Tag: Franz Waxman

  • Elsa Lanchester Bride of Frankenstein Birthday

    Elsa Lanchester Bride of Frankenstein Birthday

    Happy birthday, Elsa Lanchester!

    Just watched this classic flick again the other night. One of the greatest sequels ever made, the “Godfather Part II” of Frankenstein films.

    How I love the creation sequence from Franz Waxman’s brilliant score:

  • Isaac Stern A Life in Music

    Isaac Stern A Life in Music

    On the 100th anniversary of his birth, here’s “Isaac Stern, Life’s Virtuoso,” a documentary that aired on PBS’ “American Masters,” back in the year 2000. The narrator is Meryl Streep.

    I believe that’s Franz Waxman at the piano behind the end credits. Stern worked with Waxman on the Joan Crawford-John Garfield melodrama “Humoresque” (for which Waxman arranged his “Carmen Fantasy”). Stern’s hands can be seen in the film whenever Garfield’s character plays.

    https://www.youtube.com/watch?v=RiqroKOZzpw

    The Istomin-Stern-Rose Trio in music by Franz Schubert:

    Stern plays Bach:

    Stern plays Barber:

    Stern on “The Jack Benny Program”:


    Stern in a photo inscribed to Carnegie Hall, an institution he would save from the wrecking ball ten years later.

  • Viking Movie Music Hour of Runes and Tunes

    Viking Movie Music Hour of Runes and Tunes

    We’ve got the need for mead!

    It’s an hour of swords and fjords this week, on “Picture Perfect,” as we travel north for music from movies about the Norsemen.

    In “The Long Ships” (1963), two Viking brothers, played by the unlikely pair of Richard Widmark and Russ Tamblyn, make off with a king’s funeral ship – and the king’s daughter – as they set sail on a quest for the fabled “Mother of Voices,” an enormous solid gold bell – also coveted by a Moorish prince, played by Sidney Poitier. Needless to say, camp value is high. The music for this British-Yugoslavian production is by the Serbian composer Dusan Radic.

    “Prince Valiant” (1954), based on the enduring comic strip by Hal Foster, is set in the days of King Arthur, though Val himself is a Viking prince of the kingdom of Scandia. And indeed Vikings play an important role in the film. Victor McLaglen is Val’s Viking pal Boltar, Janet Leigh is Princess Aleta, James Mason the villainous Sir Brack, and Sterling Hayden a ridiculous Gawain. Robert Wagner dons the signature page-boy haircut.

    The score is every bit as vivid as the film’s Technicolor. We’ll hear selections from a very special recording, with the composer himself, Franz Waxman, conducting.

    Michael Crichton’s 1976 novel, “Eaters of the Dead,” presents an unlikely, fish-out-of-water alliance, between historic Persian ambassador of the 10th century, Ahmad ibn Fadlan, and a band of Vikings. They overcome their cultural differences to face off against the Wendol, humanoid creatures who periodically emerge from the mist to feed on human flesh.

    Crichton’s story was filmed in 1997 and ultimately released as “The 13th Warrior” (1999), with Antonio Banderas as Ibn Fadlan. The production was plagued by misfortune. The original director, John McTiernan, who found success with “Die Hard,” was fired for running over-budget, and Crichton himself was brought in to re-shoot a number of the scenes. Nevertheless, the film proved to be a box office failure. But any movie to feature a Jerry Goldsmith score – and Vikings! – can’t be all bad.

    The legendary Jack Cardiff, who actually directed “The Long Ships,” provided the stunning cinematography for “The Vikings” (1958). The film stars Kirk Douglas, Tony Curtis, Janet Leigh, and Ernest Borgnine. Although unintentionally amusing on several levels, “The Vikings” is highly regarded for its attention to detail and stabs at historical accuracy – particularly in regard to its Viking dragon boats.

    Also impressive is the haunting score by Mario Nascimbene, which we’ll hear in a digital re-recording, issued on the Prometheus Records label, featuring the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine. The recording is like mead from Valhalla.

    I hope you’ll join me for an hour of runes and tunes. It’s the perfect mix-tape for your dragon boat. Set sail with the Vikings, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Franz Waxman’s Hilarious New Year’s Party Piece

    Franz Waxman’s Hilarious New Year’s Party Piece

    Franz Waxman, of course, was one of the great film composers. His music can be heard in “The Bride of Frankenstein,” “Rebecca,” “The Philadelphia Story,” “Sunset Boulevard,” “A Place in the Sun,” “Rear Window,” “Peyton Place,” “The Spirit of St. Louis,” and dozens of others.

    It was customary that Waxman and his family would get together with their neighbors, the Jascha Heifetzes, to welcome the new year with an evening of chamber music. Other guests on these occasions would include violist William Primrose and cellist Gregor Piatigorsky.

    Mainstream classical fare would dominate the festivities until the countdown to midnight. With the turn of the year, the musical selections would become a bit more frivolous.

    Waxman composed his “Auld Lang Syne Variations” in 1947, for one such gathering. This party piece sends up the traditional New Year’s anthem in the styles of several well-known composers.

    Feel free to play along and test your musical knowledge. You’ll find further clues in the work’s subtitles, listed below the video. One can only imagine Heifetz stepping out in “Chaconne a Son Gout.”

    Happy New Year!

  • Boris Karloff Tea Time Bride of Frankenstein Music

    Boris Karloff Tea Time Bride of Frankenstein Music

    31 DAYS OF HALLOWEEN (DAY 27)

    4:00. Tea time with Boris Karloff.

    Pour yourself a cuppa and enjoy Franz Waxman’s music for “The Bride of Frankenstein:”

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