Tag: The Artist

  • Hollywood Behind the Scenes Academy Awards Special

    Hollywood Behind the Scenes Academy Awards Special

    “All right, Mr. DeMille, I’m ready for my close-up.”

    This week on “Picture Perfect,” on Academy Awards weekend, we take a look behind the scenes at self-reflexive movies that offer glimpses beneath the industry’s glamorous veneer.

    We’ll hear music from Billy Wilder’s “Sunset Boulevard” (1950), a film that’s been called the greatest movie about Hollywood ever made. Gloria Swanson plays Norma Desmond, a faded silent movie actress who believes she’s still “big; it’s the pictures that got small,” and William Holden is an unsuccessful screenwriter-turned-gigolo. Real life director Erich von Stroheim appears in an interesting role as Desmond’s butler – who was once a director! There are also cameos by Cecile B. DeMille and Hedda Hopper, who play themselves. Franz Waxman wrote the Academy Award winning score.

    Vincent Minnelli’s “The Bad and the Beautiful” (1952) stars Kirk Douglas as a ruthless producer, who uses and abuses everyone around him – including Lana Turner, Walter Pigeon, Dick Powell, and Gloria Grahame. Yet everyone’s career seems to blossom from exposure to this S.O.B. The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” His theme for “The Bad and the Beautiful” has also become a jazz standard.

    Peter O’Toole dominates “The Stunt Man” (1980) as a tyrannical director who blackmails a fugitive from the law into acting as a stunt man in his current film. The line between fantasy and reality begins to blur. Dominic Frontiere wrote the music. It’s probably not what anyone wants to be remembered for, but I always find it interesting that Frontiere served time for scalping tickets to the Super Bowl! Of course, he scalped a half-million dollars’ worth, and his wife owned the Los Angeles Rams.

    Finally, director Michel Hazanavicius succeeds brilliantly in his virtuosic homage to classic American cinema, “The Artist” (2011). To my knowledge, if we discount Mel Brooks’ “Silent Movie,” from 1976, “The Artist” was the first silent feature to be released since Charlie Chaplin’s “Modern Times,” which was already an anachronism in 1936. “The Artist” was the recipient of five Academy Awards – half of its ten nominations – including one for Best Picture.

    The story deals with “A Star is Born”-type dynamic, with a fading actor of the silent era gradually eclipsed by the success of a rising young actress. Yet Hazanavicius manages to turn it around to come up with an honest-to-goodness, feel-good movie, a real rarity in contemporary cinema.

    Ludovic Bource’s Oscar-winning score is evocative of time and place, breezy, yet when necessary poignant, with moments of spectacular action music which could have been written by Alfred Newman or Franz Waxman. For a classic movie lover, the first five minutes alone are priceless. And love that Uggie!

    Stars are born and celebrities fade this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Hollywood Behind the Scenes Academy Awards Weekend

    Hollywood Behind the Scenes Academy Awards Weekend

    “All right, Mr. DeMille, I’m ready for my close-up.”

    This week on “Picture Perfect,” on Academy Awards weekend, we take a look behind the scenes at self-reflexive movies that offer glimpses beneath the industry’s glamorous veneer.

    We’ll hear music from Billy Wilder’s “Sunset Boulevard” (1950), a film that’s been called the greatest movie about Hollywood ever made. Gloria Swanson plays Norma Desmond, a faded silent movie actress who believes she’s still “big; it’s the pictures that got small,” and William Holden is an unsuccessful screenwriter-turned-gigolo. Real life director Erich von Stroheim appears in an interesting role as Desmond’s butler – who was once a director! There are also cameos by Cecile B. DeMille and Hedda Hopper, who play themselves. Franz Waxman wrote the Academy Award winning score.

    Vincent Minnelli’s “The Bad and the Beautiful” (1952) stars Kirk Douglas as a ruthless producer, who uses and abuses everyone around him – including Lana Turner, Walter Pigeon, Dick Powell, and Gloria Grahame. Yet everyone’s career seems to blossom from exposure to this S.O.B. The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” His theme for “The Bad and the Beautiful” has also become a jazz standard.

    Peter O’Toole dominates “The Stunt Man” (1980) as a tyrannical director who blackmails a fugitive from the law into acting as a stunt man in his current film. The line between fantasy and reality begins to blur. Dominic Frontiere wrote the music. It’s probably not what anyone wants to be remembered for, but I always find it interesting that Frontiere served time for scalping tickets to the Super Bowl! Of course, he scalped a half-million dollars’ worth, and his wife owned the Los Angeles Rams.

    Finally, director Michel Hazanavicius succeeds brilliantly in his virtuosic homage to classic American cinema, “The Artist” (2011). To my knowledge, if we discount Mel Brooks’ “Silent Movie,” from 1976, “The Artist” was the first silent feature to be released since Charlie Chaplin’s “Modern Times,” which was already an anachronism in 1936. “The Artist” was the recipient of five Academy Awards – half of its ten nominations – including one for Best Picture.

    The story deals with “A Star is Born”-type dynamic, with a fading actor of the silent era gradually eclipsed by the success of a rising young actress. Yet Hazanavicius manages to turn it around to come up with an honest-to-goodness, feel-good movie, a real rarity in contemporary cinema.

    Ludovic Bource’s Oscar-winning score is evocative of time and place, breezy, yet when necessary poignant, with moments of spectacular action music which could have been written by Alfred Newman or Franz Waxman. For a classic movie lover, the first five minutes alone are priceless. And love that Uggie!

    Stars are born and celebrities fade this week, on “Picture Perfect,” music for the movies, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Hollywood’s Dark Underbelly Self-Reflexive Films

    Hollywood’s Dark Underbelly Self-Reflexive Films

    “All right, Mr. DeMille, I’m ready for my close-up.”

    This week on “Picture Perfect,” we take a look behind the scenes at self-reflexive movies that offer glimpses of the dark underbelly of the film industry.

    We’ll have music from Billy Wilder’s “Sunset Boulevard” (1950), a film that’s been called the greatest movie about Hollywood ever made. Gloria Swanson plays Norma Desmond, a faded silent movie actress who believes she’s still “big; it’s the pictures that got small,” and William Holden is an unsuccessful screenwriter-turned-gigolo. Real life director Erich von Stroheim appears in an interesting role as Desmond’s butler – who was once a director! There are also cameos by Cecile B. DeMille and Hedda Hopper, who play themselves. Franz Waxman wrote the Academy Award winning score.

    Vincent Minelli’s “The Bad and the Beautiful” (1952) stars Kirk Douglas as a ruthless producer, who uses and abuses everyone around him – including Lana Turner, Walter Pigeon, Dick Powell, and Gloria Grahame. Yet everyone’s career seems to blossom from exposure to this S.O.B. The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” His theme for “The Bad and the Beautiful” has also become a jazz standard.

    Peter O’Toole dominates “The Stunt Man” (1980) as a tyrannical director who blackmails a fugitive from the law into acting as a stunt man in his current film. The line between fantasy and reality begins to blur. Dominic Frontiere wrote the music. It’s probably not what anyone wants to be remembered for, but I always find it amazing that Frontiere served time for scalping tickets to the Super Bowl! Of course he scalped a half-million dollars worth, and his wife owned the Los Angeles Rams.

    Finally, director Michel Hazanavicius succeeds brilliantly in his virtuosic homage to classic American cinema, “The Artist” (2011). To my knowledge, if we discount Mel Brooks’ “Silent Movie,” from 1976, “The Artist” was the first silent feature to be released since Charlie Chaplin’s “Modern Times,” which was already an anachronism in 1936. The film was the recipient of five Academy Awards – half of its ten nominations – including one for Best Picture.

    The story deals with “A Star is Born”-type dynamic with a fading actor of the silent era gradually eclipsed by the success of rising young actress. Yet Hazanavcius manages to turn it around to come up with an honest-to-goodness, feel-good movie, a real rarity in contemporary film.

    Ludovic Bource’s Oscar-winning score manages to be evocative of time and place, breezy, yet when necessary, poignant, with moments of spectacular action music which could have been written by Alfred Newman or Franz Waxman. This just might be my favorite film of the past decade, maybe two. For a classic movie lover, the first five minutes alone are priceless. And love that Uggie!

    I hope you’ll join me for “Behind-the-Scenes Hollywood,” on “Picture Perfect,” this Friday evening at 6 EDT, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.


    More about Uggie here.

    https://en.wikipedia.org/wiki/Uggie

  • The Artist on TCM Tonight Oscar Winner

    The Artist on TCM Tonight Oscar Winner

    If you’ve never seen “The Artist” (which is best experienced in a theatre, with an audience), tonight’s your chance, as TCM continues with its annual celebration, “31 Days of Oscar.” “The Artist” was nominated for ten Academy Awards and won five, including those for Best Picture, Best Director (Michel Hazanavicius), Best Actor (Jean Dujardin) and Best Original Score (Ludovic Bource).

    If you think you don’t like silent movies, give it a shot. At the very least, tune in for the first five minutes for the delirious “original” film that opens the piece. The only thing that would have made “The Artist” better is if they had made a separate feature of the opening! Fans of classic film music will delight in Bource’s spot-on impressions of Franz Waxman and Alfred Newman.

    Of course, if none of that appeals to you, there’s always Uggie, the precocious terrier.

    The fun begins at 8 ET, on Turner Classic Movies: TCM.

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