Tag: Charles-Valentin Alkan

  • French Halloween Music the Lost Chord

    French Halloween Music the Lost Chord

    On the whole the French don’t really celebrate Halloween (too American), but if you find one who does, don’t say “trick or treat.” Rather, demand “Des bonbons ou un sort!” – candy or a spell.

    While France might not be down with the whole Halloween thing, many of the country’s great artists, writers, and composers could totally conjure a Halloween vibe. Think Odilon Redon’s “The Smiling Spider,” Charles Baudelaire’s “Les Fleurs du mal,” or Camille Saint-Saëns’ “Danse macabre.”

    This week on “The Lost Chord,” we’ll have three pieces of French music totally suitable for the season.

    Maurice Ravel’s “Gaspard de la Nuit” (“Gaspard of the Night”) – musical responses to the weird and sinister poetry of Aloysius Bertrand – is a suite of creepy impressions of (1) a flirtatious water spirit, (2) a hanged man at sunset against the backdrop of a tolling bell, and (3) a vampiric dwarf named Scarbo. Gina Bachauer will be the pianist, and Sir John Gielgud will preface each of the movements with recitations of the Bertrand poems.

    Claude Debussy was enthralled by the writings of Edgar Allan Poe, which he knew through Baudelaire’s translations. At the time of his death, he left incomplete sketches for two operas after Poe stories – “The Fall of the House of Usher” and “The Devil in the Belfry.” We’ll hear fragments of the former, conducted by Georges Prêtre.

    Finally, we’ll listen to the third of the “Etudes in Minor Keys,” subtitled “Scherzo Diabolico,” by Charles-Valentin Alkan. Alkan, a sometimes neighbor of Chopin and Georges Sand, shared a home with his illegitimate son, two apes, and a hundred cockatoos. Franz Liszt is alleged to have commented, “Alkan had the finest technique I had ever known, but preferred the life of a recluse.”

    Best known is the story surrounding the circumstances of his death: while reaching for a copy of the Talmud, situated on a high shelf of a heavy bookcase, the case let go and crushed Alkan beneath it. It’s been suggested that the composer actually collapsed while in the kitchen – but when the legend becomes fact, print the legend. We’ll hear his etude in a recording by the late Michael Ponti.

    I hope you’ll join me for “Jacques o’ Lanterns” – lurid music by French composers for Halloween on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Alkan Eccentric Genius Rediscovered

    Alkan Eccentric Genius Rediscovered

    Charles-Valentin Alkan was a pianist of transcendent technique, a forward-looking composer, and the most eccentric recluse in Paris.

    Acclaimed in all circles as one of the finest keyboard artists of his day, he secluded himself in his home for years at a time. He shared the apartment with his illegitimate son, two apes and 100 cockatoos.

    He was also known to exhibit obsessive tendencies. His “12 Etudes in All the Minor Keys” contains among its movements a full concerto and a symphony for solo piano. He translated the entire Bible (with Apocrypha) from its original languages, and he talked of setting the entire thing to music.

    At the time of his death, his library contained 75 volumes in Hebrew or related to Judaism. He’s said to have been killed by a fallen bookcase after reaching for a volume of the Talmud, which was situated on a high shelf.

    Alkan himself was top-shelf material. Admired by Chopin and Liszt, his refusal to travel, or even to leave his home, contributed to his general obscurity, though he continued to issue new, exciting scores to great acclaim. He was studied by Debussy, Ravel, Busoni and Rachmaninoff, but really it fell to pianists of our own time to rediscover Alkan’s genius.

    Alkan (1813-1888) will be among our featured subjects this afternoon, as we celebrate his birthday anniversary. We’ll also hear from Swedish composer Ture Rangström (1884-1947); lied master Carl Loewe (1796-1869); lifelong friend of Richard Strauss, Ludwig Thuille (1861-1907); and late disciple of Mily Balakirev, Sergei Lyapunov (1859-1924). Finally, Romanian pianist Radu Lupu (b. 1945), another recluse, will perform music by Franz Schubert.

    I myself will emerge from seclusion, from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.


    IMAGES: Alkan (left), in one of only two photos of him known to exist, and friend

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