Oh! The praties they grow small over here…
Chicago composer Edward Joseph Collins remembers the land of his forebears with three meditations on the Irish folk song for St. Patrick’s Day. “Irish Ties Are Smiling,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.
It is with a mix of revulsion and admiration that Julius Caesar regarded the Celts, whom he referred to as “Galli,” or barbarians. For their savagery in battle, the Britons were a race that demanded a certain level of respect. Ironically, it would be Caesar’s own senate that would murder him on this date in 44 B.C.
Join me this afternoon on The Classical Network, as the Ides of March meet St. Patrick’s Day. We’ll hear a fair amount of music inspired by Ancient Rome and the Emerald Isle. I’ll also mark the birthdays today of Karl Davidoff, Nicholas Flagello, Johan Halvorsen, Ben Johnston, Colin McPhee, and Eduard Strauss.
Our Noontime Concert will be devoted to the Guild for Early Music. The Guild will present its 14th annual Early Music Festival at Grounds For Sculpture in Hamilton, NJ, on Sunday, March 24. An afternoon of mini-concerts of Medieval, Renaissance, Baroque, and Early American music will be performed by over a dozen ensembles. The day will include sculpture tours, pop-up performances about the 42-acre grounds, and a “petting zoo” of early instruments. The event is free with paid admission to the park. Learn more at guildforearlymusic.org and groundsforsculpture.org.
Today’s concert broadcast will feature performances from last year’s festival by Riverview Early Music, Les Agréments de musique, The Practitioners of Musick, and the Gloria Consort. Representatives of the Guild, John Burkhalter and Abigail Chapman, will be my guests, beginning at 12:00.
All told, I’ll be with you straight through the afternoon. At 6:00, it’s another “Picture Perfect.” For the Ides, the focus will be on music from movies set in the days of the Roman Empire.
I’ll console myself with the fact that Rome wasn’t built in a day, as I’m chained in the galley from 12 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.
PHOTO: Legionary vs. Celt, c. AD 98-117
Sure, “Messiah” was given its premiere in Dublin, but I doubt Handel would have ever expected this.
https://www.youtube.com/watch?v=MB8NhXtgG_A
Happy St. Patrick’s Day!
St. Patrick’s Day death wish: try to keep pace with Barry Fitzgerald.
As you turn over the rules for this year’s “The Quiet Man” Drinking Game, consider joining me for music from the John Ford classic about a “quiet, peace-loving man, come home to Ireland to forget his troubles.” Of course the film culminates in one of the great fist fights in cinema history.
This week on “Picture Perfect,” we’ll have an hour of music from movies with Irish settings and Irish themes.
“The Luck of the Irish” (1948) features Tyrone Power as an American journalist who travels to Ireland, where he gets in touch with his roots – and a full-size leprechaun, played by Cecil Kellaway.
No “Darby O’Gill”-style special effects here. Kellaway is just some guy in a leprechaun hat. When Power comments, “Say, aren’t you rather large for a leprechaun?,” Kellaway responds, “That’s a page of me family history I’d rather we not go into.” It was hoped that Barry Fitzgerald would have taken the role – and how perfect would that have been? – but he couldn’t be secured. In the event, Kellaway was nominated for an Academy Award for Best Supporting Actor.
The music was by the English-born Cyril J. Mockridge, who was Alfred Newman’s assistant at 20th Century Fox. Mockridge is probably best known for his score to “Miracle on 34th Street.” “The Luck of the Irish” is full of Celtic-style folk melodies and some shimmering leprechaun music, but why it quotes “Greensleeves” is anybody’s guess. Probably at the request of a producer. (Green = Irish, right?)
John Williams wrote a gorgeous, melancholy score for “Angela’s Ashes” (1999), adapted from Frank McCourt’s bestselling memoir. It’s refreshing to hear Williams give free rein to his lyrical side, beyond the context of lightsabers, magic wands and rampaging dinosaurs. The recording we’ll hear is from the difficult-to-acquire international release. The version issued stateside was marred by dialogue from the film. (Why do they do that?)
You can’t have an hour of Irish film music without including something with The Chieftains. “Circle of Friends” (1995) is based on the novel by Maeve Binchy, about three childhood friends who reunite in college, and their adventures with the young men they find there. The film starred Minnie Driver, Chris O’Donnell, Alan Cumming and Colin Firth. Michael Kamen wrote the score, but it’s The Chieftains, obviously, that lend it an air of authenticity.
The balance of the show will be devoted to “The Quiet Man” (1952). John Wayne, Maureen O’Hara, Barry Fitzgerald, Victor McLaglen, Mildred Natwick, Ward Bond, and a whole slew of Irish character actors flesh out what must be John Ford’s most delightful film. It earned him his fourth Academy Award for Best Director, and the film itself was nominated for Best Picture.
Victor Young provided an alternately romantic and boisterous, folk-inflected score, perfectly complementing the tone of sustained whimsy, in what is essentially a love story unfolding in the face of cultural differences.
Irish eyes are smiling, even as Victor McLaglen spits teeth, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.
Aaron Copland (92) Beethoven (95) Composer (114) Film Music (119) Film Score (143) Film Scores (255) Halloween (94) John Williams (185) KWAX (229) Leonard Bernstein (99) Marlboro Music Festival (125) Movie Music (134) Opera (198) Philadelphia Orchestra (87) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (102) WPRB (396) WWFM (881)
