Tag: Autumn

  • Autumn Music with Clipper Erickson on WPRB

    Autumn Music with Clipper Erickson on WPRB

    Autumn is in the air!

    Well, maybe not, but it will certainly be ON the air, this morning on WPRB, as we drag Jack Frost kicking and screaming back from his vacation in the Bahamas, with a playlist evocative of changing, falling, and/or decaying leaves. Sure, it’s supposed to hit 75 degrees, but why deprive ourselves of the bittersweet pleasures of crisp apples, November woods, and wild geese?

    Clipper Erickson, piano, will swing by the studio around 9:00 to talk about his upcoming concert, which will take place at Salem United Church of Christ in Doylestown, on Sunday at 3 p.m. The program will include Mussorgsky’s “Pictures at an Exhibition.” Clipper, who is on the faculties of Westminster Conservatory of Music and Temple University, is hot off a recital at the Steinway Salon at New York’s Symphony Space. He is always up to something (he’ll be appearing on another concert at 1867 Sanctuary at Ewing in a little over a week), so I’m sure there will be lots to talk about and plenty of music to enjoy.

    Bundle up and grab a rake; we disdain all leaf-blowers, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. We make like a tree and leave, on Classic Ross Amico.


    MAKE AMERICA RAKE AGAIN: America’s composer, Aaron Copland, in tune with nature’s rhythms

  • 70 Degree November Autumn Music on WPRB

    70 Degree November Autumn Music on WPRB

    What’s the deal with 70 degree November? They want us to change our clocks; can’t we just reset the calendar? But I guess that’s been tried a couple of times. At least the trees seem to understand the time of year.

    Tomorrow morning on WPRB, we will be conjuring an idealized autumn, with music reflective of the season’s two faces – on the one hand, the riotous colors of changing leaves, with rowdy kids pumped up on mad cider and candy corn; on the other, steely skies and denuded trees.

    Jack Frost will be out with his paint kit, even as temperatures are slated to spike into the mid-70s. The geese will be hightailing it south for the winter, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. It’s always autumn in our hearts, on Classic Ross Amico.

  • Maxfield Parrish Autumn Art & Inspiration

    Maxfield Parrish Autumn Art & Inspiration

    Autumn at last! Is there an artist who captures the spirit of the season better than Maxfield Parrish?

  • Autumn Arrives (Sort Of) on WPRB

    Autumn Arrives (Sort Of) on WPRB

    Autumn begins here on the East Coast at 10:21 tomorrow morning. The only thing is, somebody forgot to tell the weather.

    Since it’s supposed to be in the mid-to-upper 80s until the weekend, and since the leaves have scarcely even started to change, I figured I’d hold off on a no-holds-barred celebration of the season, if you don’t mind, for perhaps a month.

    That said, we can’t just let the equinox squeak by without some notice. Therefore, tomorrow morning on WPRB, I will honor my favorite season surreptitiously, careful also to praise its deserving brothers and sisters.

    To this end, I’ll be playing complete cycles of musical evocations of ALL the seasons – spring, summer, fall, and winter – by composers such as Edward German, Albert Roussel, Gian Francesco Malipiero, Lars-Erik Larsson, and Morton Gould, among others.

    Come prepared with your all-weather gear, from 6 to 11 EDT, to WPRB 103.3 FM and wprb.com. To everything there is a season, on Classic Ross Amico.

  • Autumnal Music Hadley & Sowerby on The Lost Chord

    Autumnal Music Hadley & Sowerby on The Lost Chord

    With the autumn equinox only days away, we’ll have musical evocations of the impending season by two American composers on “The Lost Chord.”

    Henry Hadley (1871-1937) studied with George Whitefield Chadwick and in Vienna with Eusebius Mandycewski. In Europe, he befriended Richard Strauss and conducted the Berlin Philharmonic in his own Symphony No. 3. He was assistant conductor at the Mainz Opera, later music director of the Seattle Symphony, and became the first conductor of the San Francisco Symphony. One of his operas, “Cleopatra’s Night,” was performed at New York’s Metropolitan Opera. He served a stint as assistant conductor of the New York Philharmonic, he founded the National Association of Composers and Conductors, and he was instrumental in establishing the Berkshire Music Festival at Tanglewood, MA. He guest conducted orchestras from Buenos Aires to Tokyo. Why then do so few remember him?

    We’ll reach deep into the leaf pile of music history to revive Hadley’s Symphony No. 2, from 1901, subtitled “The Four Seasons.” The work begins with an evocation of a turbulent winter storm, followed by “Spring,” then “Summer.” The symphony concludes with a melancholy portrait of autumn, enlivened by the appearance of some rollicking hunting horns.

    Toward the end of the hour, we’ll have just enough time for music by Leo Sowerby (1895-1968), sometimes called “the Dean of American Church Music.” Sowerby was awarded the Pulitzer Prize for Music in 1946 for his cantata “Canticle to the Sun.” As antidote to the reflective nature of Hadley’s “Autumn,” we’ll conclude with the exuberant “Comes Autumn Time,” an uplifting work for solo organ.

    I hope you’ll join me for “Well-Seasoned” – American composers of experience celebrate autumn – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and at wwfm.org.

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