Beethoven (1770-1827) and Jane Austen (1775-1817) share a birthday!
Although the two were contemporaries, they most certainly never met, although Jane’s family kept music books. 18 collections survive – 600 hundred pieces of sheet music – two of the volumes consisting of music copied out in Jane’s hand.
Beethoven doesn’t appear to have been a great favorite. Rather, the Austens gravitated more toward Clementi, Handel, Haydn, Mozart, Pleyel, and Thomas Arne (Jane painstakingly transcribed the overture to “Artexerxes”). Allegedly, in her novels, Austen mentions only one composer by name: Johann Baptist Cramer. I haven’t read enough of her books (only two, but working on a third), or kept notes, to be sure. But there are allusions to others.
The Austen family music books may be perused online, thanks to the University of Southampton. You’ll find access at the bottom of the page at the link:
https://www.southampton.ac.uk/news/2015/12/jane-austen-music-books.page
Gillian Dooley, who catalogued the contents, has written her own book, “She Played and Sang: Jane Austen and Music” (Manchester University Press, 2024), based on her research.
https://janeaustensworld.com/tag/austen-music-manuscripts/
Of perhaps related interest, Sony Classical recently released an album by Jeneba Kanneh-Mason, “Jane Austen’s Piano,” a recital of works Jane might have known, including music by Handel, Haydn, Kiallmark, and Cramer, as well as a transcription of some of Dario Marianelli’s music for the 2005 film adaptation, “Pride & Prejudice.”
https://www.kannehmasons.com/2025/10/03/jeneba-kanneh-masons-new-ep-jane-austen-piano-coming-december-2025-on-sony-classical/
Jane attended recitals in salon settings and opera performances at Covent Garden when visiting her brother in London. She herself played the piano for pleasure.
Happy 250th birthday, Jane Austen, and happy 255, Beethoven!
Tag: Jane Austen
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A Lot of Candles for Beethoven and Jane Austen
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Jane Austen at 250 on “Picture Perfect”
It is a truth universally acknowledged that a radio host in possession of a weekly film music show must be in want of a good theme. This week on “Picture Perfect,” we eschew the usual fare of Vikings, pirates, and dinosaurs, to enter the world Jane Austen, in anticipation of the 250th anniversary of her birth (on December 16, 1775).
We’ll hear Rachel Portman’s Academy Award winning score for “Emma” (1996), Patrick Doyle’s music for “Sense and Sensibility” (1995), and selections from two versions of “Pride and Prejudice,” with music by Dario Marianelli (2005) and Carl Davis (1995).
Not only do Austen adaptations sport amazing casts, the scores attract some of classical music’s star performers. Listen in for contributions by soprano Jane Eaglen, pianist Jean-Yves Thibaudet, and fortepianist Melvyn Tan.
A large income is the best recipe for happiness I ever heard of – at least according to “Mansfield Park.” The next best thing is a playlist assembled from Jane Austen movies. There’s an urgency for Regency this week on “Picture Perfect,” music for the movies, now in syndication on KWAX Classical Oregon!
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Clip and save the start times for all three of my recorded shows:
PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST
SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST
THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST
Stream them, wherever you are, at the link!
https://kwax.uoregon.edu/
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If you’re an Austenite, feel free to let me know which novel or film adaptation is your favorite! -

Jane Austen Film Scores on the Radio
It is a truth universally acknowledged that a radio host in possession of a weekly film music show must be in want of a good theme. This week on “Picture Perfect,” we eschew the usual fare of Vikings, pirates, and dinosaurs, to enter the world of Jane Austen.
We’ll hear Rachel Portman’s Academy Award winning score for “Emma” (1996), Patrick Doyle’s music for “Sense and Sensibility” (1995), and selections from two versions of “Pride and Prejudice,” with music by Carl Davis (1995) and Dario Marianelli (2005).
Not only do Austen adaptations sport amazing casts, the scores attract some of classical music’s star performers. Listen in for contributions by soprano Jane Eaglen, pianist Jean-Yves Thibaudet, and fortepianist Melvyn Tan.
A large income is the best recipe for happiness I ever heard of – at least according to “Mansfield Park.” The next best is a playlist assembled from Jane Austen movies. Join me this Saturday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.
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Mr Darcy Hottest Reads at WWFM Friday
Mr. Darcy beats the heat. It’s an all-Jane Austen “Picture Perfect,” this Friday at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.
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Jane Austen Film Scores Picture Perfect
It is a truth universally acknowledged that a radio host in possession of a weekly film music show must be in want of a good theme. This week on “Picture Perfect,” we eschew the usual fare of Vikings, pirates, and dinosaurs, to enter the world of Jane Austen.
We’ll hear Rachel Portman’s Academy Award winning score for “Emma” (1996), Patrick Doyle’s music for “Sense and Sensibility” (1995), and selections from two versions of “Pride and Prejudice,” with music by Carl Davis (1995) and Dario Marianelli (2005).
Not only do Austen adaptations sport amazing casts, the scores attract some of classical music’s star performers. Listen in for contributions by soprano Jane Eaglen, pianist Jean-Yves Thibaudet, and fortepianist Melvyn Tan.
A large income is the best recipe for happiness I ever heard of – at least according to “Mansfield Park.” The next best is a playlist assembled from Jane Austen movies. Join me this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.
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