Tag: 1970s

  • Remembering Christmases Past Nostalgia & Joy

    Remembering Christmases Past Nostalgia & Joy

    I hope everyone — all of you who celebrate or observe, I mean — enjoyed a warm and rewarding Christmas.

    Christmas is a nostalgic time, so it’s understandable that in the days leading up to the holiday, I found my thoughts drifting, often involuntarily, to memories of Christmases of yore. I remembered the early Christmases, when I lived with my grandparents, and their grand, stocky tree with its prehistoric decorations — being fixated on the large, dangerous-smelling colored bulbs with cloth-encased cords that filled the air with the scent of imminent combustion; the little lead skaters on the frozen pond (actually a mirror) beneath; and the fake snow, created out of Lord knows what, spread over everything. How many environmental hazards we were exposed to back then. And let’s not forget the tinsel. Tinsel everywhere — hanging thick on branches, snarling the platform train tracks, eaten by dogs and passed with their stool. World War II-era grandparents must have basically aspired to have a tree like the one in “The Bishop’s Wife.” Why even have a tree, when it was mostly tinsel anyway?

    Surely, the American Dream found its most extreme expression in the wholly aluminum trees of the 1950s and ’60s. What was that all about? Thankfully, we didn’t have one of those. Well, for a couple of years in my 30s a friend and I did, but it was a legacy tree, then accepted with a blend of nostalgia and irony, but for me never love. It’s hard to love a metal tree with no life of its own that basically reflects light from a rotating color wheel. It made me long to prick my fingers on the natural needles of my grandparents’ firs.

    I remember gazing into those trees, lost in fantasies of Christmas and dreaming of Santa’s munificence. What would he bring, finally? Would my hours of poring over the Sears Wish Book to continuous replays of Andy Williams on my mom’s stereo work their charm? Mostly, yes, they did.

    I did love my grandparents’ glass ornaments. Nowadays, it seems most trees are adorned with resin, wood, or wool. Sensible alternatives if you have children or pets, to be sure. But I will always have a soft-spot for the glass ornaments of old. Inevitably, a few would drop and shatter during the season.

    All that said, for some reason, it’s the Christmas when I was 12 that most occupied my thoughts this year. As I was walking out to fill the birdfeeders a couple of days ago, snow packing underfoot, my thoughts lit on the set of “The Lord of the Rings” paperbacks my parents gave me, in the gold foil box, in 1978. Now THAT was a Christmas. The toy manufacturer Kenner, caught unawares by the sensational popularity of “Star Wars” in 1977, was finally up to speed. Also, “Superman” was in theaters. There were calendars and books and action figures and playsets and games. Not all “Star Wars,” mind you. There was always a nice variety under the tree. And then my aunt and uncle would come over, and my uncle would be down on the floor with me, as much into my Christmas loot as I was. On New Year’s Eve, we took the best of it over to be played or played with at their house until midnight.

    In 1978 (seventh grade), I formed my earliest lifelong friendships, all my relatives were healthy and vital, and my mother and grandparents were still alive. Every day was full of laughter, comfort, hope, and fun.

    Christmases are different now — pleasant enough, at times, but not as resonant and seldom as rich — unavoidably poignant, with those of my youth still seeming to exist somewhere, like drifting islands in a thousand lakes, perhaps somewhere near the North Pole, to be revisited only in dreams.

  • 4th of July Beaches Open Celebrate Summer

    4th of July Beaches Open Celebrate Summer

    It’s the 4th of July weekend, and the beaches are open!

    BTW – Richard Dreyfuss was a snack in the ‘70s.

  • Olivia Newton-John A Stake Through My Childhood

    Olivia Newton-John A Stake Through My Childhood

    Yeah, I know. Reading about Olivia Newton-John here is probably about the last thing you would expect. But her passing hits really close. Not because I was such a fan of her music, necessarily, but because her songs were everywhere during my happiest years, and “Grease” was such a cultural touchstone. The summer of ’78 was all about “Grease.” In my memory, it seems like every song from the musical became a hit, and the film’s soundtrack was all that was played at the public pool. Her death is like a stake through my childhood.

    I can’t believe she was 73. I thought she had beat the cancer. R.I.P.

    https://www.youtube.com/watch?v=i52mlmJtyJQ

  • Scott Joplin’s 1970s Revival: The Sting & Beyond

    Scott Joplin’s 1970s Revival: The Sting & Beyond

    The ‘70s were a very good decade for Scott Joplin.

    Joshua Rifkin’s first LP of Joplin piano rags became a classical bestseller for Nonesuch Records in 1970. The same year, Joplin was inducted into the Songwriter’s Hall of Fame. Gunther Schuller revived period orchestrations of some of his works in 1973. The recording, “The Red Back Book,” won a Grammy.

    In 1972, Joplin’s opera, “Treemonisha,” was finally given its first complete staging. And in 1976, Joplin received a citation from the Pulitzer Prize committee “for his contributions to American music.” Of course, by then, Joplin had already been dead for 59 years.

    More than anything, it was probably the use of his rags on the soundtrack for “The Sting,” in 1973 (which earned Marvin Hamlisch an Oscar for best “original” score), that brought Joplin roaring back into the popular consciousness. It’s a pretty good bet that without “The Sting” – and the resulting Top-40 status of “The Entertainer” (which reached number 3 on the Billboard charts) – the movie “Scott Joplin” (1977) would not have been made. At any rate, Joplin’s sudden ubiquity couldn’t have hurt.

    Billy Dee Williams, still three years ahead of his first turn as Lando Calrissian in “The Empire Strikes Back,” was already a star, thanks to successes in “Brian’s Song,” “Lady Sings the Blues,” and “Mahogany.” Williams here plays the title role in what had been planned as a TV movie, until Universal Pictures decided the film had theatrical potential. His performance received praise from the critics, even as the film itself earned tepid reviews. Its TV production values and the trajectory of its plot, necessarily all downhill after the first half hour, did not work in its favor.

    Clifton Davis co-stars as ragtime artist Louis Chauvin, and a bewhiskered Art Carney plays Joplin’s publisher, John Stark. Fascinatingly, Eubie Blake appears as the judge of a piano “cutting contest” that took place in 1899. Blake, who essentially lived forever (he died in 1983 at the age of 96), would have been 12 at the time of the events depicted. 1899 was also the year Blake – himself a ragtime luminary who branched out into musical theater (his collaboration with Noble Sissle, “Shuffle Along,” is the source of “I’m Just Wild About Harry”) – composed his own “Charleston Rag.” Blake actually met Joplin once in Washington, D.C. Incidentally, that’s Dick Hyman playing on the film’s soundtrack.

    “Scott Joplin” has not appeared on home video since the days of VHS, though it is available for viewing through some streaming outlets. Clips are posted on YouTube.

    Happy birthday, Scott Joplin (c. 1868-1917), another artist who brought so much joy and beauty into the world, only to leave us too soon.


    “The Sting” and Joplin’s “The Entertainer”

    Gunther Schuller’s New England Conservatory Ragtime Ensemble and “The Maple Leaf Rag”

    Joshua Rifkin plays “Bethena: A Concert Waltz”

    Joplin’s “Treemonisha”

    Eubie Blake plays his “Charleston Rag”


    PHOTO: Detail of a mural in Joplin’s hometown of Texarkana, TX

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