Tag: Film Score Monthly

  • Film Score Monthly Memories and Back Issues

    Film Score Monthly Memories and Back Issues

    Anybody else remember Film Score Monthly?

    It’s a film score magazine that’s existed in many forms over the years. It was begun basically as a pamphlet; then it was expanded into a black-and-white print magazine; then it went glossy. Finally, like everything else, it went online.

    The magazine was founded by Lukas Kendall in June 1990, when he was still a student at Amherst. After he graduated, Lukas relocated to Los Angeles, and FSM really upped its game. Many of the great living film composers were friends of the magazine and granted interviews over the years, and a number of the writers, now authorities in the field, have gone on to other things.

    I stumbled across this back-issue from April 1994 (the black-and-white cover days), for which I provided two CD reviews. One of them is for a release appropriate to the season, so I am sharing it here. Maybe I was a little hard on the content. For broadcast purposes, it’s given me moderate enjoyment in small doses, but on a scale of 1 to 5, I think 2 is probably about right. Maybe I’d give it a 3 now, though the running time is ridiculously short. People who were familiar with the original record were going to buy it anyway.

    I know I received at least one letter from a disgruntled Hans J. Salter fan. And I mean a physical letter, since this was before everyone lived on the internet.

    At a point, FSM expanded into producing its own film score CDs, 250 limited edition discs of diverse fare from the ‘40s, ‘50s, ‘60s & ‘70s, for which I will be forever grateful. Many of these are now available only on the collector’s market at astronomical prices, but you can still pick up some of the titles for around $15-$20. Good luck getting the rest!

    I hasten to point out, Film Score Monthly still exists, as a website. I haven’t really followed it for some time now, but I know “Picture Perfect” has been mentioned on its message board.

    Back issues of the print incarnation of the magazine are archived online to read free of charge.

    https://www.filmscoremonthly.com/fsmonline/backissues_print.cfm?

    Here’s the current digital issue:

    https://www.filmscoremonthly.com/daily/index.cfm

    Lukas now has his own blog, full of interesting and often nostalgic observations on film, music, pop culture, and fandom. You can check it out here:

    https://www.lukaskendall.com/blog

    Some affordable FSM CDs still available from Screen Archives Entertainment:

    https://www1.screenarchives.com/display_results.cfm/category/317/Film-Score-Monthly/

    Listen to Dick Jacobs’ atmospheric (and campy) “Themes from Classic Science Fiction, Fantasy and Horror Films” here:

  • Circus Movie Music Picture Perfect on WWFM

    Circus Movie Music Picture Perfect on WWFM

    Ladies and gentlemen! Boys and girls! Children of all ages! May I have your attention, please?

    Step right up! This week on “Picture Perfect,” it’s music from movies about the circus!

    In 1964, George Pal produced and directed an adaptation of Charles G. Finney’s dark fantasy novel, “The Circus of Dr. Lao.” “7 Faces of Dr. Lao” was envisaged as a real showcase for its star, Tony Randall, who plays not only the mysterious proprietor of an itinerant Old West circus, but also Merlin the Magician, the great god Pan, a Serpent, the fabled monster Medusa, the blind fortune-teller Appolonius of Tyana, and the Abominable Snowman!

    The unusual score is by Leigh Harline, who freshens up tropes of the American Western by applying some Eastern spice. We’ll hear selections from the film’s original elements, remastered for the Film Score Monthly label.

    We’ll also have music from two Academy Award winners: Cecil B. DeMille’s “The Greatest Show on Earth,” voted Best Picture of 1952, with a score by Victor Young, and Federico Fellini’s “La Strada,” Best Foreign Language Film of 1956, with music by Nino Rota.

    Malcom Arnold wrote the music for “Trapeze,” Carol Reed’s 1956 love triangle on high (with Burt Lancaster, Tony Curtis, and Gina Lollobrigada), and Danny Elfman understands that every day’s a circus for Paul Reubens in “Big Top Pee-Wee,” from 1988. I know you are, but what am I?

    Finally, with Halloween right around the corner, I couldn’t resist including a suite from Hammer Film Productions’ “Vampire Circus,” from 1972. The composer is David Whitaker, of “The Sword and the Sorcerer” cult status.

    Music for the circus takes center ring, on “Picture Perfect,” music for the movies, now at its new time, this SATURDAY EVENING AT 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

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