Tag: Captain from Castile

  • Latin Swords on WWFM Tonight!

    Latin Swords on WWFM Tonight!

    Okay, it’s time for Take 2.

    Due to a mix-up last week, in which my Ennio Morricone show was aired in place of the swashbuckler program I had earlier promoted, “Latin Swords” will be broadcast this evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    Tune in for rousing selections from “Captain from Castile” (Alfred Newman), “The Mask of Zorro” (James Horner), “Puss in Boots” (Henry Jackman), and “The Adventures of Don Juan” (Max Steiner).

    On the other hand, if Morricone sounds like the very thing you’ve been hankering for, feel free to pile your plate high with spaghetti westerns at any time, by visiting the “Picture Perfect” webcast page.

    Select the show, and then click on the “listen” icon:

    https://www.wwfm.org/programs/picture-perfect-ross-amico?fbclid=IwAR261r78_pSu0xacrHCWfNLt3eZl60OFXbrIr71vIQiTEe6hnnu52dqvdrQ#stream/0

    Pistols or swords? Choose your weapon, and escape!

  • Latin Swashbucklers Beat the Cold with Zorro & More

    Latin Swashbucklers Beat the Cold with Zorro & More

    Frigid temperatures got you down? Put some swagger back into your step with an hour of music from Latin swashbucklers.

    Alfred Newman gets the blood pumping with his virile soundtrack for “Captain from Castile” (1947), in which Tyrone Power flees persecution at the hands of the Inquisition to join Cortés’ expedition to conquer Mexico. The film was shot on location with one sequence set against the backdrop of an erupting volcano!

    Power, of course, was one of the screen’s great Zorros. However, with “The Mask of Zorro” (1998), Antonio Banderas becomes the Zorro for our time. He’s aided and abetted by Anthony Hopkins, as the elder Zorro who mentors him. (TWO Zorros in one film! I could expire of joy.) Catherine Zeta-Jones is radiant, and the music by James Horner literally hits all the right notes.

    This film was already a throw-back upon release, with plenty of real-life, real-time swordplay and stunts galore, with the barest minimum of computer-generated bells and whistles. I wish to God popcorn entertainment could still be like this. As it was, “The Mask of Zorro” was like a belated last gasp of the 1980s. It was easily the best swashbuckler of the ‘90s – though, really, was there much competition?

    Banderas got a chance to send-up his image in the Dreamworks’ computer-animated feature, “Puss in Boots” (2011), a spin-off from the Shrek series, which actually turned out to be a better sequel than “The Legend of Zorro” (2005).

    The film sports plenty of Zorro in-jokes, which extend even to Henry Jackman’s entertaining score. How is it that animated movies are just about the only movies these days that seem to keep up the great symphonic tradition of classic film scoring?

    Finally, Errol Flynn has one last swash left in his buckle for “The Adventures of Don Juan” (1948), his last wholly satisfying period adventure. Equally, Max Steiner rises to the occasion and provides one of his best scores, just about on the same level as those of the master of the genre, Erich Wolfgang Korngold.

    I hope you’ll join me for an hour of Latin swords, on “Picture Perfect,” this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Tyrone Power A Centennial Celebration

    Tyrone Power A Centennial Celebration

    Today would have been the 100th birthday of Tyrone Power. Power, one of the biggest box office draws of his day (in 1939, he was second only to Mickey Rooney), is remembered primarily for his swashbucklers and costume dramas, though he appeared in just about every genre.

    He was a hero in real life, as well, serving as a Marine pilot in World War II, during which he flew in cargo and flew out the wounded during the Battles of Iwo Jima and Okinanawa.

    He was descended from a long line of distinguished actors, dating back to his great-grandfather (also named Tyrone Power), who was born in 1795. He was also related to Laurence Olivier and theatrical director Tyrone Guthrie.

    In the 1950s, increasingly dissatisfied with the roles he was being offered, Power started to devote more time to the stage. Not wanting to completely alienate one of their most profitable stars, 20th Century Fox began to offer him more latitude in choosing his projects.

    Sadly, Power died of a massive heart attack while shooting a duel with George Sanders in King Vidor’s “Solomon and Sheba” in 1958. He was 44 years old.

    It was pretty standard during the Golden Age of Hollywood for actors to appear as just about any ethnicity. Though he himself was of Irish, English and French Huguenot ancestry, Power was cast as Hispanic or Latino on several occasions, most notably as the matador in “Blood and Sand” and of course as Don Diego Vega and his alter ego in “The Mark of Zorro.”

    I don’t intend this as a backhanded salute to Cinco de Mayo – I am sure there must be justifiable ambivalence over the Spanish conquest of Latin America among a certain segment of the population – but here’s Power in all his glory, from “Captain from Castile” (1947).

    “Captain from Castile” was filmed on location in Mexico and incorporates a real volcano in mid-eruption. The stirring music is by Alfred Newman.

    Main title: https://www.youtube.com/watch?v=JqTNEssSe2M

    The famous Conquest march: https://www.youtube.com/watch?v=eXVWSAMq6aA

    Theatrical trailer (not in Technicolor?!): https://www.youtube.com/watch?v=VB62g7-H8Kc

    PHOTO: Power with Jean Peters

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