EIGHT DAYS OF SIBELIUS – DAY 8
Well, today is the day. The 155th anniversary of the birth of Jean Sibelius.
The Sibelius legacy is an interesting one. In Finland, he is regarded as a national hero – so much more than a composer – since essentially, he provided the soundtrack for Finnish independence. His image has adorned statues, stamps, and currency. Finnish Flag Day is even celebrated on his birthday (December 8).
Outside of Finland, Sibelius’ reputation has been a little spottier, his path to the pantheon a bit more circuitous. Broadly speaking, he has fared better in England and the Commonwealth, the United States and, naturally, Scandinavia. In Germany and France, much less so. In the modernist era, his music became regarded in some circles as a hopeless throwback. Here was a tonal composer who, in his naiveté, still wrote tunes! René Leibowitz went so far as to call him “the worst composer in the world.”
There are still some who remain deaf to Sibelius’ charms, and blind to his significance. But in his way, he was every bit as innovative – and every bit as subversive – as Stravinsky or Schoenberg. Like Franz Liszt before him, the great Finn blazed his own trail, rejecting forms that had been developed over generations, particularly those of German origin, to reinvent the symphony, in a manner that would become recognized as wholly characteristic of the North.
Few composers’ music has been so tied-up with the spirit of their homeland. Sibelius came of age at a time when artists of the “provincial” countries of Europe began to chafe against imperial domination, and to assert their own national identities. Sibelius loved Finland. He loved its history. He certainly loved its natural beauty.
All this is reflected in his most famous piece, the tone poem “Finlandia,” his most flagrant expression of Finnish patriotism, performed under many names in its early days, in order to circumvent the Russian censors. The work was first heard in Helsinki on July 2, 1900. The conductor on that occasion was Sibelius’ good friend Robert Kajanus.
YOU OWE IT TO YOURSELF TO WATCH THIS EXCEPTIONAL VIDEO! “Finlandia” is given a stirring presentation, complemented by Northern Lights, imposing forests, and stunning wildlife footage. I guarantee it will be nine minutes of your day well-spent. An inspiring visual interpretation that breathes new life into an overplayed favorite.
The serene melody at the heart of “Finlandia” is often heard separately as the “Finlandia Hymn.” Though not the Finnish national anthem, it is basically the Finnish national song. Listen to this lovely performance, recorded in November, by the Sibelius High School Chamber Choir. In this case, social distancing need not mean isolation.
HAPPY BIRTHDAY JEAN SIBELIUS!
PHOTO: “Passio Musicae” (1967) by Eila Hiltunen, the Sibelius Monument in Helsinki

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