Tag: Centenary

  • Mikis Theodorakis A Centenary of Zorba’s Composer

    Mikis Theodorakis A Centenary of Zorba’s Composer

    Why, it seems like only yesterday that Zorba’s composer danced his last. Mikis Theodorakis died in 2021 at the age of 96. One of Greece’s best-known musical exports, Theodorakis was world famous for his score to the film “Zorba the Greek” (1964). Now, wouldn’t you know it, it’s already his centenary!

    As a former student of Olivier Messiaen at the Paris Conservatory, Theodorakis also composed dozens of concert and dramatic works, even as he continued to attract international attention with his more than one thousand songs. All the while, he remained politically active, variously jailed, exiled, and elected to the Greek Parliament.

    Never afraid to speak his mind, Theodorakis was a controversial figure. No one can deny that he also brought a lot of beauty into the world.

    He certainly did his best to live up to his surname. “Theodorakis” derives from the Ancient Greek “Theódōros,” composed of “theós” (divine, deity, god) and “dôron” (gift). Essentially, “God’s gift.” Unquestionably, he gave generously of himself.

    Theodorakis may no longer be with us, but on the 100th anniversary of his birth, the dance goes on.


    Theodorakis’ obituary from the BBC

    https://www.bbc.com/news/world-europe-58419832

    The music that sealed Theodorakis’ immortality

    His Symphony No. 2, with Cyprien Katsaris at the piano

    “Honeymoon” (from the Michael Powell film)

    Covered by The Beatles

    The theme from “Z”

    “Antonis,” on which it was based

    As heard in the song cycle, “Mauthausen Trilogy,” on poems by Iakovos Kambanellis, survivor of the Mauthausen-Gusen concentration camp

    Zorba flash mob

  • Fikret Amirov Centenary A Celebration

    Fikret Amirov Centenary A Celebration

    Today is the 100th anniversary of the birth of Azerbaijani composer Fikret Amirov (1922-1984).

    Amirov was much decorated in Soviet Russia, awarded the Stalin Prize in 1949, honored as People’s Artist of the USSR in 1965, and the recipient of the USSR State Prize in 1980.

    In 1959, he was one of several Soviet composers – including Konstantin Dankevich, Dmitri Kabalevsky, Tikhon Khrennikov, and Dmitri Shostakovich – who traveled to the United States at the invitation of the U.S. State Department, as part of a Soviet-American cultural exchange agreement, which had allowed American composers Roy Harris, Ulysses Kay, Peter Mennin, and Roger Sessions to visit the Soviet Union the previous year.

    And look what I found! A 30-minute broadcast, “Aaron Copland Meets the Soviet Composers,” produced by WGBH Boston in 1959. Nicolas Slonimsky pitches a question to Amirov, and he responds, around 16:40. Shostakovich speaks around 12:00 and 24:00.

    ALL ARTS Vault Selects

    The Soviet composers arrive in Philadelphia on November 6, 1959.

    Amirov is perhaps best known in the West from Leopold Stokowski’s recording of “Kyurdi Ovshari” – issued as “Azerbaijan Mugam”

    Though unquestionably his largest audience was thanks to Michelle Kwan, whose “Taj Mahal” routine was skated to Amirov’s “Gulistan Bayati-Shiraz”

    https://youtu.be/KHpA1_3R0BU?t=214

    More recently, Yo-Yo Ma recorded “Kor Arab” (“Song of the Blind Arab”) with the Silk Road Ensemble.

    In honor of Amirov’s centenary, I devoted “The Lost Chord” on Sunday night to two of his works: “Six Pieces for Flute and Piano” and selections from the ballet “Arabian Nights.” Here’s a link to my Facebook teaser.

    https://www.facebook.com/photo?fbid=984611895791207&set=a.883855802533484

    You’ll find the actual program, “Azerbaijani Come Lately,” now posted as a webcast on the WWFM – The Classical Network website at wwfm.org.

    https://www.wwfm.org/show/the-lost-chord-with-ross-amico/2022-11-18/the-lost-chord-november-20-azerbaijani-come-lately

    If you happen to be in New York City tonight, there is a tantalizing program scheduled for Carnegie Hall, with the New York International Virtuosi Orchestra and pianist Nargiz Aliyarova. The concert, “Bridge of Friendship,” is dedicated to Amirov and will include music by Turkish, Azerbaijani, and Jewish composers. Among the selections will be Amirov’s “Azerbaijan Capriccio” and the U.S. premiere of the “Piano Concerto on Arabian Themes.” Alexander Markov will be the soloist in Mendelssohn’s Violin Concerto. You’ll find more information at the link.

    https://www.carnegiehall.org/calendar/2022/11/22/new-york-international-virtuosi-orchestra-nargiz-aliyarova-piano-alexander-mar-0700pm

    If, like me, you won’t be able to make it, there’s some consolation to be found in this video of Aliyarova playing the concerto in Azerbaijan.

    Happy birthday, Fikret Amirov!

  • Grant Johannesen A Centenary Celebration

    Grant Johannesen A Centenary Celebration

    Nobody likes a know-it-all.

    When five-year-old Grant Johannesen’s first music teacher recognized his talent, as she heard him noodling on a piano across the street, her generosity soon turned to annoyance when she discovered that he could emulate anything she played. He went on to study with Robert Casadesus, Egon Petri, Roger Sessions, and Nadia Boulanger.

    Johannesen was born in Salt Lake City 100 years ago today.

    As an adult, he toured extensively, both with the New York Philharmonic under Dmitri Mitropoulos, and as a solo pianist. He was particularly acclaimed for his elegant performances of French music, especially that of Gabriel Fauré.

    From 1974 to 1985, he served as director of the Cleveland Institute of Music. He was a frequent soloist with the Cleveland Orchestra and his hometown band, the Utah Symphony.

    Happy centenary, Grant Johannesen!


    Johannesen performs music by “American Indianist” Arthur Farwell (“Navajo War Dance”) and Samuel Barber (“Homage to John Field”)

    Johannesen plays “Nights in the Gardens of Spain” with the Cleveland Orchestra

    A lovely recital of French music presented at the Bergen Festival in 1973

    Fauré’s Fantaisie for Piano and Orchestra, Op. 111

    In conversation with David Dubal, now host of WWFM – The Classical Network’s “The Piano Matters”

  • Ruth Gipps Centenary Symposium International Women’s Day

    Ruth Gipps Centenary Symposium International Women’s Day

    Somehow, I missed the centenary of the birth of Ruth Gipps (1921-1999), pupil of Ralph Vaughan Williams, whose music I programmed with pleasure while at WWFM. Oh, how I look forward to the day I’ll be allowed back into a studio to put together new shows pertaining to landmark anniversaries. So many of these have slipped by over the Year of Covid.

    Had I a live air shift on February 20, no doubt I would have realized it was Gipps’ 100th birthday. Be that as it may, there is another way to honor her. On Monday – International Women’s Day – scholars and musicians will convene for an online symposium centering on Gipps’ life and works. The hour-long stream will begin at 12:45 pm EST. Registration is required. A donation is suggested. You’ll find more information here:

    https://www.eventbrite.co.uk/e/ruth-gipps-a-centennial-symposium-tickets-141989499415?utm-medium=discovery&utm-campaign=social&utm-content=attendeeshare&aff=esfb&utm-source=fb&utm-term=listing&fbclid=IwAR0H5SFWHlxmNSJKOZK5Xah0Wd7PPr75AHFyZv5kk2r2f3gsenUi4CBzo14

    At 26, Gipps became the youngest English woman ever to receive a doctorate in music. Her mastery of both the oboe and piano suggested a promising future as soloist in virtuoso concert works. However, a shoulder injury, suffered in her early 30s, caused her to shift her focus primarily to composition. Along the way, she also founded two orchestras and directed a choral ensemble.

    Her tone poem, “Knight in Armour,” was performed at the Last Night of the Proms in 1942. Despite early success, she encountered resistance in a field dominated by men. No doubt this contributed to her steely resolve. She was tenacious. Some also found her off-putting.

    In all, she left five symphonies, a respectable number of concertos and concertante works, chamber and instrumental music, and choral pieces. Hopefully, we’ll get to hear more of them soon.

    Register for the symposium. Then take 24 minutes to enjoy Gipps’ multifaceted Symphony No. 2 (1945):

  • Geoffrey Bush’s Hamlet Overture A Centenary Celebration

    Geoffrey Bush’s Hamlet Overture A Centenary Celebration

    What kind of composer writes a comedy overture on the subject of “Hamlet?”

    Today is the 100th birthday of Geoffrey Bush (1920-1998).

    “Alas, poor Yorick! I knew him Horatio, a fellow of infinite jest, of most excellent fancy.”


    An interview with Bruce Duffie:

    http://www.bruceduffie.com/bush.html

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