Tag: Academy Awards

  • Classic Film Scores for Academy Awards Weekend

    Classic Film Scores for Academy Awards Weekend

    We’re heading into Academy Awards weekend. This week on “Picture Perfect” we’ll do our best to get you in the mood, with a baker’s dozen of classic film themes. We’ll hear music from “Gone With the Wind,” “Ben-Hur,” “The Lord of the Rings,” “Out of Africa,” “Exodus,” “Schindler’s List,” “The Adventures of Robin Hood,” “Around the World in 80 Days,” “The Godfather Part II,” “Tom Jones,” “Lawrence of Arabia,” “Titanic” and “E.T. The Extra-Terrestrial.”

    The 88th Academy Awards, need I say, will take place on Sunday night.

    Join me this evening at 6:00 ET, with a repeat tomorrow morning at 6; or listen to it later as webcast at wwfm.org. I’ll try to exert my influence to get the sound file posted by Sunday, if you’d like to call up the stream for a little pre-Oscar fun. Last week’s show, devoted to this year’s nominees, has already been posted.

    #AcademyAwards #Oscars #FilmMusic #FilmScores

  • Happy Birthday John Williams The Greatest Film Composer

    Happy Birthday John Williams The Greatest Film Composer

    In a career which has spanned 60 years, you’ve garnered 50 Academy Award nominations, 5 Academy Awards, 3 Emmys, 22 Grammys, and 7 BAFTA Awards.

    You’re the composer for eight of the top 20 highest-grossing films of all time. You’ve written Olympic fanfares, the theme to NBC News, the theme to PBS’ “Great Performances,” and both themes to “Lost in Space.”

    You’re the last in the line of the great Hollywood composers. You’ve also amassed an impressive body of concert music.

    Thanks for the extended childhood, John. You’ve made life so much more bearable.

    Happy birthday, John Williams, 84 years-old today.

    #johnwilliams


    The cast of “Star Wars: The Force Awakens” joins Jimmy Fallon and The Roots for this “a cappella” salute:

    John Williams records the “Great Performances” theme, in his signature black turtleneck:

    Theme to “Lost in Space” (season three):

    Olympic Fanfare and Theme (Los Angeles games, 1984):


    PHOTO: Williams, with John Boyega and Daisy Ridley of “The Force Awakens”

  • Morricone’s Western Sound Golden Globes & Oscars

    Morricone’s Western Sound Golden Globes & Oscars

    Ennio Morricone was honored earlier this week with a Golden Globe Award for his music to Quentin Tarantino’s ultra-violent mystery-western “The Hateful Eight.” The nominations for this year’s Academy Awards were announced yesterday, and again Morricone is on the ballot.

    Though he received an honorary award in 2007 “for his magnificent and multifaceted contributions to the art of film music,” Morricone has never won a competitive Oscar. That could change this year, as I have yet to hear anything that can stand up to Morricone’s persistently sinister, insistently memorable passacaglia of doom.

    Hear it for yourself this week on “Picture Perfect,” as I salute Morricone with an hour of his western scores, including his immortal music for “The Good, the Bad and the Ugly” (1966) and “Once Upon a Time in the West” (1968), both written for Sergio Leone, and his whacked out main title for Sergio Corbucci’s “Navajo Joe” (1966).

    Tarantino is a magpie filmmaker who draws his inspiration from a variety of B-movie genres, tossing their elements into a blender and then slathering them all over his screenplays, in much the same manner as he pours on the blood and guts during his films’ gratuitous showdowns. He has made no secret of his love for the spaghetti western, and there are moments in “The Hateful Eight” when the ghost of Lee Van Cleef seems to hover over this gathering of bounty hunters, Civil War veterans and outlaws as their patron saint.

    Morricone singlehandedly invented the spaghetti western sound over a half century ago, when budgetary constraints caused him to bypass the big orchestral flavor of Hollywood oaters in favor of a psychedelic palette of twangy surfer guitars, whistles, harmonicas, whips, gunshots, jew’s harps, preening trumpets, shrieks and barking male choruses.

    Morricone wrote three dozen such scores during a career which encompasses over 500 film and television projects.

    Don’t get me wrong, I am happy that John Williams received his 50th Academy Award nomination, for his music to “Star Wars: The Force Awakens.” He is the most nominated artist alive, and the winner of five competitive Oscars. But at 87 years-old, the Force has been with Morricone for a long time.

    I hope you’ll join me as we head out west with Ennio Morricone, on “Picture Perfect” – music for the movies – tonight at 6 ET, with a repeat tomorrow morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.

  • André Rieu Ben-Hur Oscar Party

    André Rieu Ben-Hur Oscar Party

    André Rieu needs more brass! Here he is to conduct “The Parade of the Charioteers” from “Ben-Hur.” The Academy Award-winning music is by Miklós Rózsa.

    Ordinarily, I’m not a huge fan (of Rieu, not Rózsa), but holy cow, the vulgarity is hard to resist.

    Academy Awards Sunday. How can I be so in love with Oscar, and yet have so little interest in tonight’s ceremony? Of course I’ll be watching, but I’ll be thinking of Gregory Peck, Gene Hackman, George C. Scott, Sean Connery, David Niven, the streaker.

    If you are looking for some background music to accompany your Oscar preparations, Friday night’s two-hour “Picture Perfect” Oscar Party is now posted as a webcast, at http://www.wwfm.org.

    PHOTO: Though its record 11 Academy Awards was later matched, unfathomably, by “Titanic” and “The Lord of the Rings: The Return of the King” (really?!!), “Ben-Hur” is still the all-time Oscar champ, at least in my book – epic scope, compelling story, amazing craftsmanship, outstanding music, real stunts, a cast of thousands, and no CGI anywhere.

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