The gap to Pazuzu remains unbridgeable! I am sorry to announce that once again we have to postpone our discussion of “The Exorcist.” And since next Sunday is our annual Halloween crossover celebration with Mike and Marybeth of SciFi Distilled (during which we’ll talk about the 1985 film “Fright Night”), the postponement is indefinite. We will cover “The Exorcist” at some point in the near future. Perhaps I’ll try to convince Roy to make it our Christmas movie! In the meantime, if you’re desperate for a taste of tie-dye, you can scroll through our archived shows at Roy’s Tie-Dye Sci-Fi Corner. Keep the holy water handy. We hope to see you for “Fright Night,” next Sunday evening at 7:00 EDT!
Tag: Halloween
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Charles Ives Halloween Music Birthday Tribute
For Charles Ives’ birthday, here are two Halloween-related pieces. And you can listen to them both in just over three minutes.
First, my favorite recording of “Hallowe’en” (1907), in its original version for string quartet and piano, since it actually includes the bass drum. Ives later orchestrated the work, but it just ain’t the same. The composer wrote, “It’s a take-off of a Halloween party and bonfire – the elfishness of the little boys throwing wood on the fire, etc., etc… it is a joke even Herbert Hoover could get.”
And then this wisp of a song, “Slugging a Vampire” (1902). The music was originally composed to Rudyard Kipling’s poem “Tarrant Moss,” but permission to use Kipling’s text had not been obtained by the time Ives’ “114 Songs” were to go to press. So Ives just included the first few words and left the rest of the voice-part blank.
“114 Songs” went through two editions and was reprinted in 1975, all without Kipling. When the composer later published “Nineteen Songs” in 1935, he decided to reuse the music, but this time he made up his own text. The result is like having consumed tainted Smartees from your trick-or-treat loot before your parents had a chance to check your candy.
This is a guy who really understood Halloween. Happy birthday, Charles Ives!
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Halloween Tricks Treats at Captain Phil’s WUSB
I’ve been invited to beam down to Captain Phil’s Planet (of the Vampires) this afternoon to be his guest on WUSB, the radio station of Stony Brook University. Therefore, I’ve been hastily compiling sound files of some Halloween tricks and treats. Nobody told me there would be costumes! Join us today for an engaging and amusing mix of music and conversation, as we sip our elderberry wine and arsenic, from 3:00 to 5:00 p.m. EDT!
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Saint-Saëns’ Danse Macabre Halloween Classic
I don’t care how stealthily one creeps through the graveyard at midnight. You won’t get through the Halloween season without encountering Camille Saint-Saëns’ “Danse Macabre.”
Saint-Saëns, born on this date in 1835, originally set Henri Cazalis’ poem – about the personification of Death summoning the departed from their graves to cut a rug until cockcrow – as a chanson, or art song, for voice and piano in 1872. Two years later, he expanded it, putting some flesh on its bones and crafting it into the beloved symphonic poem, which has been a staple of Halloween programs ever since.
Someone married the classic 1937 cartoon short “Skeleton Frolic” – pretty well, I think – to the orchestral version.
It’s also used effectively in this modern trailer for the 1922 silent classic “Häxan.”
And featured prominently in this scene from Jean Renoir’s 1939 film “Rules of the Game.”
Here it is, in its original version. José Van Dam sings it, with Jean-Philippe Collard at the piano.
That’s celebrating Saint-Saëns‘ birthday, with some rather “grave” thoughts! Bon anniversaire, mon vieux!
Translation of the text, by Henri Cazalis:
Zig, zig, zig, Death in cadence
Striking a tomb with his heel
Death at midnight plays a dance-tune
Zig, zig, zag, on his violinThe winter wind blows, and the night is dark;
Moans are heard in the linden trees
White skeletons pass through the gloom
Running and leaping in their shroudsZig, zig, zig, each one is frisking
You can hear the cracking of the bones of the dancers
A lustful couple sits on the moss
So as to taste long lost delightsZig zig, zig, Death continues
The unending scraping on his instrument
A veil has fallen! The dancer is naked
Her partner grasps her amorouslyThe lady, it’s said, is a marchioness or baroness
And her green gallant, a poor cartwright
Horror! Look how she gives herself to him
Like the rustic was a baronZig, zig, zig. What a saraband!
They all hold hands and dance in circles
Zig, zig, zag. You can see in the crowd
The king dancing among the peasantsBut hist! All of a sudden, they leave the dance
They push forward, they fly; the cock has crowed
Oh what a beautiful night for the poor world!
Long live death and equality!
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