Tag: Best Original Score

  • Nice Guy Ludwig Göransson Picks Up Third Oscar for “Sinners”

    Nice Guy Ludwig Göransson Picks Up Third Oscar for “Sinners”


    As predicted, Ludwig Göransson received his third Academy Award last night for his bluesy score to “Sinners.”

    Summing up, then:

    Elmer Bernstein, Jerry Goldsmith, and Bernard Herrmann – 1 Oscar

    Erich Wolfgang Korngold and Franz Waxman – 2 Oscars

    Ludwig Göransson and Miklós Rózsa (composer of “Ben-Hur”) – 3 Oscars

    Okay, then!

    What does a white kid from Sweden know about the blues, one might ask? In his acceptance speech, Göransson talked about his father’s chance discovery of an album by John Lee Hooker in 1964. (“It changed my dad’s life, and he devoted his whole life to music.”) He handed off a guitar to his son when Göransson was 7. (“I loved the guitar. It became everything to me.”) It was actually a rather touching speech. As in his acceptance speeches for his previous awards, for “Black Panther” and “Oppenheimer,” he came across as sweet-natured – gentle, humble, and sincere. Good for him.

    I did think his music for “Sinners” was worlds better than his score for “Oppenheimer,” which in its manic insistence to be everything everywhere all at once (in tandem with the breakneck editing) actually made it a weaker film than it might otherwise have been. Still good enough for Best Picture in 2024.

    Göransson’s most recent win was announced by… the cast from “Bridesmaids?”

    Congratulations, Ludwig Göransson. Watch his acceptance speech here.


    In related news, “Sinners’” Miles Caton performed “I Lied to You,” one of this year’s nominees for Best Original Song. (The award went to “Golden” from “KPop Demon Hunters,” which I’m not even going to touch.)


    Host Conan O’Brien included a parody of Handel’s “Zadok the Priest” in a mock-coronation bit during his opening monologue (with the Los Angeles Master Chorale and Josh Groban, of all people, lending a voice).

    Classical music was also represented by way of “Viva Verdi!,” a documentary about a retirement home for musicians, Casa di Riposo per Musicisti – commonly known as Casa Verdi – established by the celebrated opera composer in 1896. The film was nominated in the category of Best Original Song, not for Verdi himself, but for Nicholas Pike’s “Sweet Dreams of Joy,” performed on the film’s soundtrack by soprano Ana María Martínez.


    Soprano Sonya Yancheva was in the audience (as an ambassador of Rolex!), with her husband, conductor Domingo Hindyan.

    Ballet dancer Misty Copeland came out of retirement to appear in the “Sinners” production number, causing one to wonder if it was an intentional smack in the face to Timothée Chalamet, who kicked up the ire of the ballet and opera communities a couple of weeks ago by offhandedly dismissing the art forms during a very “bro” promotional appearance chatting with Matthew McConaughey.

    Chalamet had been the front-runner for the Best Actor award. Last night, he went home with nothing but tears for his pillow. He could have benefited from a touch of Göransson’s humility.

    Conan’s send-up of Handel’s “Zadok”


    “Cicero! My Oscar!”

  • Oscars Predictions: Can’t Quit the Academy Awards

    Oscars Predictions: Can’t Quit the Academy Awards

    It’s the ceremony everyone loves to hate. In fact, it’s astonishing how many anonymous posters on the internet feel compelled to share their vitriol about, or more puzzlingly, their alleged indifference to, the Oscars. They couldn’t care less, they say, yet they must let everyone know in the comments sections of even the most innocuous online articles about the Academy Awards.

    Yes, I’ve gone on a few seething tirades myself in recent years, but only on my Facebook page, lamenting the decline in the quality of the offerings and certainly of the ceremony itself. I boycotted the broadcast for at least two years, but then last year, what do you know, I sensed a little bit of an uptick. Even an Oscars cynic like me had to admit that most of the winners were very satisfying.

    So, like Al Pacino, just when I thought I was out, they pull me back in. Or like a besotted cowboy in “Brokeback Mountain,” I just can’t quit Oscar.

    I confess, for me, there’s a lot of baggage tied up with the Academy Awards. Watching the televised ceremony was always a happy time for my family when I was growing up, as we all gathered in the living room to chow down on shrimp and buffalo wings and cheese and veggies and dip in celebration of a medium we loved – the movies!

    For years, I used to immerse myself in recordings of classic film scores from past Academy Award winners and view Oscar-winning movies in preparation for the main event.

    But then the movies changed, the glamor evaporated, and the film scores got worse. It seems they can’t even get the “In Memoriam” segments right anymore.

    But I have to say, on a whole, the nominees this year are the most interesting they have been in years, so I’m actually looking forward to watching tonight’s broadcast. Jimmy Kimmel is pretty much the best they can do for a host anymore. He’s witty and unobtrusive and he keeps the show rolling. Most of the hosts since Billy Crystal have been hideous, or at least not a good fit.

    Needless to say, regardless of what occurs at the actual ceremony, there will be a constant, often wistful, running dialogue with my memories of Oscar, and of better, happier times at the movies. I’ll be sure to have plenty of Guinness and buffalo wings on hand to numb the pain.

    Here are my predictions for a few of the major categories (with of course Best Original Score being one of them). Amazingly, I have seen every film listed this year, with the exception of “The Color Purple” and “May December.” There’s plenty of room for your unsolicited negativity in the comments section below.

    Afterthought: What genius decided to schedule the interminable Oscars telecast for THE NIGHT AFTER EVERYONE’S LOST AN HOUR’S SLEEP?


    BEST ACTOR

    Nominees: Bradley Cooper, “Maestro”; Colman Domingo, “Rustin”; Paul Giamatti, “The Holdovers”; Cillian Murphy, “Oppenheimer”; Jeffrey Wright, “American Fiction”

    WILL WIN: Cillian Murphy (“Oppenheimer”)
    SHOULD WIN: Everyone else, except maybe Bradley Cooper
    WHO DO I WANT TO WIN: Paul Giamatti

    BEST ACTRESS

    Nominees: Annette Bening, “Nyad;” Lily Gladstone, “Killers of the Flower Moon;” Sandra Hüller, “Anatomy of a Fall;” Carey Mulligan, “Maestro;” Emma Stone, “Poor Things”

    WILL WIN: Lily Gladstone (“Killers of the Flower Moon”)
    SHOULD WIN: Everyone
    WHO DO I WANT TO WIN: Everyone, but Emma least

    BEST SUPPORTING ACTOR

    Nominees: Sterling K. Brown, “American Fiction;” Robert De Niro, “Killers of the Flower Moon;” Robert Downey Jr., “Oppenheimer;” Ryan Gosling, “Barbie;” Mark Ruffalo, “Poor Things”

    WILL WIN: Robert Downey Jr. (“Oppenheimer”)
    SHOULD WIN: Robert Downey, Jr.
    WHO DO I WANT TO WIN: Robert Downey, Jr.

    BEST SUPPORTING ACTRESS

    Nominees: Emily Blunt, “Oppenheimer;” Danielle Brooks, “The Color Purple;” America Ferrera, “Barbie;” Jodie Foster, “Nyad;” Da’Vine Joy Randolph, “The Holdovers”

    WILL WIN: Good buzz for Da’Vine Joy Randolph (“The Holdovers”)
    SHOULD WIN: Probably Da’Vine Joy Randolph
    WHO DO I WANT TO WIN: I love Jodie in anything she’s in, but probably Da’Vine Joy Randolph (who also appears as Mahalia Jackson in “Rustin”)
    SIDE NOTE: Again, I did not see “The Color Purple”

    BEST ORIGINAL SCREENPLAY

    Nominees: Justine Triet & Arthur Harari, “Anatomy of a Fall;” Celine Song, “Past Lives;” David Hemingson, “The Holdovers;” Samy Burch & Alex Mechanik, “May December;” Bradley Cooper & Josh Singer, “Maestro”

    WILL WIN: “Anatomy of a Fall”
    SHOULD WIN: “Past Lives”
    WHO DO I WANT TO WIN: Either one of those is fine by me
    SIDE NOTES: A disgruntled screenwriter just accused “The Holdovers” of plagiarism; I did not see “May December”

    BEST ADAPTED SCREENPLAY

    Nominees: Cord Jefferson, “American Fiction;” Christopher Nolan, “Oppenheimer;” Greta Gerwig & Noah Baumbach, “Barbie;” Tony McNamara; “Poor Things,” Jonathan Glazer, “The Zone of Interest”

    WILL WIN: “American Fiction” (and hopefully not “Barbenheimer”)
    SHOULD WIN: “American Fiction” (it would have been even better if it had been a little edgier)
    WHO DO I WANT TO WIN: “American Fiction”
    SIDE NOTE: “Barbie” should not have been nominated in this category, but rather Best Original Screenplay, but because of its extraordinary success, they might be angling to reward it with something other than just Best Production Design

    BEST DIRECTOR

    Nominees: Jonathan Glazer, “The Zone of Interest;” Yorgos Lanthimos, “Poor Things;” Christopher Nolan, “Oppenheimer;” Martin Scorsese, “Killers of the Flower Moon;” Justine Triet, “Anatomy of a Fall”

    WILL WIN: Christopher Nolan (“Oppenheimer”)
    SHOULD WIN: Jonathan Glazer (“The Zone of Interest”)
    WHO DO I WANT TO WIN: Martin Scorsese (“Killers of the Flower Moon”)

    BEST PICTURE

    Nominees: “American Fiction,” “Anatomy of a Fall,” “Barbie,” “The Holdovers,” “Killers of the Flower Moon,” “Maestro,” “Oppenheimer,” “Past Lives,” “Poor Things,” “The Zone of Interest”

    WILL WIN: “Oppenheimer”
    SHOULD WIN: It’s Nolan’s year
    WHO DO I WANT TO WIN: I have my favorites, and they are not “Maestro,” “Barbie,” or “Poor Things”

    BEST ORIGINAL SCORE

    Nominees: Ludwig Göransson, “Oppenheimer;” Robbie Robertson, “Killers of the Flower Moon;” Laura Karpman, “American Fiction;” Jerskin Fendrix, “Poor Things;” John Williams, “Indiana Jones and the Dial of Destiny”

    WILL WIN: Ludwig Göransson (“Oppenheimer”)
    SHOULD WIN: No one!
    WHO DO I WANT TO WIN: I love you, Johnny… but no one!
    ROOTING AGAINST: Hans Zimmer (even though he’s not nominated)

  • Hildur Guðnadóttir Wins Best Original Score

    Hildur Guðnadóttir Wins Best Original Score

    Congratulations, Hildur Guðnadóttir, winner of Best Original Score! (No joke.)

  • Oscars Best Film Scores & Academy Award Music

    Oscars Best Film Scores & Academy Award Music

    And the winner is… us!

    Regardless of how you may feel about the current state of the movies, the Academy Awards are always an excellent excuse to cast a nostalgic look back on Oscar history.

    This week on “Picture Perfect,” we’ll sample from all five of this year’s nominees for Best Original Score, but also revel in music from some of the most honored and beloved classics of all time – including “The Godfather,” “Star Wars,” “Titanic,” “The Lord of the Rings,” “Lawrence of Arabia,” “Ben-Hur,” and “Gone with the Wind.”

    Whether or not the movies’ best days are behind them, there will be plenty to celebrate, with THREE HOURS OF QUALITY FILM MUSIC, on a special expanded edition of “Picture Perfect,” this Friday from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.

    #AcademyAwards #Oscars

  • Academy Awards Film Music Celebration

    Academy Awards Film Music Celebration

    Attention, film music fans: “Picture Perfect” is about to go epic.

    Join me this Friday afternoon on The Classical Network as I mark the 90th anniversary of the Academy Awards with a SPECIAL THREE-HOUR BROADCAST celebrating the history of music in the movies. Hear selections from all five of this year’s nominees for Best Original Score, alongside music from some of the best-loved and most-honored movies of all time – including “The Godfather,” “Star Wars,” “Titanic,” “The Lord of the Rings,” “Lawrence of Arabia,” “Ben-Hur,” and “Gone with the Wind.”

    You provide the popcorn; I’ll provide the music, this Friday from 4 to 7 p.m. EST, on WWFM The Classical Network and wwfm.org.

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