Tag: Easter

  • Easter Sunday Cathedral Soundscapes

    Easter Sunday Cathedral Soundscapes

    Happy Easter, everyone! I’ve been all wrapped up with Easter activities for most of the day, so I’m only just getting around to extending the invitation for you to cap off your Sunday by joining me on “The Lost Chord” for an hour of pieces inspired or influenced by cathedrals.

    We’ll hear Jennifer Higdon’s “blue cathedral” (all lower-case), from 1999, commissioned by the Curtis Institute of Music in honor of its 75th anniversary. The work is dedicated to the memory of Higdon’s younger brother, Andrew Blue. In the writing of the piece, she imagined a journey through a glass cathedral in the sky, with transparent walls and crystal pillars, through which clouds and endless expanses of blue are visible.

    Guitarist-composer Agustin Barrios wrote “La Catedral” (“The Cathedral”) in 1921, after having heard music of Johann Sebastian Bach performed on the organ of the cathedral of San Juan Bautista de las Misiones in his native Paraguay.

    Englishman Joby Talbot composed “Path of Miracles” in 2005. The work – dedicated to the memory of his father, Vincent – was written on a commission from the vocal chamber group Tenebrae. Its four movements reflect stops along the medieval pilgrimage route to Santiago. The third of these, an evocation of León Cathedral, is imagined as a kind of “Lux Aeterna,” the interior of the space bathed in light.

    Finally, American composer Adolphus Hailstork recollected his experiences as a child chorister at the Cathedral of All Saints in Albany, New York, when he came to write his “Sonata da Chiesa” (“Church Sonata”) in 1992. Hailstork, composer-in-residence at Old Dominion University in Norfolk, Virginia, conceived the work’s seven vibrant sections – “Exaltation,” “O Great Mystery,” “Adoration,” “Jubilation,” “O Lamb of God,” “Grant Us Thy Peace,” and “Exaltation” – for string orchestra, providing a joyous conclusion to the hour.

    I hope you’ll join me for “Master Builders” – architects of cathedrals in sound – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTO: The vaulted ceiling of León Cathedral

  • Vaughan Williams Easter Songs Review

    For me, it’s never Easter until I listen to Vaughan Williams’ “Five Mystical Songs” with John Shirley-Quirk. Especially the first one, titled – appropriately enough – “Easter.”

  • Happy Easter Vaughan Williams’ Mystical Songs

    Happy Easter Vaughan Williams’ Mystical Songs

    Happy Easter!

    Look who’s in this week’s Country Life. Some-bunny very special, for his sesquicentenary (Vaughan Williams, born October 12, 1872).

    https://www.countrylife.co.uk/out-and-about/theatre-film-music/in-focus-vaughan-williams-the-composer-who-wrote-the-worlds-most-beautiful-melody-237631?fbclid=IwAR2TjTSnOUlQ74njTfvc1HaGWY7K1eXwTqUUzDEdB4dQAPT5iKLP_1U-xH0.

    To me, it’s never really Easter, until I listen to John Shirley-Quirk and the Choir of King’s College, Cambridge, sing RVW’s “Five Mystical Songs,” which opens with – appropriately enough – “Easter.”

  • Happy Easter Celebrate with Music

    Happy Easter Celebrate with Music

    Happy Easter, everyone!

    If we were to do a quick free association on the topic, I would venture to guess it wouldn’t be long before someone mentioned “Easter Parade.”

    Here’s a somewhat lesser-known Irving Berlin classic. All the eggs this morning are sunny-side up!

  • Easter Music Vaughan Williams and More

    Easter Music Vaughan Williams and More

    Rise heart; thy Lord is risen!

    For me, it just isn’t Easter until I’ve heard Ralph Vaughan Williams’ “Five Mystical Songs.” I defy anyone not to be uplifted by the opening song of the cycle, titled, appropriately enough, “Easter.” The songs are settings of poems by George Herbert (1593-1633).

    This Sunday night on “The Lost Chord,” we’ll enjoy a classic performance, with bass-baritone John Shirley-Quirk, as part of a program devoted to music inspired by the 17th century metaphysical poets.

    We’ll also hear William Alwyn’s “Lyra Angelica” of 1954, a harp concerto inspired by Giles Fletcher’s epic poem of 1610, “Christ’s Victorie and Triumph.” The composer regarded it as his most beautiful piece, and I am inclined to agree. The work likely received its widest exposure when Michelle Kwan elected to skate to it during the 1988 Olympics.

    Finally, we’ll have a lute song by John Hilton, setting poetry by John Donne, “Wilt thou forgive that sinne.” It’s from an album on the Harmonia Mundi label, titled “The Rags of Time.”

    I hope you’ll join me for “Donne Deal” – an hour of metaphysical therapy – this Easter Sunday at 10 p.m. EDT, on WWFM – The Classical Network and wwfm.org.


    Vaughan Williams’ “Easter,” from “Five Mystical Songs”:

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