Tag: Sonatina

  • Beethoven & Beyond Sonatina Delights on KWAX

    Beethoven & Beyond Sonatina Delights on KWAX

    Think a sonatina for mandolin and piano is a bit far-fetched? Tune in to hear what Beethoven made of it.

    This morning on “Sweetness and Light,” the unifying theme is sonatinas, or “little” sonatas.

    Florent Schmitt’s “Sonatine en Trio” is a happy discovery indeed. There’s a certain neoclassic quality to the music, which we’ll hear in a version for flute, cello and piano, by a French composer whose orchestral works can be quite opulent. The title itself seems to harken back to an earlier time. In fact, the keyboard part was originally conceived for harpsichord. It’s cheering music, and I think you’ll agree, a great start to the day!

    Carlos Guastavino is largely remembered for his songs. He wrote his Sonatina while visiting Manuel de Falla, who spent his final years in self-imposed exile in Cordoba, Argentina, following the Spanish Civil War. We’ll hear it performed by Gila Goldstein from a Centaur Records release, “Latin American Piano Gems,” a transporting collection of works by Ernesto Lecuona, Astor Piazzolla, Manuel Ponce, and Heitor Villa-Lobos.

    We’ll also hear Philadelphia composer Romeo Cascarino’s Bassoon Sonata, written after World War II for his Army buddy Sol Schoenbach, principal bassoonist of the Philadelphia Orchestra. “Sonatina” may not be in the title, but the character is light, and the sonata is only seven minutes long!

    The program will also include delights by Federico Moreno Torroba, Eugène Bozza, and Erik Satie.

    A cup of coffee, a scone, and a soundtrack of sonatinas. Give thanks for life’s “Small Pleasures” on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Burt Bacharach’s Lost Sonatina & Milhaud’s Advice

    Burt Bacharach’s Lost Sonatina & Milhaud’s Advice

    Earlier today, I posted that the late Burt Bacharach was a pupil of Darius Milhaud. He also studied with Henry Cowell and Bohuslav Martinu. For Milhaud, he wrote a Sonatina for Violin, Oboe and Piano. I don’t know that the work has ever been recorded. At any rate, I’ve never been able to locate a copy. Bacharach talks a bit more about it in this excerpt from an interview he gave with NPR back in 2014.

    “Darius Milhaud taught me at the Music Academy of the West, and he’s this brilliant French composer, wonderful man. I’m taking this composition class with him where I’d written a piece, a sonatina, for violin, oboe and piano. You know, it was very extreme music that people were writing – we were all influenced by 12-tone music, Alban Berg.

    “I had this one piece at the end of the semester that I got to play for Milhaud – not with violin, not with the oboe; I just had to just do it at the piano. I was very, very reluctant when it came to the second movement, because it was quite melodic instead of being harsh and dissonant [and] avant-garde. And he took me aside afterward, and maybe he sensed what I felt or maybe just his observation was: Never be ashamed of something that’s melodic, one could whistle. I said, ‘Wow.’ So that was a valuable lesson I learned from him. Never forgot that one. Never be afraid of something that you can whistle.”

    It’s advice that served him well. R.I.P.

    Coincidentally, today is Alban Berg’s birthday!

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