Tag: Roses de Noël

  • Emil Waldteufel Forest Devil of Waltz

    Emil Waldteufel Forest Devil of Waltz

    Only days after the arrival of Krampus, the Christmas devil, comes the birthday of Emil Waldteufel. Waldteufel is German for “forest devil.” He was born on this date in 1837.

    Though Waldteufel had long been a mainstay of Paris society balls of the Second Empire, he was nearly 40 by the time he achieved international fame. It was the Prince of Wales – the future King Edward VII – who introduced him to London, and his music came to dominate Queen Victoria’s state balls at Buckingham Palace. One of his best-known works, “Les Patineurs” (“The Skaters’ Waltz”) was introduced there in 1882. Another of his most successful waltzes, from the other end of the decade, was “Roses de Noël” (“Christmas Roses”).

    The holidays are in bloom! Take some time to smell the roses with Emil Waldteufel.

    “The Skaters’ Waltz”

    “Roses de Noël”

    Because of the unusual nature of the conductor, in period costume and facial hair, to this I add the Rimsky-Korsakov Central Navy Band of Russia playing “Estudiantina”

    Happy birthday, Waldteufel, you devil.

  • Christmas Roses Distler and Waldteufel

    Christmas Roses Distler and Waldteufel

    This Sunday night on “The Lost Chord,” we present a Christmas bouquet of sorts.

    Hugo Distler’s “Die Weihnachtsgeschichte” (“The Christmas Story”), from 1933, is an otherworldly, a cappella masterpiece, punctuated by seven variations on the carol “Es ist ein Ros entsprungen” (“Lo, how a Rose e’er blooming”). Over the course of some 40 minutes, the work reinvents the Baroque Christmas cantata, after the manner of Heinrich Schütz, and does so quite beautifully, conjuring the calm and quiet of a bygone era. The composer described the piece as “an oratorio with chamber music character.”

    Unfortunately, Distler’s life proved anything but calm. A man of conscience, he yet remained in Nazi Germany. He joined the Party with reluctance, when he realized his employment at the Lübeck Conservatory hinged on his doing so. Nevertheless, it did not smooth his path. The war separated him from his family, robbed him of many of his friends, and battered his psyche with nerve-wracking aerial assaults. Job pressures and fear of being conscripted into the German army further contributed to his anxiety.

    Furthermore, his devotion to sacred music put him at odds with the authorities, who were intent on twisting the Lutheran Church to its own ends. The Nazis wound up branding Distler’s works “entartete,” or “degenerate.” Unable to reconcile the irreconcilable – serving both God and the Nazis – one day he pushed his bed into the kitchen and turned on the gas, committing suicide in 1942. He was 34 years-old.

    Emil Waldteufel, by contrast, enjoyed much success and happiness. Although he was nearly 40 by the time he achieved international fame, his waltzes had long been a mainstay of Paris society during the Second Empire. It was the Prince of Wales – the future King Edward VII – who introduced him to London, where his music came to dominate Queen Victoria’s state balls at Buckingham Palace. One of his best-known works, “Les Patineurs” (“The Skaters’ Waltz”) was introduced there in 1882.

    For our purposes, we’ll round out the hour with one of Waldteufel’s most successful waltzes from the other end of the decade, “Roses de Noël.”

    The holidays are in bloom this week. I hope you’ll join me for “Christmas Roses,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Christmas Roses A Holiday Bouquet

    Christmas Roses A Holiday Bouquet

    This Sunday night on “The Lost Chord,” it’s a Christmas bouquet of sorts.

    Hugo Distler’s “Die Weihnachtsgeschichte” (“The Christmas Story”), completed in 1933, is an otherworldly, a cappella masterpiece punctuated by seven variations on the carol “Es ist ein Ros entsprungen” (“Lo, how a Rose e’er blooming”). Over the course of some 40 minutes, the work reinvents the Baroque Christmas cantata, after the manner of Heinrich Schütz, and does so quite beautifully, conjuring the quiet and calm of a bygone era. The composer described the piece as “an oratorio with chamber music character.”

    Distler’s case was a tragic one. A man of conscience, yet he remained in Nazi Germany. With reluctance he joined the Party, when he realized his employment at the Lübeck Conservatory hinged on his doing so. Nevertheless, it did not smooth his path. The war separated him from his family, robbed him of many of his friends, and battered his pysche with nerve-wracking aerial attacks. Job pressures and fear of being conscripted into the German army further contributed to his stress.

    His devotion to sacred music put him at odds with the authorities, very much intent on appropriating the Lutheran Church for its own ends. The Nazis wound up branding Distler’s works “entartete,” or “degenerate.” Unable to reconcile the irreconcilable – serving both God and the Nazis – one day Distler pushed his bed into the kitchen and turned on the gas, committing suicide in 1942. He was 34 years-old.

    Though Emil Waldteufel had long been a mainstay of Paris society balls during the Second Empire, he was nearly 40 by the time he achieved international fame. It was the Prince of Wales – the future King Edward VII – who introduced him to London, and his music came to dominate Queen Victoria’s state balls at Buckingham Palace. One of his best-known works, “Les Patineurs” (“The Skaters’ Waltz”) was introduced there in 1882.

    For our purposes, we’ll round out the hour with one of Waldteufel’s most successful waltzes from the other end of the decade, “Roses de Noël” (“Christmas Roses”).

    The holidays are in bloom this week. I hope you’ll join me for “Christmas Roses,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Waldteufel’s Waltzes Advent Calendar Day 10

    Waldteufel’s Waltzes Advent Calendar Day 10

    ADVENT CALENDAR – DAY 10

    Today is the birthday of Emil Waldteufel (1837-1915).

    Waldteufel was a graduate of the Paris Conservatory, who became a court pianist to Empress Eugénie. His orchestra played at state balls and, following the dissolution of the Second Empire, Presidential balls.

    In 1874, he was heard by the Prince of Wales (the future King Edward VII), who introduced him to the London music scene. His success in London proved a springboard to world fame.

    Here are two Waldteufel waltzes for the season. One is very well-known, one not so much so.

    Les Patineurs (The Skaters):

    Roses de Noël (Christmas Roses):

    FUN FACT: Waldteufel’s surname is German for “Forest Devil.”

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