Tag: Jazz

  • David Amram Celebrates 85 Years

    David Amram Celebrates 85 Years

    David Amram turns 85 today.

    Amram, born in Philadelphia in 1930, has always been equally at home in classical music, jazz, folk and world music. He’s composed over 100 orchestral and chamber works, music for Broadway and film (including scores for “Splendor in the Grass” and “The Manchurian Candidate”), and two operas. He’s also written three books, with a fourth in the works.

    He was raised on a farm in Bucks County, where he was introduced to classical, jazz and cantorial music by his father and uncle. He took piano lessons and experimented with instruments of the brass family, finally settling on the French horn. Following a year at Oberlin, he lit out for George Washington University, where he studied history. While there, he performed as an extra hornist with the National Symphony. He also studied privately with two musicians in the orchestra.

    Amram became a pioneer of the jazz French horn, as well as the New York Philharmonic’s first composer-in-residence (named in 1966). He’s worked with artists ranging from Dizzy Gillespie to Bob Dylan to Leonard Bernstein, from Jack Kerouac to Arthur Miller, from Christopher Plummer to Johnny Depp. He’s a musician without boundaries, who has always been open to new experiences.

    Trailer for the documentary, “David Amram: The First 80 Years”:

    Amram Horn Concerto:

    Amram with Dizzy Gillespie:

    Amram (at the age of 80) performing at the Philadelphia Folk Festival:

    Happy birthday, David Amram, still going way strong.

  • Gunther Schuller A Third Stream Pioneer

    Gunther Schuller A Third Stream Pioneer

    He was a composer, a performer, a conductor, an educator, and an administrator. At 15, he played French horn professionally with the American Ballet Theatre. The next year, he became principal horn of the Cincinnati Symphony. Then he joined the Metropolitan Orchestra, where he played for well over a decade.

    In the ‘60s and ‘70s, he was president of the New England Conservatory. He was also involved with Tanglewood, the summer home of the Boston Symphony, for over 20 years, serving as its artistic director from 1970 to 1984.

    He was awarded the Pulitzer Prize for Music in 1994.

    In addition, he cofounded the Modern Jazz Society. He recorded with Miles Davis. He edited and gave the premiere of Charles Mingus’ final work. He wrote two major books on the history of jazz. To describe what he saw as “a new genre of music, located about halfway between classical music and jazz,” he coined the term “Third Stream.”

    An American polymath, he was clearly a man who just loved music.

    This Sunday night on “The Lost Chord,” we honor Gunther Schuller, who died on June 21, at the age of 89.

    We’ll hear his Bassoon Concerto from 1982. The work, more of a five-movement suite, manages to synthesize atonality, lyricism, blues and Baroque, with some sly quotations from “The Magic Flute,” “The Rite of Spring” and “Peter and the Wolf” along the way.

    Schuller also loved the music of Scott Joplin and did much to contribute to the Joplin revival of the 1970s. He founded the New England Ragtime Ensemble, with which he recorded some bestselling albums of Joplin rags. We’ll hear highlights from Joplin’s opera , “Treemonisha,” which Schuller orchestrated for a revival at Houston Grand Opera.

    I hope you’ll join me as we salute Third Stream artist Gunther Schuller, on “A Midsummer Night’s Stream,” tonight at 10 ET, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at http://www.wwfm.org.

  • August 4: A Birthday Bonanza of American Music

    August 4: A Birthday Bonanza of American Music

    I learned something very interesting this morning. Today is the birthday of Louis Armstrong, with whom I always assumed I shared a birthday of July 4. It turns out Armstrong had no idea when he was born, and it wasn’t until the 1980s that a researcher discovered his baptismal records, confirming that he was born on August 4, 1901. Armstrong, of course, rose from impoverished origins in New Orleans to become not only one of the most important figures in American jazz, but also one of the most recognizable and beloved musicians of the 20th century.

    Two other notable American musicians were born on this date. William Schuman, the winner of the inaugural Pulitzer Prize for Music in 1943 (for his Cantata No. 2 “A Free Song”), was born in 1910. He was president of the Juilliard School from 1945, resigning the position in 1961 to become president of Lincoln Center. He received a special Pulitzer in 1985 for his “contribution to American music as composer and educational leader.” His most famous works are his “New England Triptych,” after Revolutionary Era anthems of William Billings, and his Symphony No. 3, one of the great American contributions to the form, though I encourage you to check out his baseball opera, “The Mighty Casey,” for a lighter side of this often austere composer.

    Finally, film composer David Raksin was born on this date in Philadelphia in 1912. Best-known for the standard “Laura” (from the motion picture of the same name), Raksin got his start working for Charlie Chaplin on “Modern Times,” whipping the self-styled auteur’s musical ideas into their final form. Their relationship could be contentious (Chaplin fired him at least once), but they remained lifelong friends. Because of his longevity – Raksin lived to be 92 – he assumed the unofficial position of senior statesman for film composers of Hollywood’s Golden Age. He was brimming with anecdotes about his colleagues, both in the music department and beyond.

    Happy birthday, gentlemen, and thanks for the music!

    Armstrong sings and plays “All That Meat and No Potatoes”:

    William Schuman on “What’s My Line?”

    Raksin plays “Laura”:
    https://www.youtube.com/watch?v=jTVVqUT_pDw

    Raksin talks about working with Chaplin on “Modern Times”:

    PHOTO: Louis Armstrong and Grace Kelly on the set of “High Society”

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