Tag: Belgian Composer

  • Joseph Ryelandt Composer of Faith

    Joseph Ryelandt Composer of Faith

    It seems only appropriate that Joseph Ryelandt’s birthday anniversary would fall around Holy Week – this year on Good Friday, as a matter of fact – as he was an artist whose devout beliefs were central to every aspect of his existence and creativity.

    Born in Bruges in 1870, Ryelandt was raised to value culture, tradition, and faith. He was unhindered by financial concerns for the first half of his very long life. World War I, however, badly affected his finances. The father of eight children himself, he took up teaching out of necessity at the age of 54. He did so with some hesitation, but was relieved to find it truly rewarding. He was appointed director of the Bruges Conservatory in 1924.

    While his academic and creative work evidently brought him enormous satisfaction, life at home was saddened by the gradual decline of his wife’s health. She died in 1939. Ryelandt composed very little during the Second World War. A few chamber works followed, and then he abandoned composition altogether. He devoted his retirement to literature – writing poetry and reading the world’s classics. He died, following a brief illness, in 1965, at the age of 95.

    Of all of his works, he considered his five oratorios the most important, though he composed much else, including six symphonies (the first of which he destroyed). None of the symphonies were performed until 1960. It was then that the Symphony No. 4 received its belated premiere, on a concert in celebration of the composer’s 90th birthday.

    Ryelandt’s Fourth Symphony was composed in 1912-1913, on the very eve of World War I. Like nearly everything he wrote, the symphony is an outgrowth of his personal faith. The text of the triumphant chorus that concludes the work is from the Credo, as heard in the traditional Catholic Mass. Earlier in the piece, a choir of tenors sings a text from Thomas à Kempis’ “The Imitation of Christ.”

    Whether or not you find it appropriate for Good Friday, which after all is a somber observance, I leave it to you. The piece does conclude in a blaze of glory.

    Happy birthday, Joseph Ryelandt, and a blessed Good Friday to those who observe it.

  • Paul Gilson: Celebrating Belgium’s Overlooked Composer

    Paul Gilson: Celebrating Belgium’s Overlooked Composer

    You know, I adore Grieg (who was born on this date in 1843). But I can’t ignore Paul Gilson on the 150th anniversary of his birth.

    Gilson was born in Brussels in 1865. He received his formal musical training there, at the Brussels Conservatory. However, prior to that, he was already composing works for orchestra and chorus. In 1889, he became a recipient of a Belgian Prix de Rome, which allowed him to travel to Bayreuth, Paris and Italy. You can hear the influence of Wagner in his music. He was also fond of the Russians.

    He later taught at the conservatory, and in Antwerp. He resigned his professorships when he was appointed inspector of music education, a post he held for over two decades. He began to diversify by the age of 40 (about four years before his appointment). He composed less and wrote more ABOUT music. Still, over the course of his career, he managed to amass some 500 scores.

    He is probably best known for his symphonic sketches known as “De Zee” (or, often, “La mer”). Gilson’s work predated Debussy’s masterpiece by a decade. Did Debussy know Gilson’s work? He had to. Follow the link, then click on the openings of the third and fourth movements.

    https://www.youtube.com/watch?v=TjyorpKlqcg&list=PLfvNU__5CDp2824kFI_xzJYkRl9kTRyG3

    There’s no question who created the stronger piece. Still, it’s an instructive reminder that masterworks are not created in a vacuum, and that even lesser composers often have more to contribute than may be at first perceived.

    Happy birthday, Paul Gilson!


    PHOTO: Okay at composing; terrible at tying ties

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