Tag: Cape May Music Festival

  • Classical Music Beach Vacation Getaway

    Classical Music Beach Vacation Getaway

    With summer vacation winding down – and some even back to school already, poor dears – we’ll take one last trip to the beach. On today’s Noontime Concert on The Classical Network, it’s another program from the Cape May Music Festival.

    The New York Chamber Ensemble will present “Folk Dance in Chamber Music,” with repertoire including works by Béla Bartók, Luigi Boccherini, Astor Piazzolla, and Antonin Dvořák, alongside arrangements by Robert Beaser.

    Following the concert broadcast, stick around for Rick Sowash’s “Cape May Suite.” Sowash, who makes his home in Ohio, fondly recalls vacationing in South Jersey with his family.

    Then cast off with music by the Breton composer Jean Cras. Like Nikolai Rimsky-Korsakov and Albert Roussel, Cras was a navy man. Impressions of the sea saturate many of his works, a number of which were actually written in a ship’s cabin. We’ll hear his symphonic suite, “Journal de bord,” which, like Debussy’s “La mer,” attempts to convey the moods of the sea at different hours of the day.

    Rimsky-Korsakov had retired from active service by the time he came to write his Quintet for Piano and Winds. Even so, he had been appointed to the civilian post of Inspector of Naval Bands. We’ll hear a performance of Rimsky’s cheery quintet featuring members of the Munich Residenz Quintet and Wolfgang Sawallisch at the keyboard.

    I believe it was Igor Stravinsky who once said, “A good composer does not imitate; he steals.” No one is going to claim the Flemish composer Paul Gilson’s “De Zee” (“The Sea”) is one of the world’s great masterpieces, but clearly there is something to it for Debussy to have borrowed so shamelessly from it when he came to write “La mer.”

    Jacques Ibert served in the Navy during World War I. Before our time is out, we’ll travel to destinations around the Mediterranean – in Italy, North Africa, and Spain – with Ibert’s symphonic suite “Escales” (“Ports of Call”).

    You won’t have to join the Navy to see the world. We’ve got one in every port, this afternoon from 12 to 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Arnell’s Bruckner Symphony on WWFM Today

    Arnell’s Bruckner Symphony on WWFM Today

    I know, I play an awful lot of Bruckner on WWFM on Tuesday afternoons. It’s a way for me to regroup as I come down off the adrenaline rush of hosting the live noon concerts, which are unscripted and basically improvised from a sheaf of papers handed to me, which I do my best to assimilate in advance.

    I also know I have been going on an awful lot about Richard Arnell, the neglected English master, in connection with the centenary of his birth, which was last Friday. (Yesterday I played his String Quintet No. 3.)

    So, in the interest of mixing it up, today I will offer something a little different: Arnell’s Bruckner-inflected Symphony No. 3. Arnell’s wartime symphony bears other diverse influences – some Sibelius here, a dash of Nielsen there; perhaps even some Shostakovich – but try listening to it with Bruckner in mind, especially the earlier movements.

    The six-movement piece was composed in the United States, where Arnell found himself stranded while visiting the World’s Fair in 1939, his return home cut off by the outbreak of the Second World War. His mother would be killed in the Blitz in 1942. Arnell dedicated his symphony “to the political courage of the British people.”

    It certainly achieves an ambitious scale, running to over an hour in length. And don’t get me wrong: despite the multiplicity of influences – there’s even a kind of barn dance that recalls American symphonic music of the era – it is English, and most certainly Arnell, to the core. I think you’ll agree, it works up a good head of steam and achieves passages of genuine nobility. Judge for yourself; I’ll be playing it around 2:00.

    First, today’s Noontime Concert will be made up of performances by the New York Chamber Ensemble, drawn from this summer’s Cape May Music Festival. We’ll hear selections from two programs. The first will include music by Philippe Hersant (“Héliades” for flute and strings), Johan Kvandal (from his Hardanger fiddle quintet) and Felix Mendelssohn (his String Quartet No. 2 in B-flat major). Then saxophonist Eddie Barbash will join the group for riffs on a variety of old favorites by Cole Porter, Ruben Fuentes, Manuel Ponce, Vincenzo Bellini, Harry Warren, and the ever-prolific Anonymous. Next year’s Cape May Music Festival will run from May 27 to June 14. Further developments, as they become available, will be posted at the festival’s website, capemaymac.org.

    I hope you’ll join me today, from 12 to 4 p.m. EDT, for chamber music, an epic symphony and more, on WWFM – The Classical Network and wwfm.org.

  • Cape May Music Fest Kicks Off Summer

    Cape May Music Fest Kicks Off Summer

    Memorial Day weekend. The unofficial start of summer.

    If you find yourself transplanted to a beach in South Jersey over the next couple of weeks, you might be interested in rinsing the sand out of your bathing suit and heading on over to Cape May for some concerts.

    The 26th annual Cape May Music Festival will begin on Sunday and run through June 11. This year’s roster will include brass band, chamber music, orchestral, jazz and traditional Celtic groups.

    You can read more about it in my article in today’s Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2015/05/classical_music_26th_annual_ca.html

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