In “It’s a Wonderful Life,” Lionel Barrymore plays heartless Old Man Potter, a modern-day Scrooge, who views his fellow citizens of Bedford Falls as so much grist to be ground for his own profit. Barrymore the man, however, was full of generous human qualities, with a great enthusiasm and aptitude for the arts. I’d long known that he was also a composer, but it is only in doing a YouTube search this week that I discovered a broader cross-section of his output than the last time I checked, now perhaps six years ago.
Barrymore was born in Philadelphia in 1878. He was, of course, part of a venerable acting dynasty that also included his famous siblings, John and Ethel Barrymore. He’s also the great-uncle of Drew Barrymore.
He was especially fine in character roles, playing a variety of them on screen, in retrospect perhaps most memorable for his curmudgeons. He played the irascible Dr. Gillespie in the “Doctor Kildare” movies of the 1930s and ‘40s. He was Ebenezer Scrooge in annual radio broadcasts of “A Christmas Carol.” Of course, he is probably most familiar these days as the soul-crushing capitalist Mr. Potter. He was honored with an Academy Award for Best Actor for his performance in “A Free Soul” in 1931.
Despite his natural aptitude and widely acknowledged success in the field, it had never been his ambition to act. Instead, he was interested in being a visual artist. He even trained in Paris, and his prints and etchings were widely circulated.
As a composer, several of his piano works were published. His “Tableau Russe” was played, in both its piano and orchestral versions, in the film “Dr. Kildare’s Wedding Day.” His orchestral piece, “In Memoriam,” written to the memory of his brother John, was performed by the Philadelphia Orchestra. He also wrote an historical novel, “Mr. Cantonwine: A Moral Tale.”
Barrymore died in 1954. He had suffered from crippling arthritis for decades, which is why you’ll generally see him a wheelchair in most of his later films. He also broke his hip twice. He required morphine and cocaine to get through a shoot and to get to sleep at night. It was only through frequent injections of painkillers that he was able to get through “You Can’t Take It with You” on crutches.
Barrymore’s “Halloween Suite” can be heard here, beginning at the 36-minute mark. Barrymore is the narrator. Mario Lanza also appears on the concert. Miklós Rózsa conducts.
More ambitious is a Piano Concerto, the first movement of which is posted here
Barrymore’s “Fugue Fantasia”
“In Memoriam John Barrymore”
“Tableau Russe,” as heard in “Dr. Kildare”
Barrymore etchings
https://hotcore.info/babki/lionel-barrymore-etchings.htm
Some of his paintings recall classic illustration
https://www.artnet.com/artists/lionel-barrymore/
A sample of his still lifes
https://www.artsy.net/artwork/lionel-barrymore-still-life-in-a-brown-bucket
Artistic renderings of Barrymore, mostly by other hands
http://lionelbarrymore.blogspot.com/2016/12/look-ned-its-lionel-bizarre-barrymorish.html
Music for the ages? Who cares? I would be the first in line if Naxos were to put out such an album.
PHOTOS (counterclockwise from top) As Old Man Potter; as himself; behind the scenes of “Rasputin and the Empress” (1932), the only film he ever made with both his siblings; and at lunch with fellow composers Eugene Zador, Charles Wakefield Cadman, Nat Finston, Mario Castelnuovo-Tedesco, and Daniele Amfitheatrof.
