Tag: Friedrich Hollander

  • Madness & Movie Music The Piano’s Dark Side

    If the definition of insanity is doing the same thing over and over and expecting a different result, then surely Hanon etudes are a ticket to the madhouse.

    This week on “Picture Perfect,” get keyed-up with music from movies about madness and the piano.

    Whenever he hears a loud, discordant sound, unhinged pianist-composer Laird Cregar is compelled to commit murder, in the 1945 film “Hangover Square.” Bernard Herrmann wrote the moody, romantic score, which includes a piano concerto, played by Cregar’s character during the film’s conflagration finale.

    Peter Lorre is an unstable musicologist who is haunted by the disembodied hand of a murdered pianist with a penchant for Brahms’ arrangement of Bach’s Chaconne, in “The Beast with Five Fingers,” from 1946. Max Steiner was the composer. The hand is played by concert pianist Victor Aller, brother-in-law of Felix Slatkin and Leonard Slatkin’s uncle.

    Alan Alda plays a frustrated pianist who falls in with a ring of Satanists, in “The Mephisto Waltz” from 1971. This time, Jerry Goldsmith blends Franz Liszt with amplified instruments and electronics to memorably eerie effect. Five years later, Goldsmith would win his only Academy Award for his music to “The Omen.”

    Finally, Hans Conried plays a dictatorial pedagogue in “The 5,000 Fingers of Dr. T,” released in 1953. “5,000 Fingers” holds the distinction of being the only feature ever written by Dr. Seuss. The film sports an outrageous production design (including a gargantuan keyboard for 500 enslaved boys) and whimsical songs.

    The composer was Frederick Hollander. Born in London, Hollander attained fame in Germany as Friedrich Hollander. His best-known international success was “The Blue Angel,” starring Marlene Dietrich, who introduced his song, “Falling in Love Again.” With the rise of the Nazis, Hollander fled to the United States, where he worked on over 100 films.

    We go crazy for the keyboard this week. Practice makes psychotic on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Madness and Piano Movie Music

    Madness and Piano Movie Music

    This week on “Picture Perfect,” practice makes psychotic, as we listen to music from movies about madness and the piano.

    Laird Cregar plays an unhinged pianist-composer, who, whenever he hears a loud, discordant sound, is compelled to commit murder, in the 1945 film “Hangover Square.” Bernard Herrmann wrote the moody, romantic score, which includes a piano concerto, played by Cregar’s character during the film’s conflagration finale.

    Peter Lorre is an unstable musicologist who is haunted by the disembodied hand of a murdered pianist with a penchant for Brahms’ arrangement of Bach’s Chaconne, in “The Beast with Five Fingers,” from 1946. Max Steiner wrote the music. The piano is played on the film’s soundtrack by Victor Aller, the brother-in-law of Felix Slatkin, and therefore Leonard Slatkin’s uncle.

    Alan Alda plays a frustrated pianist who falls in with a ring of Satanists, in “The Mephisto Waltz” from 1971. This time, Jerry Goldsmith blends Franz Liszt with amplified instruments and electronics to memorably eerie effect. Five years later, Goldsmith would win his only Academy Award for his music to “The Omen.”

    Finally, Hans Conried plays a dictatorial pedagogue in “The 5000 Fingers of Dr. T,” released in 1953, which holds the distinction of being the only feature film written by Dr. Seuss. The film features outrageous production design (including a gargantuan keyboard for 500 enslaved boys) and whimsical songs.

    The composer was Frederick Hollander, born in London. Hollander came to fame in Germany as Friedrich Hollander. His best-known international success was with “The Blue Angel,” with Marlene Dietrich, who introduced his song, “Falling in Love Again. With the rise of the Nazis, Hollander fled to the United States, where he worked on over 100 films.

    Join me for madness and the piano this week, on “Picture Perfect,” music for the movies, this Friday evening at 6 ET. In case you haven’t heard, the show will now repeat Saturday mornings at 6. (It ought to be a real treat to hear “The Mephisto Waltz” at that hour!) If you’re still not able to listen, you can catch it later as a webcast at http://www.wwfm.org.

Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (126) Film Score (143) Film Scores (255) Halloween (94) John Williams (189) KWAX (229) Leonard Bernstein (101) Marlboro Music Festival (125) Movie Music (141) Mozart (87) Opera (203) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (107) Radio (87) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS