Tag: Jacques Lacombe

  • NJSO Shakespeare Festival Lacombe’s Finale

    NJSO Shakespeare Festival Lacombe’s Finale

    Now is the winter of our discontent made glorious summer, not by the son of York, but by the New Jersey Symphony Orchestra and its enterprising music director, Jacques Lacombe. For the second year in a row, Lacombe and the NJSO will present “Sounds of Shakespeare,” the sixth of the organization’s Winter Festivals to take place under his supervision.

    Next weekend will bring a Berlioz double-bill, with the “Symphonie fantastique,” followed by its seldom-heard sequel, “Lélio.”

    The program is “sort of ‘sideways inspired by Shakespeare,’” Lacombe says. “When Berlioz wrote ‘Symphonie fantastique,’ he was fascinated by a Shakespearean actress. At the end of the symphony, it’s sort of like his life is a total mess. The subtitle of ‘Lelio’ is ‘The Return to Life.’ The artist finds redemption in the creation of a fantasy on ‘The Tempest.’’”

    The weekend after that, the NJSO will join with the Shakespeare Theatre of New Jersey to present “A Midsummer Night’s Dream” with Mendelssohn’s complete incidental music.

    The performances will mark the final area appearances (in Princeton and New Brunswick) to feature Lacombe as NJSO music director. The orchestra will return under an assortment of guest conductors throughout the spring, but the remainder of Lacombe’s concerts this season will take place in the northern part of the state. He will be succeeded in the fall by Xian Zhang as the organization’s 14th music director.

    Find out more, including much on Berlioz’s over-the-top romantic escapades, in my article in today’s Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2016/01/classical_music_njso_announces.html

  • NJ Symphony Plays Shakespeare

    NJ Symphony Plays Shakespeare

    New Jersey Symphony Orchestra music director Jacques Lacombe promises to transform the winter of our discontent to glorious summer, with a great deal more than the lascivious pleasing of a lute. The orchestra will embark on a three-week musical exploration of Shakespeare-inspired works, January 9-25, including an appearance at Princeton’s Richardson Auditorium, on January 16, and two performances at the State Theatre in New Brunswick, on January 10 & 25.

    Violinist Sarah Chang will appear in all six venues that will be hosting the series (including NJPAC in Newark, bergenPAC in Englewood, the Count Basie Theatre in Red Bank, and the Mayo Performing Arts Center in Morristown), playing a suite by David Newman from Leonard Bernstein’s “West Side Story.” “West Side Story,” obviously, is a musical update of “Romeo and Juliet.”

    Also on the series will be such favorites as Tchaikovsky’s “Romeo and Juliet Fantasy Overture” and selections from Prokofiev’s ballet on the same subject, but also concert rarities such as Elgar’s “Falstaff,” Erich Wolfgang Korngold’s suite from “Much Ado About Nothing,” Sergei Taneyev’s completion of Tchaikovsky’s love duet from a projected opera on “Romeo and Juliet,” and selections from Samuel Barber’s “Antony and Cleopatra.”

    For more information, check out my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2014/12/classical_music_nj_symphony_or_1.html

    Be not afeard; the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices
    That, if I then had waked after long sleep,
    Will make me sleep again: and then, in dreaming,
    The clouds methought would open and show riches
    Ready to drop upon me that, when I waked,
    I cried to dream again.

    – “The Tempest,” Act III, Scene 2

  • Jacques Lacombe Leaves New Jersey Symphony

    Jacques Lacombe Leaves New Jersey Symphony

    Early morning appointments today prevented me from sharing the news that Jacques Lacombe will be stepping down as music director of the New Jersey Symphony Orchestra at the end of his current contract, in August 2016.

    From my point of view, Lacombe has been great for the orchestra, overseeing the New Jersey Roots Project (which celebrates composers with a Jersey connection), presenting world premieres by prominent figures, undertaking the NJSO Edward T. Cone Institute in Princeton (as a training program for young composers), implementing thematic winter festivals, and spearheading multidisciplinary events.

    In addition, he brought the orchestra to Carnegie Hall to perform the Busoni Piano Concerto with Marc-André Hamelin, on a concert which also featured works by Varèse and Weill, and set down a recording of “Carmina Burana” that had critics falling all over themselves in search of superlatives.

    The NJSO’s programming under Lacombe’s tenure was recognized with an ASCAP Award from the League of American Orchestras.

    Best wishes to Maestro Lacombe. The Canadian did fine work in New Jersey, but lacked the publicity machine – and perhaps the physics-defying energy – of his compatriot, Yannick Nézet-Séguin, whose tenure at the Philadelphia Orchestra has been trumpeted as the Second Coming. Fingers crossed that the NJSO finds as good a replacement.

    PHOTO: What time is it? Time to leave the NJSO.

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