Tag: Inocente Carreño

  • Post-Christmas Classical Hump Day Birthday Mix

    Post-Christmas Classical Hump Day Birthday Mix

    Wednesday afternoon. It’s a holiday hump day.

    The Christmas music is mostly passed, and it’s not quite yet New Year’s. I am laboring under a post-Christmas fog brought on by multiple days of sleep-deprivation. Best simply to celebrate the birthdays today of German Romantic composer Julius Rietz, the late Venezuelan master Inocente Carreño (who died in June), and Mannheim composer Christian Cannabich.

    I’m sure there will also be something for Hanukkah along the way. I may even share selections from one or two of my stocking stuffers.

    If you’re at home this week and have the luxury to kick back, you may find something conducive to your relaxation, when you tune in this afternoon between 4 and 7:00 EST to WWFM – The Classical Network and wwfm.org.

  • Inocente Carreño Venezuelan Composer Dies at 96

    Inocente Carreño Venezuelan Composer Dies at 96

    This just in from the I-Had-No-Idea-He-Was-Still-Alive Department:

    Venezuelan composer Inocente Carreño has died at the age of 96. Though you have to dig deep in order to find much information about him in English, he was regarded as Venezuela’s national composer. His brother, Francisco, was a noted specialist in folklore, and the two used to play guitar with their sisters, as Inocente explored the popular forms of joropos, meringues, waltzes, rumbas, tangos, and boleros.

    He attained prominence as both a composer and an educator, founding a music school and advocating for the arts. Over the course of his illustrious career, he was showered with awards, while he wrote symphonies, symphonic poems and other orchestral works, as well as vocal, chamber and instrumental music.

    In 1954, he composed his most famous work, “Margariteña.” A tribute to his homeland, the main theme was inspired by the folk song “Margarita is a tear.” Other traditional melodies are woven into the work’s impressionistic tapestry, so that the piece is regarded as a classic of musical nationalism.

    Carreño remained active into his 90s. Descansar bien, mi amigo.


    Carreño championed by The Dude:

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