Tag: High Holy Days

  • Jewish Film Music for the High Holy Days

    Jewish Film Music for the High Holy Days

    This week on “Picture Perfect,” to coincide with the Jewish High Holy Days, we’ll have music from movies and television series depicting aspects of the Jewish experience.

    We’ll begin with “Exodus” (1960), based on the bestselling novel by Leon Uris, about the founding of the State of Israel. The book is said to have been the biggest seller in the United States since “Gone With the Wind.” The film was directed by Otto Preminger. Paul Newman and Eva Marie Saint led an all-star cast. Ernest Gold’s stirring music was recognized with an Academy Award and is probably his best-known achievement.

    Barry Levinson’s semi-autobiographical “Avalon” (1990) explores the immigrant experience and, for better or worse, the assimilation of a Jewish family into American life. Alongside his work on “The Natural,” Randy Newman’s score is probably one of his best-loved.

    We’ll round out the hour with music from two acclaimed television scores: for the NBC mini-series “Holocaust” (1978), written by the esteemed concert composer Morton Gould, and Emmy Award-winning music from the PBS series “Heritage: Civilization and the Jews” (1984), by John Duffy.

    I hope you’ll join me as we celebrate the Jewish experience this week, on “Picture Perfect” – music for the movies – this Friday evening at 6 ET, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.

  • Rosh Hashanah Music for the High Holy Days

    Rosh Hashanah Music for the High Holy Days

    L’shanah tovah! A little before the fact, maybe, but Rosh Hashanah, the Jewish New Year, begins at sunset.

    This Sunday night on “The Lost Chord,” we mark the High Holy Days, which encompass the observance of Rosh Hashanah and Yom Kippur – the Day of Atonement – with two complementary works.

    Jacob Weinberg’s String Quartet, Op. 55, of 1950, falls into three movements: “Rosh Hashana,” “Yom Kippur” and “Sukkot.” “Yom Kippur” is based on the familiar melody of the cantorial chant “Kol Nidre.” (You know, the one used by Max Bruch.)

    Ernest Bloch’s “Israel Symphony,” composed between 1912 and 1917, is more like an orchestral rhapsody, with its three sections – “Prayer in the Desert,” “Yom Kippur” and “Succoth” – played continuously and capped by parts for vocal soloists.

    Sukkot, which begins shortly after Yom Kippur, is the harvest festival which commemorates the period following the Exodus, when the Jews erected temporary dwellings, or sukkot, during their wanderings in the desert.

    The High Holy Days are a time of reflection, ten days of awe and repentance. I hope you’ll join me for “Totally Awesome,” tonight at 10 ET, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at wwfm.org.

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