Tag: Alexandre Dumas

  • Alexandre Dumas Music on KWAX Radio

    Alexandre Dumas Music on KWAX Radio

    He is best known as the author of “The Three Musketeers” and “The Count of Monte Cristo.” However, Alexandre Dumas churned out historically-inspired prose on all manner of subjects, and he did so by the metre.

    This week on “The Lost Chord,” we present an hour of music inspired by his writings, including rarely-heard incidental music composed for a revival of his play “Caligula,” by Gabriel Fauré; ballet music from an opera, “Ascanio,” taken from a novel featuring Benvenuto Cellini, by Camille Saint-Saëns; and a poetic monologue, “Joan of Arc at the Stake,” by Franz Liszt. We’ll also hear the suite for symphonic band “The Three Musketeers,” by George William Hespe.

    It’s all for one, and one for all! I hope you’ll join me for “The Lost Sword,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Alexandre Dumas Music on The Lost Chord

    Alexandre Dumas Music on The Lost Chord

    He is best known as the author of “The Three Musketeers” and “The Count of Monte Cristo.” However, Alexandre Dumas churned out historically-inspired prose on all manner of subjects, and he did so by the yard.

    This Sunday night on “The Lost Chord,” we present an hour of music inspired by his writings, including rarely-heard incidental music composed for a revival of his play “Caligula,” by Gabriel Fauré; ballet music from an opera, “Ascanio,” taken from a novel featuring Benvenuto Cellini, by Camille Saint-Saëns; and a poetic monologue, “Joan of Arc at the Stake,” by Franz Liszt. We’ll also hear the suite for symphonic band “The Three Musketeers,” by George Wiliam Hespe.

    It’s all for one, and one for all! I hope you’ll join me for “The Lost Sword,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Alexandre Dumas Music on The Lost Chord

    Alexandre Dumas Music on The Lost Chord

    He is best known as the author of “The Three Musketeers” and “The Count of Monte Cristo.” However, Alexandre Dumas churned out historically-inspired prose on all manner of subjects, and he did so by the yard.

    This Sunday night on “The Lost Chord,” we present an hour of music inspired by his works, including rarely-heard incidental music, written for a revival of the play, “Caligula,” by Gabriel Fauré; ballet music from an opera, “Ascanio,” taken from a novel featuring Benvenuto Cellini, by Camille Saint-Saëns; and a poetic monologue, “Joan of Arc at the Stake,” by Franz Liszt. We’ll also hear the suite for symphonic band, “The Three Musketeers,” by George Wiliam Hespe.

    I hope you’ll join me for “The Lost Sword.” It’s all for one, and one for all, this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Alexandre Dumas in Music on The Lost Chord

    Alexandre Dumas in Music on The Lost Chord

    He is best known as the author of “The Three Musketeers” and “The Count of Monte Cristo.” However, Alexandre Dumas churned out historically-inspired prose on all manner of subjects, and he did so by the yard.

    This Sunday night on “The Lost Chord,” we present an hour of music inspired by his works, including rarely-heard incidental music, written for a revival of the play, “Caligula,” by Gabriel Fauré; ballet music from an opera, “Ascanio,” taken from a novel featuring Benvenuto Cellini, by Camille Saint-Saëns; and a poetic monologue, “Joan of Arc at the Stake,” by Franz Liszt. We’ll also hear the suite for symphonic band, “The Three Musketeers,” by George Wiliam Hespe.

    I hope you’ll join me for “The Lost Sword,” tonight at 10 ET, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at http://www.wwfm.org.

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