Tag: The Bad and the Beautiful

  • Kirk Douglas: Music from His Greatest Films

    Kirk Douglas: Music from His Greatest Films

    Hollywood legend Kirk Douglas died on February 5 at the age of 103. An actor of vitality, determination, and conscience, Douglas appeared in over 90 films. This week on “Picture Perfect,” we’ll honor his memory with music from four of his personal favorites.

    We’ll begin with “Spartacus” (1960). Douglas plays the 1st century leader of a slave revolt against the Roman Empire. His co-stars include Laurence Olivier, Jean Simmons, and Tony Curtis. The music is by Alex North (born in Chester, PA, just outside of Philadelphia). The love theme, one of North’s best-known melodies, lends a sense of human connection amidst the martial fanfares and gladiatorial violence.

    Douglas is often credited with having broken the back of the Hollywood blacklist by openly acknowledging Dalton Trumbo as the screenwriter on “Spartacus.” Trumbo had been forced underground as a ghostwriter for refusing to testify before the House Un-American Activities Committee. The film became the biggest money-maker in the history of Universal Studios, up to that time.

    Vincente Minnelli’s cynical exposé of behind-the-scenes Hollywood, “The Bad and the Beautiful” (1952), stars Douglas as a ruthless mogul, who uses and abuses everyone around him. It’s one of his great “bad boy” characterizations. The film, which also features Lana Turner, Walter Pigeon, Dick Powell, and Gloria Graham, won a whole slew of Oscars. Graham was recognized as Best Supporting Actress.

    The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” It doesn’t seem possible, but here he really surpasses himself. If you love the sound of Golden Age Hollywood, complete with haunting saxophone, then this one’s for you!

    Minnelli directed Douglas in another one of his standout roles, a much more sympathetic portrayal of the tortured artist Vincent Van Gogh, in “Lust for Life” (1956). For the film, Douglas turns in one of the great performances of his career. Furthermore, his physical resemblance to the painter is uncanny.

    Anthony Quinn won an Oscar for Best Supporting Actor as Van Gogh’s sometimes friend, the artist Paul Gaugin. The powerful score is by the great Miklós Rózsa, who here marries his Hungarian-inflected signature sound to an evocative sort of French impressionism.

    Finally, when Kirk isn’t fighting giant squid, he’s singing “A Whale of Tale,” as Ned Land, in Walt Disney’s “20,000 Leagues Under the Sea” (1954). The otherwise brooding score is a real showcase for Paul J. Smith, who had earlier provided incidental music for Disney’s animated features “Snow White and the Seven Dwarfs,” “Bambi,” and “Pinocchio.”

    As actor, director, producer, and author, Douglas was a whale of a talent. He himself included these four titles among his top ten films.

    Bad and beautiful, with a lust for life, and in a league of his own… Douglas can still knock your block off, this Friday evening at 6:00 EST, on WWFM – The Classical Network and at wwfm.org.


    PHOTOS: Douglas in “Spartacus,” “The Bad and the Beautiful,” “Lust for Life,” and “20,000 Leagues”

  • Hollywood’s Dark Underbelly Self-Reflexive Films

    Hollywood’s Dark Underbelly Self-Reflexive Films

    “All right, Mr. DeMille, I’m ready for my close-up.”

    This week on “Picture Perfect,” we take a look behind the scenes at self-reflexive movies that offer glimpses of the dark underbelly of the film industry.

    We’ll have music from Billy Wilder’s “Sunset Boulevard” (1950), a film that’s been called the greatest movie about Hollywood ever made. Gloria Swanson plays Norma Desmond, a faded silent movie actress who believes she’s still “big; it’s the pictures that got small,” and William Holden is an unsuccessful screenwriter-turned-gigolo. Real life director Erich von Stroheim appears in an interesting role as Desmond’s butler – who was once a director! There are also cameos by Cecile B. DeMille and Hedda Hopper, who play themselves. Franz Waxman wrote the Academy Award winning score.

    Vincent Minelli’s “The Bad and the Beautiful” (1952) stars Kirk Douglas as a ruthless producer, who uses and abuses everyone around him – including Lana Turner, Walter Pigeon, Dick Powell, and Gloria Grahame. Yet everyone’s career seems to blossom from exposure to this S.O.B. The music is by Philadelphia-born David Raksin, who is best-remembered for his theme to the all-time noir classic “Laura.” His theme for “The Bad and the Beautiful” has also become a jazz standard.

    Peter O’Toole dominates “The Stunt Man” (1980) as a tyrannical director who blackmails a fugitive from the law into acting as a stunt man in his current film. The line between fantasy and reality begins to blur. Dominic Frontiere wrote the music. It’s probably not what anyone wants to be remembered for, but I always find it amazing that Frontiere served time for scalping tickets to the Super Bowl! Of course he scalped a half-million dollars worth, and his wife owned the Los Angeles Rams.

    Finally, director Michel Hazanavicius succeeds brilliantly in his virtuosic homage to classic American cinema, “The Artist” (2011). To my knowledge, if we discount Mel Brooks’ “Silent Movie,” from 1976, “The Artist” was the first silent feature to be released since Charlie Chaplin’s “Modern Times,” which was already an anachronism in 1936. The film was the recipient of five Academy Awards – half of its ten nominations – including one for Best Picture.

    The story deals with “A Star is Born”-type dynamic with a fading actor of the silent era gradually eclipsed by the success of rising young actress. Yet Hazanavcius manages to turn it around to come up with an honest-to-goodness, feel-good movie, a real rarity in contemporary film.

    Ludovic Bource’s Oscar-winning score manages to be evocative of time and place, breezy, yet when necessary, poignant, with moments of spectacular action music which could have been written by Alfred Newman or Franz Waxman. This just might be my favorite film of the past decade, maybe two. For a classic movie lover, the first five minutes alone are priceless. And love that Uggie!

    I hope you’ll join me for “Behind-the-Scenes Hollywood,” on “Picture Perfect,” this Friday evening at 6 EDT, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.


    More about Uggie here.

    https://en.wikipedia.org/wiki/Uggie

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