Tag: Black Composers Series

  • Black Composers Series Rediscovered

    Black Composers Series Rediscovered

    To reiterate, the compact disc reissue of CBS Records’ landmark Black Composers Series – available complete for the first time in over 40 years – though lamentably underpublicized, is an event of enormous significance.

    These visionary recordings, made under the direction of conductor Paul Freeman (pictured) and employing world class orchestras and soloists, were originally released on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Tune in tonight for the third in a four-part survey of highlights from this exciting boxed set, which was released by Sony Classical just in time for #BlackHistoryMonth.

    José Silvestre de los Dolores White y Lafitte (or José or Joseph White, for short) was one of the great romantic violinists. Born in Cuba in 1835, he made his public debut at the age of 18 with the most celebrated North American pianist of the day, Louis Moreau Gottschalk. It was Gottschalk who encouraged White to study at the Paris Conservatory and who raised the money to send him there. This launched the young man on a globetrotting trajectory that sent him all over Europe, the Caribbean, South America, Mexico, and the Northeastern United States.

    White died in Paris in 1918. We’ll hear his Violin Concerto in F-sharp minor, played by the prolific and committed Aaron Rosand. Why this is not a repertory piece is anybody’s guess.

    David Baker, born in 1931, was professor of jazz studies at the Indiana University Jacobs School of Music, a program he founded. From 1991 to 2012, he was also director and conductor of the Smithsonian Jazz Masterworks Orchestra. On top of everything else, he was extraordinarily productive as a writer and recording artist, leaving over 65 recordings, 70 books, and 400 articles.

    Baker died in 2016. He was trained as a trombonist – he was active as a jazz performer throughout the 1940s and early ‘50s – but a facial injury suffered in an automobile accident caused him to switch to the cello. We’ll hear Baker’s Cello Sonata, composed in 1973 for the great Janos Starker, who will perform it with Alain Planès at the keyboard.

    Finally, Roque Cordero was born in Panama City in 1917. He studied composition with Ernst Krenek and conducting with Dmitri Mitropolous. He became director of Panama’s Institute of Music and artistic director and conductor of its National Symphony. Later, he was assistant director of the Latin American Music Center, professor of composition at Indiana University, and, from 1972, distinguished professor emeritus at Illinois State University. Cordero died in Dayton, Ohio, in 2008, at the age of 91.

    Fascinatingly, Cordero’s music tends to balance Panamanian folklore with more advanced techniques. The boxed set contains not only his Violin Concerto, with Sanford Allen the soloist, but also “Eight Miniatures for Small Orchestra” of 1948. We’ll hear Paul Freeman conduct the latter with the Detroit Symphony Orchestra.

    I hope you’ll join me for “Black to the Future, Part III,” yet another program of highlights from the Sony Classical reissue of CBS Records’ forward-looking Black Composers Series, this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Reissue Neglect

    Black Composers Series Reissue Neglect

    This is really weird. Arguably the most exciting set of reissues in years, and Sony Classical is giving it absolutely no promotion. It’s not on their Facebook page. It’s not listed anywhere on their official website. Instead, they keep pushing their recording of the same old tired New Year’s Concert from Vienna.

    Yet I know for a fact that my postings about, and airing highlights from, the newly released “Black Composers Series” have generated notable enthusiasm and resulted in a number of confirmed orders. It’s evident from social media that others who have learned of its reappearance are no less excited. Unfortunately, it looks like, if this set is going to achieve anywhere near the success it deserves, it’s going to have to be totally through word of mouth. Which is a real shame, Sony.

    The Black Composers Series was a bold undertaking in the 1970s, a pioneering effort and an idealistic investment in the future – nine albums of unknown repertoire by minority composers, only several of whom may have been on the very periphery of a few collectors’ consciousness, at best. Even so, it’s rumored that the series was originally intended to run to 20 volumes. We are so lucky to have what we got.

    On some level, it’s hardly surprising that the plug might have been pulled 40 years ago. After all, the series was a bold gamble. (On the other hand, record labels did take more chances back then, and it was an accepted fact that classical records needed time to find their audience.)

    Sadly it appears that, even all these years later, the Black Composers’ Series struggles for the exposure and respect it deserves. It’s especially distressing that the company that produced it displays so little confidence, or perhaps awareness, of its true worth that they have essentially just dumped it on the market.

    I don’t mean to sound ungrateful. I am so, so happy that Sony finally got around to making these recordings available again. I only wish the label were more nurturing.

    Be that as it may, I’ll continue to do what I can by devoting the entire month of February, #BlackHistoryMonth, to airing highlights from this terrific set. Tune in tonight to hear works by George Walker (pictured) and José Maurício Nunes Garcia.

    Walker was the first African-American recipient of the Pulitzer Prize for Music – as recently as 1996 – for his work, “Lilacs for Voice and Orchestra.” He was the first black musician to graduate from the Curtis Institute of Music and a pupil of Nadia Boulanger. We’ll hear his virtuosic Trombone Concerto of 1957.

    Then we’ll travel to South America for music by Nunes Garcia. Nunes Garcia was Master of Music of the Royal Chapel in Rio de Janeiro. He composed over four hundred pieces of music, including the first Brazilian opera. We’ll hear his Requiem Mass, from 1816, written at the request of John VI of Portugal for funeral services for his mother, Maria I.

    It’s just an example of this set’s amazing diversity. I hope you’ll join me “Black to the Future, Part II” – the second of four programs devoted to Columbia Records’ forward-looking, if neglected, Black Composers Series – this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Garcia & Walker on “Lost Chord”

    Black Composers Garcia & Walker on “Lost Chord”

    Hear contrasting works by José Maurício Nunes Garcia and George Walker tonight on “The Lost Chord.”

    Walker was the first African-American recipient of the Pulitzer Prize for Music – as recently as 1996 – for his “Lilacs for Voice and Orchestra.” He was the first black musician to graduate from the Curtis Institute of Music. He also studied at the Eastman School and was a pupil of Nadia Boulanger. Tune in for Walker’s Trombone Concerto of 1957.

    Then it’s off to South America for Nunes Garcia’s Requiem Mass of 1816. Nunes Garcia was Master of Music of the Royal Chapel in Rio de Janeiro. He composed over four hundred pieces of music, including the first Brazilian opera. The Requiem was written at the request of John VI of Portugal for funeral services for his mother, Maria I.

    Join me for this second installment in celebration of the reissue on Sony Classical, after 40 years, of the legendary Black Composers Series. We’re sharing highlights throughout #BlackHistoryMonth, Sunday nights at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Returns

    Black Composers Series Returns

    It took four decades for these landmark recordings to make it to CD. They’ve finally appeared in a box of ten. We’ll be sampling highlights in just about three hours: music by Joseph Bologne (Chevalier de Saint-Georges), Olly Wilson, and Fela Sowande.

    That’s “Black to the Future” – selections from Columbia Masterworks’ forward-looking Black Composers Series, reissued now on Sony Classical – on “The Lost Chord,” the first of four parts, for #BlackHistoryMonth, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Returns After Decades

    Black Composers Series Returns After Decades

    I’ve been waiting for this set to be reissued for decades. DECADES.

    Over 40 years after its original appearance, CBS Records’ landmark Black Composers Series has finally come to compact disc. Made under the direction of conductor Paul Freeman and employing world class orchestras and soloists, these recordings originally appeared on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Some of the composers have since benefited from the advocacy of others; a few of the pieces were rerecorded by Freeman in the digital era; but most of the music is still seldom, if ever, heard.

    Sony Classical has reissued these invaluable documents as a boxed set, reproducing the series’ original cover art on the individual cardboard sleeves. There’s also a moderately informative booklet, and a bonus disc of spiritual arrangements by Hale Smith and others, also conducted by Freeman. That’s a lot to celebrate!

    To coincide with #BlackHistoryMonth, we’ll hear highlights from this most exciting release, over a four-week period.

    Tune in tonight for the first installment, featuring works by violinist, conductor, and master swordsman Joseph Bologne, Chevalier de Saint-Georges (1745-1799), who led the first performances of Haydn’s “Paris” Symphonies; Olly Wilson (1937-1918), who established the first ever electronic music program at a conservatory, Oberlin; and Fela Sowande (1905-1987), who wrote concert music after traditions of his native Nigeria.

    That’s “Black to the Future,” the return of CBS Records’ forward-looking Black Composer Series, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

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