Category: Daily Dispatch

  • Jane Eyre A Gothic Romance

    Jane Eyre A Gothic Romance

    Over the years, I’ve seen at least two film adaptations of “Jane Eyre,” so I already had a pretty good idea of the trajectory of the plot. But when searching for suitable reading material for the month of February – a time when I thought I could still settle in to a comfortable brood under steely skies – I decided to finally take up the book. Too bad the Groundhog betrayed me, and it looks like an early spring! Anyway, it’s turned out to be a real page-turner. By coincidence, I stumbled across this comic this morning that pretty much sums up why I’ve always loved Gothic fiction.

  • Ulysses Kay Rediscovered on The Lost Chord

    Ulysses Kay Rediscovered on The Lost Chord

    Is the time ripe for the return of Ulysses?

    In determining his life’s course, Ulysses Kay (1917-1995), received encouragement from his uncle, King Oliver, and William Grant Still. Among his teachers were Howard Hanson, Paul Hindemith, and Otto Luening. He also attended the American Academy in Rome.

    A longtime resident of Teaneck, NJ, he composed music in all genres. This week on “The Lost Chord,” we’ll sample “Tromba” for trumpet and piano, his Concerto for Orchestra, a suite from the semi-documentary “The Quiet One,” and “Six Dances for String Orchestra.”

    I hope you’ll join me for “Giving Kay His Say.” Ulysses strings his bow, this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    An interview with Kay conducted by Bruce Duffie:

    http://www.bruceduffie.com/kay.html


    PHOTO: Kay gets Lucky!

  • Trumbull Special Effects Sci-Fi Chat Sunday

    Trumbull Special Effects Sci-Fi Chat Sunday

    Not all Blade Runners are in the Olympics. Lew Place will join Roy and me for a discussion of late special effects giant Douglas Trumbull, on tonight’s Roy’s Tie-Dye Sci-Fi Corner. We look forward to some Close Encounters with your 2001 “Enterprising” Brainstorms in the comments section, when we livestream on Facebook, this Sunday evening at 7:00 EST!

    https://www.facebook.com/roystiedyescificorner

  • John Williams Jerry Goldsmith Virtual Conversation

    John Williams Jerry Goldsmith Virtual Conversation

    If you are a fan of either John Williams or Jerry Goldsmith, you will be transfixed by this virtual conversation, documented in 2021, but reposted this week by The Legacy of John Williams. It’s one of those rare instances where I thought I’d sample some of it with the idea of watching the rest later, and before I knew it, I wound up watching the whole blessed two hours!

    Participants include names familiar to film score fanatics – writer Jeff Bond, producer Mike Matessino, and engineer Bruce Botnick, composer David Newman (who played violin on a number of Williams and Goldsmith scores of the late ‘70s and early ‘80s), studio pianist Mike Lang (who worked with Williams, Goldsmith, and Henry Mancini), and conductor Leonard Slatkin (who grew up in Hollywood and later conducted Williams’ film and concert works, as well as Goldsmith’s “Music for Orchestra”).

    The geekier you are about film music, the more you will love this. Lots of behind-the-scenes reminiscences and entertaining anecdotes about the artists and the industry. Enjoy!

    https://www.youtube.com/watch?v=1bt3XCJG8gA

  • John Williams Scores the Presidents

    John Williams Scores the Presidents

    In a career that’s spanned over 60 years, John Williams has had opportunities to score just about every kind of film. Inevitably, these would include several fictionalized accounts of the American presidents. This week on “Picture Perfect,” just in time for Presidents Day, we’ll exercise our executive power and sample music from four of them.

    “JFK” (1991) is one of three collaborations between Williams and director Oliver Stone. The film has more to do with conspiracy theories surrounding the Kennedy assassination than anything to do with his presidency. A controversial feature, no doubt – Walter Cronkite dressed down Roger Ebert after he gave it a positive review – still, a compelling piece of cinema. It certainly inspired an effective score.

    Kevin Costner plays New Orleans district attorney Jim Garrison, Sissy Spacek, his wife, and Gary Oldman, Lee Harvey Oswald. Tommy Lee Jones and Joe Pesci are unforgettable as a pair of outlandish conspirators (if you ever wanted to see Jones painted gold, then this is the movie for you), and Donald Sutherland delivers a virtuoso 16-minute monologue as a government whistleblower who identifies himself only as “X.”

    Williams and Stone had previously worked together on “Born on the Fourth of July.” Later, they would reunite for a second presidential collaboration, a character study of Richard Milhous Nixon – in a film called, well, “Nixon” (1995). Anthony Hopkins, as the president, leads another impressive cast, which includes Joan Allen, Powers Boothe, Ed Harris, Bob Hoskins, E.G. Marshall, David Hyde Pierce, Paul Sorvino, Mary Steenburgen, and James Woods.

    Williams also wrote the music for Steven Spielberg’s “Amistad” (1997). The film, about a mutiny on a slave ship in 1839 and the resulting courtroom drama, features two American presidents: Nigel Hawthorne plays Martin van Buren, the sitting president; and again, Anthony Hopkins appears, in a memorable supporting turn, as aging former president John Quincy Adams. Adams argues the defense of the Africans who took part in the mutiny.

    Finally, Daniel Day-Lewis plays the nation’s 16th president, in Spielberg’s “Lincoln” (2012). He’s lent strong support by Sally Field as Mary Todd Lincoln, David Strathairn as Secretary of State William Steward, and Tommy Lee Jones, this time as Thaddeus Stevens.

    It’s a bold assessment, but Day-Lewis elevates “Lincoln,” the film, to greatness, with arguably one of the most amazing performances in cinematic history. Day-Lewis’ gentle but shrewd Man of Destiny would go to any lengths to hold the country together. Williams taps into America’s proud musical heritage, clearly influenced by Copland and the folksier side of Ives, to create a score of stirring nobility.

    I hope you’ll join me as we continue with our observance of John Williams’ 90th birthday. Williams’ scores will be represented through at least St. Patrick’s Day, on “Picture Perfect,” music for the movies. The presidents take precedence, this Saturday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: (clockwise from left) Day-Lewis as Lincoln; Hopkins as Nixon; poster for “JFK;” Hopkins as John Quincy Adams

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