Tag: Ghostbusters

  • ’84 Summer Nostalgia Indy Ghostbusters and Growing Up

    ’84 Summer Nostalgia Indy Ghostbusters and Growing Up

    Despite the sporadically hot weather, somehow the summer has really crept up on my me. But then, time moves very quickly anymore. I spoke with my college-age nephew on Tuesday and he had just completed the last of his final exams. I’d forgotten how long college summers were! And then yesterday, while scrolling on Facebook, I saw that somebody noted that it was 40 years to the day since the release of “Indiana Jones and the Temple of Doom.” I don’t know why this hit me with such force. I am a nostalgic person by nature, so I am very much aware of the passage of time. But I guess since 1984 was really my last summer of uncomplicated freedom, it carries a little more significance than usual.

    Looking back, movie-wise, that summer turned out to be the last and least of our high school summers, but that doesn’t mean I didn’t go to the movies all the time and that I wasn’t entertained.

    Funny, looking at a list of the releases now, I realize what a weak summer it was, next to those of the earlier ’80s. Indy will always be closest to my heart, of course, although this one was the shakiest of the ’80s trio. It’s still like “Citizen Kane” next to “Indiana Jones and the Dial of Destiny,” proving that even the disappointing movies back then were better than anything being made now! And John Williams’ music, as it so often was, was the soundtrack to my summer.

    It was also the summer of “Ghostbusters,” of course, and “Splash” was fun, if slight. I was really looking forward to “Greystoke,” which was entertaining (it was beautifully mounted and Ian Holm was great), but it seems like someone must have edited the hell out of it. I’m not a fan of “directors’ cuts,” but this one could have really used one. Again, “Gremlins” was entertaining, but even then I knew it was slick, sick trash. By then, the Spielberg formula was well-worn, and this one skimmed very close to the surface. (It should be noted that this was the summer that led to the PG-13 rating, due to the mounting intensity of movies marketed to the young.)

    “Star Trek III,” though a step down from “Khan,” on which it heavily relied, got the job done. Poignantly (and all-too-appropriately, with the frontiers of youth dwindling), the Enterprise goes down in flames. “Buckaroo Banzai” was self-consciously hip, and again entertaining, but not all that it could have been. “Romancing the Stone” (actually released in March) was okay. Again, entertaining, but pretty disposable. I’m glad it gave Zemeckis a boost, but it was no Indiana Jones. At least it took a different approach (and to be honest, it was more consistent than “Temple of Doom”).

    But of course it was the off-screen adventure and romance that really resounded. It would be our last hurrah before the old gang was disbanded, our American Graffiti summer. People continued to return from school for holidays and for a good portion of the summer of ’85, of course, but soon other opportunities, interests, and friendships began to present themselves, and we saw one another less and less, and then everyone started to get jobs and get into relationships and gradually disappear from our Neverland. Believe me, I extended my childhood as long as any person possibly could. But there was much weight on my heart back then, nostalgia and longing and melancholy, and much torment in my soul, if I ever tried to rewatch the movies I’d watched during my school years or revisit the stories I’d written.

    Of course, my mother was still alive and the house continued to function pretty much as it always had. Hard to believe that we moved in only in the summer of ’83, before my senior year of high school. But I returned to it whenever I could, on weekends and holidays, through the time I opened my own business and started working at the radio in 1995.

    After that, my attic bedroom gradually became a storage space, a dumping ground for old clothing, curtains, bins of wrapping paper, boxes of photos. To revisit now is like taking a submersible through the wreckage of the Titanic, everything perfectly preserved under layers of sand and coral. I need to finish cleaning that place out. I’ve already retrieved some of my most valued items, but I’ve even got shoes and clothing up there from back-in-the-day, which really should go. Do I have the heart to get rid of it? Every piece of bric-a-brac is loaded with memory.

    I know I said much the same thing a couple of years ago, when recollecting the summer of ‘82, but when I die, if there’s a heaven, and they let me in, I hope it’s an awful lot like the early ‘80s.

  • Ghost Busters 1975 & Ed Wood Week Podcast

    On last night’s show about “The Ghost Busters” (1975 – not 1984), we ruminate on Saturday morning cartoons, the Bowery Boys, Vaudeville, and Charles Nelson Reilly. Our special guest, Roy’s son, Ryan Bjellquist-Ledger, lends his own perspective as our millennial correspondent.

    I hope you’ll join us next time for Ed Wood Week. First, Michael Rizzo and Marybeth Ritkouski will host Roy and me on their show, “Sci-Fi Distilled,” for a discussion about Tim Burton’s “Ed Wood” (1994), Wednesday at 7 pm EDT.

    Then it will be our turn to host Mike and Marybeth, when we talk about Wood’s most notorious creation, “Plan 9 from Outer Space” (1959) – invariably categorized as one of the worst movies ever made – on “Roy’s Tie Dye Sci Fi Corner,” Friday at 7 pm EDT.

    What kind of Wood doesn’t float? Tune in for our protracted responses. Our respective shows livestream on Facebook next Wednesday and Friday at 7 pm!

    For “Ed Wood”: SciFi Distilled

    For “Plan 9”: Roy’s Tie-Dye Sci-Fi Corner

    Remember: future events such as these will affect you in the future!

  • Spooky Movie Soundtracks for Halloween

    Spooky Movie Soundtracks for Halloween

    This week on “Picture Perfect,” for Halloween, keep your spirits up – quite literally – with selections from cinematic ghost stories.

    Ray Milland and Ruth Hussey play a London music critic and his sister, respectively, who purchase a desolate house along the Cornish coast, in “The Uninvited” (1944). There, they encounter chilling spectral manifestations and a kind of possession, in which the daughter of the former inhabitants struggles against self-destructive impulses.

    Milland provides so much levity at times that it seems almost as if he’s in another picture, but the moody atmosphere, eerie special effects, and expert pacing deliver. Also, the film features Cornelia Otis Skinner as the malevolent director of a sanatorium, whose character provides an interesting subtext.
    It remains one of the best haunted house films ever made. Victor Young’s score yielded the popular standard, “Stella by Starlight.”

    Michael Keaton is given license to run amok in fright makeup, in Tim Burton’s haunted house comedy “Beetlejuice” (1988), a film that also stars Alec Baldwin and Geena Davis. Danny Elfman’s score betrays the usual Nino Rota influence, in this case tempered by a little Stravinskyian fiddle music and some clarinet licks straight out of Raymond Scott. (Think “Powerhouse.”)

    “Poltergeist” (1982) is, at times, more of a rollercoaster ride than a haunted house film, in the classic sense. Still, despite an over-reliance on special effects, it manages to achieve one or two moments of classic Spielbergian awe. It was Steven Spielberg’s first project as a producer, and released only a week before his masterpiece, “E.T. The Extra-Terrestrial.” Jerry Goldsmith wrote the music, and I think we can all agree, there’s nothing creepier than laughing children.

    Though “Poltergeist” turned out to be one of the highest-grossing films of 1982, its profits were dwarfed by those of a ghostly comedy from two years later. “Ghostbusters” (1984) was like a license to print money. Bill Murray, Dan Aykroyd, and Harold Ramis play a trio of parapsychologists who don jumpsuits and use high-tech vacuum cleaners to rid New York City of supernatural threats. The team’s off-beat chemistry does much to contribute to the film’s genial goofiness.

    Everyone remembers the pop song (“Who you gonna call?”), but few remember Elmer Bernstein’s orchestral underscore. At this stage of his career, Bernstein – who wrote music for such classics as “The Ten Commandments,” “The Magnificent Seven,” and “To Kill a Mockingbird” – had become associated with comedy, thanks to the success of films like “Animal House,” “Airplane,” and “Stripes.” The score to “Ghostbusters” is notable for its use of the ondes Martenot, an electronic keyboard instrument that sounds an awful lot like the theremin, and also the Yamaha D-X7 synthesizer.
    The bridge is out… you’ll have to spend the night. Steel your nerves for music from cinematic ghost stories, this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org!


    Trick or treat! And THANK YOU to everyone who contributed to WWFM’s fall membership campaign. It’s because of listeners like you that The Classical Network is able to bring you homegrown specialty shows like “Picture Perfect.” If you haven’t had a chance to contribute and have been meaning to do so, you can still make your donation online at wwfm.org. Thanks again, and happy Halloween!

    https://wwwfm.secureallegiance.com/wwfm/WebModule/Donate.aspx?P=DEFAULT&PAGETYPE=PLG&CHECK=vOU2bz5JCWmgCDbf53nm9ezWDeZ%2beA1M

  • Spooky Halloween Music WWFM Fall Fundraiser Ends

    Spooky Halloween Music WWFM Fall Fundraiser Ends

    It’s heeeere… the final day of our fall fundraiser. Make your donation to WWFM now, because tomorrow it will be a ghost town!

    This week on “Picture Perfect,” we’re all about hauntings and specters for Halloween. Join me, if you dare, for otherworldly music from “The Uninvited” (Victor Young), “Beetlejuice” (Danny Elfman), “Poltergeist” (Jerry Goldsmith), and “Ghostbusters” (Elmer Bernstein). We’ll keep our spirits high, this Saturday evening at 7:00 EDT.

    In the meantime, who you gonna call? Us, I hope, at 1-888-232-1212, or contribute online at wwfm.org.

    Thank you for your support of WWFM – The Classical Network! Without you, we wouldn’t stand a ghost of a chance.

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