at all.

    http://www.musicweb-international.com/Roth/Strauss.htm

    Is it any wonder that he married someone (the soprano Pauline de Anha) who could keep his life together? Pauline, the daughter of a general, was herself frequently portrayed as a martinet. But she kept Strauss on the straight and narrow, and they loved one another devotedly.

    Despite her vigilance, however, the Strauss fortune was twice obliterated by two world wars.

    Be that as it may, Strauss was not the only composer to step wrong in regard to “Funiculì, Funiculà.” Rimsky-Korsakov used it as the basis for his “Neapolitan Song,” and Arnold Schoenberg transcribed it for string quartet. Whether Denza ever tried to sue Rimsky-Korsakov is unknown. Schoenberg clearly credited the original composer. Maybe he was just too scary to sue.

    At any rate, a happy 150th birthday, Richard Strauss!

  • Richard Strauss 150th Anniversary

    Richard Strauss 150th Anniversary

    Richard Strauss, celebrated for his opulent tone poems and decadent operas, described himself as a “first-class second-rate” composer.

    This Sunday night on “The Lost Chord,” we mark the 150th anniversary of Strauss’ birth (June 11, 1864), with two of his lesser-heard works, the “Festive Prelude” for large orchestra with organ, written in 1913 for the opening of the Vienna Konzerthaus, and the symphonic fragment from the ballet “Josephslegende” (“The Legend of Joseph”), which I discussed in a Facebook entry on May 14, the work’s centenary.

    We’ll also hear the composer’s breakout success, “Don Juan,” in a recording from 1929, with Strauss himself conducting, and a contemporaneous song, “Wie sollten wir geheim sie halten,” Op. 19, No. 4, an ardent expression of clandestine love.

    That’s “First Among Seconds,” 150 years of Richard Strauss. This Sunday night at 10 ET, with a repeat Thursday at 11; or you can listen to it later as a webcast at http://www.wwfm.org.

  • Owl Jolson Richard Strauss Oops

    Owl Jolson Richard Strauss Oops

    Don’t you hate when you write a time-sensitive Facebook post, and then you realize that you had your days mixed up and that you’re actually a week off? That’s precisely what happened to me when writing my appreciation of Richard Strauss to mark the 150th anniversary of his birth on June 11. This is a hazard of working in radio and as a journalist. Everything always has to be ahead.

    Anyway, since I’ve already wasted enough time this morning, here’s Owl Jolson.

    http://www.dailymotion.com/video/x2ijkn_i-love-to-singa_shortfilms

    He loves to sing-a about the moon-a and the June-a and the spring-a.

  • Strauss’s Scandalous Joseph Ballet Turns 100

    Strauss’s Scandalous Joseph Ballet Turns 100

    This one is over the top even by Strauss standards.

    Today marks the 100th anniversary of the premiere of Richard Strauss’ only full-length ballet, “Josephslegende” (“The Legend of Joseph”), which was first performed at the Paris Opera on this date in 1914.

    The biblical story of the attempted seduction of Joseph by Potiphar’s wife was suggested by frequent Strauss librettist Hugo von Hoffmansthal, between their work on “Ariadne auf Naxos” and “Die Frau ohne Schatten.”

    Strauss confessed in a letter, “The chaste Joseph himself isn’t all up my street, and if a thing bores me I find it difficult to set it to music. This God-seeker Joseph – he is going to be a hell of an effort!”

    Perhaps it was to alleviate his boredom that Strauss bolstered his orchestration with four harps, organ, celesta, glockenspiel, xylophone, large and small cymbals, four pairs of castanets and a double-bass clarinet.

    The composer himself conducted the premiere, which ran for seven performances. Vaslav Nijinsky choreographed and danced the lead. Sir Thomas Beecham conducted an additional seven performances in London. He had put up the money for the “Diaghilev” commission. However, with the war looming, Strauss never received his fee.

    Follow the link to listen to the rarely-heard complete ballet.

    The work also exists as a “symphonic fragment,” in reduced orchestration. But where’s the fun in that?

    I must say, I had a blast Google image-searching for paintings of this one. Seemingly everyone painted Joseph and Potiphar’s wife.

    PHOTO: “C’mere you!”

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